Coverart for item
The Resource Crafting in the world : materiality in the making, Clare Burke, Suzanne M. Spencer-Wood, editors

Crafting in the world : materiality in the making, Clare Burke, Suzanne M. Spencer-Wood, editors

Label
Crafting in the world : materiality in the making
Title
Crafting in the world
Title remainder
materiality in the making
Statement of responsibility
Clare Burke, Suzanne M. Spencer-Wood, editors
Contributor
Editor
Subject
Language
eng
Member of
Cataloging source
N$T
Dewey number
306
Illustrations
illustrations
Index
index present
LC call number
GN429
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
http://library.link/vocab/relatedWorkOrContributorName
  • Burke, Clare
  • Spencer-Wood, Suzanne M.
http://library.link/vocab/subjectName
  • Material culture
  • Creation (Literary, artistic, etc.)
  • Handicraft
  • Cultural geography
Label
Crafting in the world : materiality in the making, Clare Burke, Suzanne M. Spencer-Wood, editors
Instantiates
Publication
Antecedent source
unknown
Bibliography note
Includes bibliographical references and index
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Color
multicolored
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • Intro; Contents; Contributors; About the Editors; Chapter 1: Introduction; Crafting a Terminology: An Etymological Black Hole; Crafting and Habitus; Overview of This Volume; Bibliography; Part I: Reconstructing Ancient Craft Practice Through Archaeology and Experiment; Chapter 2: Made to Remake the World: The Bronze Age Tool and the 'Idea of Craft'; Craft as Reshaping the World; Tools as Functional Objects; Tools in a Socio-technological Context; Tools in Dual Worlds; Tools in Life and Tools in Death; Made to Remake the World; References
  • Chapter 3: Looking Over the Shoulder of the Bronze Age Metalsmith: Recognising the Crafter in Archaeological ArtefactsAre Mistakes a Sign of Poor Artistry or Is There a Story Here?; Understanding Craft; Tools: Intermediary Between Smith and Material; Telling the Story: Wear as Narrative; Motion Frozen in Metal: Artefacts as a Record of Craft Activity; Bibliography; Chapter 4: Grasping at Threads: A Discussion on Archaeology and Craft; Introduction; A Note on Technology; Methodological Consequences; Black Boxes and the Introduction of Sails on Scandinavian Boats; Dealing with Time
  • Handling Past ActionsApproaching the Technological Space; Pieces of the Puzzle; Subtle Changes: Immense Consequences; Spinning; Weaving; Production Organization; Archaeology of the Tacit; Literature; Part II: Reconceptualizing Crafting and Identity; Chapter 5: Crafting History: How the World Is Made. The Case of Islamic Archaeology; Agency, Action, Craft and Identity; Identity and the Material Link to Culture, Individual, Agency and Mind; Marranci's Tautological Circuit and the Material World; Crafting the World, Crafting History; Craft as an Example of Transformative Action
  • Craft as an Example of Chaîne OpératoireCraft and Identity; A Case Study: The Question of Islamic Archaeology and Islamic Identity Through the Study of Craft; Conclusions; References; Chapter 6: Beauty and Grace in Making Artifacts: An Anthropological Gaze Upon Crafting in the World; Introduction; Theoretical Background and Argument; Arts and Crafting as Socially Embodied Learning and Kinesthetic-Embodied Communication; Studying Art in Anthropology; Franz Boas and Gregory Bateson: Connectedness in Grace; Evolutionary Therapeutic and Educational Art Theories
  • Similarities and Differences During Crafting in the WorldPresenting Case Vignettes; Abdelkarim: Crafting as Intercultural and Healing Communication; Feisal: Crafting as Regaining Mental Stability; Artisanal Blacksmithing as a Social-Communicating Transgenerational Socialization and (Family) Continuity; Relating Case Vignettes to Theoretical Argument; Concluding Remarks; Appendix I; Lost Powers Returning; MiBoSo: An Ancient-New Sacred Trinity; Reuniting Mind-Body-Soul; References; Chapter 7: Mapping Etsy: Reflections on (Spatial) Relations in an E-Commerce for Handmade Things; Introduction
Dimensions
unknown
Extent
1 online resource.
File format
unknown
Form of item
online
Isbn
9783319650876
Level of compression
unknown
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
http://library.link/vocab/ext/overdrive/overdriveId
com.springer.onix.9783319650883
Quality assurance targets
not applicable
Reformatting quality
unknown
Sound
unknown sound
Specific material designation
remote
System control number
  • on1062418927
  • (OCoLC)1062418927
Label
Crafting in the world : materiality in the making, Clare Burke, Suzanne M. Spencer-Wood, editors
Publication
Antecedent source
unknown
Bibliography note
Includes bibliographical references and index
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Color
multicolored
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • Intro; Contents; Contributors; About the Editors; Chapter 1: Introduction; Crafting a Terminology: An Etymological Black Hole; Crafting and Habitus; Overview of This Volume; Bibliography; Part I: Reconstructing Ancient Craft Practice Through Archaeology and Experiment; Chapter 2: Made to Remake the World: The Bronze Age Tool and the 'Idea of Craft'; Craft as Reshaping the World; Tools as Functional Objects; Tools in a Socio-technological Context; Tools in Dual Worlds; Tools in Life and Tools in Death; Made to Remake the World; References
  • Chapter 3: Looking Over the Shoulder of the Bronze Age Metalsmith: Recognising the Crafter in Archaeological ArtefactsAre Mistakes a Sign of Poor Artistry or Is There a Story Here?; Understanding Craft; Tools: Intermediary Between Smith and Material; Telling the Story: Wear as Narrative; Motion Frozen in Metal: Artefacts as a Record of Craft Activity; Bibliography; Chapter 4: Grasping at Threads: A Discussion on Archaeology and Craft; Introduction; A Note on Technology; Methodological Consequences; Black Boxes and the Introduction of Sails on Scandinavian Boats; Dealing with Time
  • Handling Past ActionsApproaching the Technological Space; Pieces of the Puzzle; Subtle Changes: Immense Consequences; Spinning; Weaving; Production Organization; Archaeology of the Tacit; Literature; Part II: Reconceptualizing Crafting and Identity; Chapter 5: Crafting History: How the World Is Made. The Case of Islamic Archaeology; Agency, Action, Craft and Identity; Identity and the Material Link to Culture, Individual, Agency and Mind; Marranci's Tautological Circuit and the Material World; Crafting the World, Crafting History; Craft as an Example of Transformative Action
  • Craft as an Example of Chaîne OpératoireCraft and Identity; A Case Study: The Question of Islamic Archaeology and Islamic Identity Through the Study of Craft; Conclusions; References; Chapter 6: Beauty and Grace in Making Artifacts: An Anthropological Gaze Upon Crafting in the World; Introduction; Theoretical Background and Argument; Arts and Crafting as Socially Embodied Learning and Kinesthetic-Embodied Communication; Studying Art in Anthropology; Franz Boas and Gregory Bateson: Connectedness in Grace; Evolutionary Therapeutic and Educational Art Theories
  • Similarities and Differences During Crafting in the WorldPresenting Case Vignettes; Abdelkarim: Crafting as Intercultural and Healing Communication; Feisal: Crafting as Regaining Mental Stability; Artisanal Blacksmithing as a Social-Communicating Transgenerational Socialization and (Family) Continuity; Relating Case Vignettes to Theoretical Argument; Concluding Remarks; Appendix I; Lost Powers Returning; MiBoSo: An Ancient-New Sacred Trinity; Reuniting Mind-Body-Soul; References; Chapter 7: Mapping Etsy: Reflections on (Spatial) Relations in an E-Commerce for Handmade Things; Introduction
Dimensions
unknown
Extent
1 online resource.
File format
unknown
Form of item
online
Isbn
9783319650876
Level of compression
unknown
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
http://library.link/vocab/ext/overdrive/overdriveId
com.springer.onix.9783319650883
Quality assurance targets
not applicable
Reformatting quality
unknown
Sound
unknown sound
Specific material designation
remote
System control number
  • on1062418927
  • (OCoLC)1062418927

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