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The Resource "Better in France?" : the circulation of ideas across the Channel in the eighteenth century, edited by Frédéric Ogée

"Better in France?" : the circulation of ideas across the Channel in the eighteenth century, edited by Frédéric Ogée

Label
"Better in France?" : the circulation of ideas across the Channel in the eighteenth century
Title
"Better in France?"
Title remainder
the circulation of ideas across the Channel in the eighteenth century
Statement of responsibility
edited by Frédéric Ogée
Contributor
Subject
Language
eng
Cataloging source
DLC
Illustrations
illustrations
Index
index present
Literary form
non fiction
Nature of contents
bibliography
http://library.link/vocab/relatedWorkOrContributorName
Ogée, Frédéric
Series statement
The Bucknell studies in eighteenth-century literature and culture
http://library.link/vocab/subjectName
  • Great Britain
  • English literature
  • Great Britain
  • France
  • France
  • English literature
  • French literature
  • Great Britain
  • France
Label
"Better in France?" : the circulation of ideas across the Channel in the eighteenth century, edited by Frédéric Ogée
Instantiates
Publication
Note
"The present vol. is the result of a collective research project undertaken originally in the English Department of Paris 7 university on the broad theme of 'British aesthetics and the continent: cross-influences in the eighteenth century'" -- p. 9
Bibliography note
Includes bibliographical references and index
Contents
  • "Amicable collision" : some thoughts on the reality of intellectual exchange between Britain and France in the Enlightenment
  • Frederic Ogee
  • p. 13
  • Cross-channel exchanges and the rise of the landscape garden (1700-1815).
  • Michel Baridon.
  • p. 37
  • From continental influence to British independence : Jonathan Richardson's art theories.
  • Isabelle Baudino.
  • p. 55
  • artistic framing of English nationalism in Hogarth's The gate of Calais, or The roast beef of old England.
  • Peter Wagner.
  • p. 71
  • Britishness of caricature in revolutionary France.
  • Amelia Rauser.
  • p. 88
  • From Rameau to Avison : discord or concord?.
  • Pierre Dubois.
  • p. 111
  • Of the notion of imitation : the translations of La Rochefoucauld in England in the late seventeenth and early eighteenth centuries.
  • Line Cottegnies.
  • p. 129
  • Spectator's curtailed legacy : the periodical press between England and France in the 18th century.
  • Claire Boulard.
  • p. 144
  • "Une Teinture anglaise" : English aesthetics in Prevost's Pour et contre.
  • Rori Bloom.
  • p. 162
  • Authority, success, and the philosopher : Hume vs. Rousseau.
  • Robert Mankin.
  • p. 177
  • Staging national identities : the English theatre viewed from France in the mid-eighteenth century.
  • Jeffrey Hopes.
  • p. 203
  • "translation of proserpine" : exchanges in and of a myth between England and France.
  • Thomas Dutoit.
  • p. 231
  • How far from the madding crowd? : Gray, Algarotti, and the European republic of letters.
  • Maria Grazia Dongu.
  • p. 252
  • Englishness of the English gothic novel : romance writing in an age of Europhobia.
  • Peter Mortensen.
  • p. 269
Control code
ocm57514870
Dimensions
24 cm.
Extent
298 p.
Isbn
9780838755976
Lccn
2005042016
Other control number
9780838755976
Other physical details
ill., facs.
Label
"Better in France?" : the circulation of ideas across the Channel in the eighteenth century, edited by Frédéric Ogée
Publication
Note
"The present vol. is the result of a collective research project undertaken originally in the English Department of Paris 7 university on the broad theme of 'British aesthetics and the continent: cross-influences in the eighteenth century'" -- p. 9
Bibliography note
Includes bibliographical references and index
Contents
  • "Amicable collision" : some thoughts on the reality of intellectual exchange between Britain and France in the Enlightenment
  • Frederic Ogee
  • p. 13
  • Cross-channel exchanges and the rise of the landscape garden (1700-1815).
  • Michel Baridon.
  • p. 37
  • From continental influence to British independence : Jonathan Richardson's art theories.
  • Isabelle Baudino.
  • p. 55
  • artistic framing of English nationalism in Hogarth's The gate of Calais, or The roast beef of old England.
  • Peter Wagner.
  • p. 71
  • Britishness of caricature in revolutionary France.
  • Amelia Rauser.
  • p. 88
  • From Rameau to Avison : discord or concord?.
  • Pierre Dubois.
  • p. 111
  • Of the notion of imitation : the translations of La Rochefoucauld in England in the late seventeenth and early eighteenth centuries.
  • Line Cottegnies.
  • p. 129
  • Spectator's curtailed legacy : the periodical press between England and France in the 18th century.
  • Claire Boulard.
  • p. 144
  • "Une Teinture anglaise" : English aesthetics in Prevost's Pour et contre.
  • Rori Bloom.
  • p. 162
  • Authority, success, and the philosopher : Hume vs. Rousseau.
  • Robert Mankin.
  • p. 177
  • Staging national identities : the English theatre viewed from France in the mid-eighteenth century.
  • Jeffrey Hopes.
  • p. 203
  • "translation of proserpine" : exchanges in and of a myth between England and France.
  • Thomas Dutoit.
  • p. 231
  • How far from the madding crowd? : Gray, Algarotti, and the European republic of letters.
  • Maria Grazia Dongu.
  • p. 252
  • Englishness of the English gothic novel : romance writing in an age of Europhobia.
  • Peter Mortensen.
  • p. 269
Control code
ocm57514870
Dimensions
24 cm.
Extent
298 p.
Isbn
9780838755976
Lccn
2005042016
Other control number
9780838755976
Other physical details
ill., facs.

Library Locations

    • Sydney Jones LibraryBorrow it
      Chatham Street, Liverpool, L7 7BD, GB
      53.403069 -2.963723
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