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The Resource A grammar of cinepoiesis : poetic cameras of Italian cinema, Silvia Carlorosi, (electronic book)

A grammar of cinepoiesis : poetic cameras of Italian cinema, Silvia Carlorosi, (electronic book)

Label
A grammar of cinepoiesis : poetic cameras of Italian cinema
Title
A grammar of cinepoiesis
Title remainder
poetic cameras of Italian cinema
Statement of responsibility
Silvia Carlorosi
Creator
Author
Subject
Genre
Language
  • eng
  • ita
  • eng
Summary
A unique contribution to the fields of film studies and critical and cinematic theory, A Grammar of Cinepoiesis explores the theoretical and practical modes of a cinema of poetry and examines how it breaks the convention of narrative in cinema. Carlorosi demonstrates how cinema of poetry is able to open a dialogue between author, text, and viewers, while cinematic authors, like poietes (poets), bring to life multiple possible worlds
Member of
Cataloging source
DLC
http://library.link/vocab/creatorDate
1975-
http://library.link/vocab/creatorName
Carlorosi, Silvia
Illustrations
illustrations
Index
index present
Language note
English and Italian text
LC call number
PN1993.5.I88
LC item number
.C2717 2015
Literary form
non fiction
Nature of contents
bibliography
http://library.link/vocab/subjectName
  • Motion picture producers and directors
  • Motion pictures
  • Motion pictures
Label
A grammar of cinepoiesis : poetic cameras of Italian cinema, Silvia Carlorosi, (electronic book)
Instantiates
Publication
Bibliography note
Includes bibliographical references and index
Carrier category
online resource
Carrier MARC source
rdacarrier
Content category
text
Content type MARC source
rdacontent
Contents
Chapter I: Meter and Rhetoric: Leopardi's Poetry in Federico Fellini's La voce della luna Chapter II: "Im-Signs" and Free Indirect Subjective Pier Paolo Pasolini's Cinema of Poetry: Accattone and Mamma Roma Chapter III: Color and Focus: Michelangelo Antonioni's Il Deserto Rosso and Blow Up Chapter IV: Sound and Silence: Franco Piavoli's Il pianeta azzurro and Nostos Chapter V: Movement and Form: Matteo Garrone's Primo amore and Gomorra Epilogue: The Visual Power of Images Appendix I: An Interview with Franco Piavoli Appendix II: An Interview with Matteo Garrone
Control code
DAW30928858
Extent
1 online resource (xxxi, 189 pages)
Form of item
electronic
Isbn
9781498509855
Media category
computer
Media MARC source
rdamedia
Other physical details
illustrations (black and white)
Specific material designation
remote
Label
A grammar of cinepoiesis : poetic cameras of Italian cinema, Silvia Carlorosi, (electronic book)
Publication
Bibliography note
Includes bibliographical references and index
Carrier category
online resource
Carrier MARC source
rdacarrier
Content category
text
Content type MARC source
rdacontent
Contents
Chapter I: Meter and Rhetoric: Leopardi's Poetry in Federico Fellini's La voce della luna Chapter II: "Im-Signs" and Free Indirect Subjective Pier Paolo Pasolini's Cinema of Poetry: Accattone and Mamma Roma Chapter III: Color and Focus: Michelangelo Antonioni's Il Deserto Rosso and Blow Up Chapter IV: Sound and Silence: Franco Piavoli's Il pianeta azzurro and Nostos Chapter V: Movement and Form: Matteo Garrone's Primo amore and Gomorra Epilogue: The Visual Power of Images Appendix I: An Interview with Franco Piavoli Appendix II: An Interview with Matteo Garrone
Control code
DAW30928858
Extent
1 online resource (xxxi, 189 pages)
Form of item
electronic
Isbn
9781498509855
Media category
computer
Media MARC source
rdamedia
Other physical details
illustrations (black and white)
Specific material designation
remote

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