Coverart for item
The Resource Affect theory and literary critical practice : a feel for the text, editor, Stephen Ahern

Affect theory and literary critical practice : a feel for the text, editor, Stephen Ahern

Label
Affect theory and literary critical practice : a feel for the text
Title
Affect theory and literary critical practice
Title remainder
a feel for the text
Statement of responsibility
editor, Stephen Ahern
Contributor
Editor
Subject
Language
eng
Member of
Cataloging source
N$T
Dewey number
809/.93353
Index
index present
LC call number
PN56.E6
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
http://library.link/vocab/relatedWorkOrContributorName
Ahern, Stephen
Series statement
Palgrave studies in affect theory and literary criticism
http://library.link/vocab/subjectName
  • Affect (Psychology) in literature
  • Emotions in literature
  • Literature
Label
Affect theory and literary critical practice : a feel for the text, editor, Stephen Ahern
Instantiates
Publication
Copyright
Antecedent source
unknown
Bibliography note
Includes bibliographical references and index
Carrier category
online resource
Carrier category code
cr
Carrier MARC source
rdacarrier
Color
multicolored
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • Intro; Acknowledgments; Contents; Notes on Contributors; Chapter 1: Introduction: A Feel for the Text; Notes on Method I: Histories of Emotion-And of Affect/s, Too?; Notes on Method II: Representing the Ineffable; Reading Beyond Suspicion?; References; Part I: Feeling Early Modern; Chapter 2: The Body in Wonder: Affective Suspension and Medieval Queer Futurity; Scripting Wonder, Affecting Shame; The Fourth-Person Singular; Queer Attention; References; Chapter 3: (Non-)Belief in Things: Affect Theory and a New Literary Materialism; The Elusiveness of Literary Experience; Literature Is a Verb
  • A New Literary MaterialismWhen Stones Speak: Shakespeare's New Materialism; Conclusion: New Materialism and Literary Critical Practice; References; Chapter 4: Semblances of Affect in the Early English Novel: Narrating Intensity; Classical Passions, Modern Emotions, Postmodern Affects; Narrating Intensity in Richardson and Austen; References; Part II: Affective Transmissions, Romantic to Victorian; Chapter 5: Reading and the Sociality of Disappointing Affects in Jane Austen; Disappointment's Novel Forms; Sociable Affects; References
  • Chapter 6: Shame and Its Affects: The Form-Content Implosion of Shelley's The CenciReferences; Chapter 7: Bodily Sympathy, Affect, and Victorian Sensation Fiction; Empathy, Affect, Materiality; Sympathy and the Body; Victorian Sensation Fiction; Conclusions; References; Chapter 8: Feeling Other(s): Dracula and the Ethics of Unmanageable Affect; Fainting and Feeling: The Alterity of the Self; Vampire Ethics; References; Part III: Modernist Contingencies: Engaging the Ineffable; Chapter 9: Glad Animals: Speed, Affect, and Modern Literature; References
  • Chapter 10: Senses Without Names: Affective Becomings in William Faulkner and Carson McCullersNietzsche and Affective Becoming; Migrant Becomings in Faulkner and McCullers; Senses Without Names; References; Part IV: Bodies Write Back: Attending to Affect in Contemporary Writing; Chapter 11: Invisible Memories: Black Feminist Literature and Its Affective Flights; On Affect and Anger; The Affective Environment and Living Community; Affective Hauntings; References; Chapter 12: On Good Listening, Postcritique, and Ta-Nehisi Coates' Affective Testimony
  • Good Listening: Affective Sensibilities of LiteratureA Feel for Racial Embodiment; Affective Enslavement; The Chains of Fear; Breaking Free?; Exit; References; Chapter 13: Feeling Nature, Reconsidered: Ecocriticism, Affect, and the Case of H Is for Hawk; Ecocriticism and the A-Word; The Other A-Word; Feeling (and Learning) with Nature; References; Index
Dimensions
unknown
Extent
1 online resource.
File format
unknown
Form of item
online
Isbn
9783319972688
Level of compression
unknown
Media category
computer
Media MARC source
rdamedia
Media type code
c
http://library.link/vocab/ext/overdrive/overdriveId
com.springer.onix.9783319972688
Quality assurance targets
not applicable
Reformatting quality
unknown
Sound
unknown sound
Specific material designation
remote
System control number
  • on1080576672
  • (OCoLC)1080576672
Label
Affect theory and literary critical practice : a feel for the text, editor, Stephen Ahern
Publication
Copyright
Antecedent source
unknown
Bibliography note
Includes bibliographical references and index
Carrier category
online resource
Carrier category code
cr
Carrier MARC source
rdacarrier
Color
multicolored
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • Intro; Acknowledgments; Contents; Notes on Contributors; Chapter 1: Introduction: A Feel for the Text; Notes on Method I: Histories of Emotion-And of Affect/s, Too?; Notes on Method II: Representing the Ineffable; Reading Beyond Suspicion?; References; Part I: Feeling Early Modern; Chapter 2: The Body in Wonder: Affective Suspension and Medieval Queer Futurity; Scripting Wonder, Affecting Shame; The Fourth-Person Singular; Queer Attention; References; Chapter 3: (Non-)Belief in Things: Affect Theory and a New Literary Materialism; The Elusiveness of Literary Experience; Literature Is a Verb
  • A New Literary MaterialismWhen Stones Speak: Shakespeare's New Materialism; Conclusion: New Materialism and Literary Critical Practice; References; Chapter 4: Semblances of Affect in the Early English Novel: Narrating Intensity; Classical Passions, Modern Emotions, Postmodern Affects; Narrating Intensity in Richardson and Austen; References; Part II: Affective Transmissions, Romantic to Victorian; Chapter 5: Reading and the Sociality of Disappointing Affects in Jane Austen; Disappointment's Novel Forms; Sociable Affects; References
  • Chapter 6: Shame and Its Affects: The Form-Content Implosion of Shelley's The CenciReferences; Chapter 7: Bodily Sympathy, Affect, and Victorian Sensation Fiction; Empathy, Affect, Materiality; Sympathy and the Body; Victorian Sensation Fiction; Conclusions; References; Chapter 8: Feeling Other(s): Dracula and the Ethics of Unmanageable Affect; Fainting and Feeling: The Alterity of the Self; Vampire Ethics; References; Part III: Modernist Contingencies: Engaging the Ineffable; Chapter 9: Glad Animals: Speed, Affect, and Modern Literature; References
  • Chapter 10: Senses Without Names: Affective Becomings in William Faulkner and Carson McCullersNietzsche and Affective Becoming; Migrant Becomings in Faulkner and McCullers; Senses Without Names; References; Part IV: Bodies Write Back: Attending to Affect in Contemporary Writing; Chapter 11: Invisible Memories: Black Feminist Literature and Its Affective Flights; On Affect and Anger; The Affective Environment and Living Community; Affective Hauntings; References; Chapter 12: On Good Listening, Postcritique, and Ta-Nehisi Coates' Affective Testimony
  • Good Listening: Affective Sensibilities of LiteratureA Feel for Racial Embodiment; Affective Enslavement; The Chains of Fear; Breaking Free?; Exit; References; Chapter 13: Feeling Nature, Reconsidered: Ecocriticism, Affect, and the Case of H Is for Hawk; Ecocriticism and the A-Word; The Other A-Word; Feeling (and Learning) with Nature; References; Index
Dimensions
unknown
Extent
1 online resource.
File format
unknown
Form of item
online
Isbn
9783319972688
Level of compression
unknown
Media category
computer
Media MARC source
rdamedia
Media type code
c
http://library.link/vocab/ext/overdrive/overdriveId
com.springer.onix.9783319972688
Quality assurance targets
not applicable
Reformatting quality
unknown
Sound
unknown sound
Specific material designation
remote
System control number
  • on1080576672
  • (OCoLC)1080576672

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