Coverart for item
The Resource Contemporary film music : investigating cinema narratives and composition, Lindsay Coleman, Joakim Tillman, editors

Contemporary film music : investigating cinema narratives and composition, Lindsay Coleman, Joakim Tillman, editors

Label
Contemporary film music : investigating cinema narratives and composition
Title
Contemporary film music
Title remainder
investigating cinema narratives and composition
Statement of responsibility
Lindsay Coleman, Joakim Tillman, editors
Contributor
Editor
Subject
Language
eng
Member of
Cataloging source
N$T
Dewey number
781.5/42
Index
index present
LC call number
ML2075
LC item number
.C66 2017eb
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
http://library.link/vocab/relatedWorkOrContributorName
  • Coleman, Lindsay
  • Tillman, Joakim
http://library.link/vocab/subjectName
Motion picture music
Label
Contemporary film music : investigating cinema narratives and composition, Lindsay Coleman, Joakim Tillman, editors
Instantiates
Publication
Antecedent source
unknown
Bibliography note
Includes bibliographical references and index
Carrier category
online resource
Carrier category code
cr
Carrier MARC source
rdacarrier
Color
multicolored
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • Acknowledgements; Contents; Notes on Contributors; List of Figures ; Chapter 1: Introduction; Notes; Bibliography; Chapter 2: A.R. Rahman Interview; Chapter 3: The 'Alternate Space' of A.R. Rahman's Film Music; Introduction; Comparative Conventions in Indian and Western Film Music; Aspects of Tonality and Extra-Musical Meaning in Indian and Western Music; Roja, 1992 and Bombay, 1995; Fire, 1996; Slumdog Millionaire, 2008 and 127 Hours, 2010; Conclusion; Notes; Bibliography; Internet; Chapter 4: Zbigniew Preisner Interview
  • Chapter 5: Music by Zbigniew Preisner? Fictional Composers and Compositions in the Kieślowski CollaborationsFictional Music in Theory and Practice; Composing Fiction; The Fictional and the Real; Notes; Bibliography; Chapter 6: Carter Burwell Interview; Chapter 7: Burwell and Space: Inner, Outer, Environmental and Acoustical; Introduction; The Materials; Motive, Acoustical Space, and Place; Narrative Disconnect to Emotional Synchrony: Motive, Image and Affect; Conclusion: Film as Music; Notes; Bibliography; Chapter 8: Rachel Portman Interview
  • Chapter 9: Eero Tarasti and the Narratological Construction of Rachel Portman's EmmaNotes; Bibliography; Chapter 10: Dario Marianelli Interview; Chapter 11: Solo Instruments and Internal Focalization in Dario Marianelli's Pride & Prejudice and Atonement; Pride & Prejudice; Lizzie's Theme; The Secret Life of Daydreams; The Solo Cello in Pride & Prejudice; The Role of the Orchestra; Atonement; 'Elegy for Dunkirk' and the Solo Cello; The Love Theme; Denouement and a Change of Narrative Perspective; Conclusion; Notes; Bibliography; Chapter 12: Mychael Danna Interview
  • Chapter 13: Mychael Danna: Music as MetaphorThe Ice Storm; Moneyball; Life of Pi; Epilogue; Notes; Bibliography; Chapter 14: John Williams and Contemporary Film Music; A Background of Contemporary Hollywood Music; John Williams and Contemporary Hollywood; Notes; Bibliography; Chapter 15: Musical Syntax in John Williams's Film Music Themes; Sentence; Period; Trifold Sentence; Sentence with a Dissolving Third Statement; Unfolding Sentence; Conclusion; Notes; Appendix; Sentence; Sentence with Dissolving Third Statement; Trifold Sentence; Unfolding Sentence; Period; Bibliography; Index
Dimensions
unknown
Extent
1 online resource (xvi, 272 pages).
File format
unknown
Form of item
online
Isbn
9781137573742
Level of compression
unknown
Media category
computer
Media MARC source
rdamedia
Media type code
c
Quality assurance targets
not applicable
Reformatting quality
unknown
Sound
unknown sound
Specific material designation
remote
System control number
ocn988600389
Label
Contemporary film music : investigating cinema narratives and composition, Lindsay Coleman, Joakim Tillman, editors
Publication
Antecedent source
unknown
Bibliography note
Includes bibliographical references and index
Carrier category
online resource
Carrier category code
cr
Carrier MARC source
rdacarrier
Color
multicolored
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • Acknowledgements; Contents; Notes on Contributors; List of Figures ; Chapter 1: Introduction; Notes; Bibliography; Chapter 2: A.R. Rahman Interview; Chapter 3: The 'Alternate Space' of A.R. Rahman's Film Music; Introduction; Comparative Conventions in Indian and Western Film Music; Aspects of Tonality and Extra-Musical Meaning in Indian and Western Music; Roja, 1992 and Bombay, 1995; Fire, 1996; Slumdog Millionaire, 2008 and 127 Hours, 2010; Conclusion; Notes; Bibliography; Internet; Chapter 4: Zbigniew Preisner Interview
  • Chapter 5: Music by Zbigniew Preisner? Fictional Composers and Compositions in the Kieślowski CollaborationsFictional Music in Theory and Practice; Composing Fiction; The Fictional and the Real; Notes; Bibliography; Chapter 6: Carter Burwell Interview; Chapter 7: Burwell and Space: Inner, Outer, Environmental and Acoustical; Introduction; The Materials; Motive, Acoustical Space, and Place; Narrative Disconnect to Emotional Synchrony: Motive, Image and Affect; Conclusion: Film as Music; Notes; Bibliography; Chapter 8: Rachel Portman Interview
  • Chapter 9: Eero Tarasti and the Narratological Construction of Rachel Portman's EmmaNotes; Bibliography; Chapter 10: Dario Marianelli Interview; Chapter 11: Solo Instruments and Internal Focalization in Dario Marianelli's Pride & Prejudice and Atonement; Pride & Prejudice; Lizzie's Theme; The Secret Life of Daydreams; The Solo Cello in Pride & Prejudice; The Role of the Orchestra; Atonement; 'Elegy for Dunkirk' and the Solo Cello; The Love Theme; Denouement and a Change of Narrative Perspective; Conclusion; Notes; Bibliography; Chapter 12: Mychael Danna Interview
  • Chapter 13: Mychael Danna: Music as MetaphorThe Ice Storm; Moneyball; Life of Pi; Epilogue; Notes; Bibliography; Chapter 14: John Williams and Contemporary Film Music; A Background of Contemporary Hollywood Music; John Williams and Contemporary Hollywood; Notes; Bibliography; Chapter 15: Musical Syntax in John Williams's Film Music Themes; Sentence; Period; Trifold Sentence; Sentence with a Dissolving Third Statement; Unfolding Sentence; Conclusion; Notes; Appendix; Sentence; Sentence with Dissolving Third Statement; Trifold Sentence; Unfolding Sentence; Period; Bibliography; Index
Dimensions
unknown
Extent
1 online resource (xvi, 272 pages).
File format
unknown
Form of item
online
Isbn
9781137573742
Level of compression
unknown
Media category
computer
Media MARC source
rdamedia
Media type code
c
Quality assurance targets
not applicable
Reformatting quality
unknown
Sound
unknown sound
Specific material designation
remote
System control number
ocn988600389

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