Coverart for item
The Resource European film and television co-production : policy and practice, edited by Julia Hammett-Jamart, Petar Mitric, Eva Novrup Redvall

European film and television co-production : policy and practice, edited by Julia Hammett-Jamart, Petar Mitric, Eva Novrup Redvall

Label
European film and television co-production : policy and practice
Title
European film and television co-production
Title remainder
policy and practice
Statement of responsibility
edited by Julia Hammett-Jamart, Petar Mitric, Eva Novrup Redvall
Contributor
Editor
Subject
Language
eng
Member of
Cataloging source
N$T
Dewey number
791.430232094
Illustrations
illustrations
Index
no index present
LC call number
PN1992.3.E78
Literary form
non fiction
Nature of contents
dictionaries
http://library.link/vocab/relatedWorkOrContributorName
  • Hammett-Jamart, Julia
  • Mitric, Petar
  • Redvall, Eva Novrup
Series statement
Palgrave European film and media studies
http://library.link/vocab/subjectName
  • Coproduction (Motion pictures, television, etc.)
  • Motion pictures
  • Television
  • Motion pictures
  • Television
  • Motion pictures
  • Television
Label
European film and television co-production : policy and practice, edited by Julia Hammett-Jamart, Petar Mitric, Eva Novrup Redvall
Instantiates
Publication
Antecedent source
unknown
Bibliography note
Includes bibliographical references and index
Carrier category
online resource
Carrier category code
cr
Carrier MARC source
rdacarrier
Color
multicolored
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • Intro; Foreword; Visions, Realities and Challenges; Co-production and Creative European Networks; Inside the Complex World of European Co-production; Contents; Notes on Contributors; List of Figures; List of Tables; Chapter 1: Introduction: European Film and Television Co-production; The Significance of European Co-production; Existing Co-production Literature; Enhancing the Dialogue; Definitions and Concepts; Content and Structure; Recurrent Themes; References; Chapter 2: Statistical Overview: Production, Co-production and Circulation; Statistical Snapshot; Methodological Considerations
  • Production VolumeOverall Production Volume in Europe; Producing Countries and Growth; Feature Fiction Films; Focus on Co-production; Majority Co-productions; Minority Co-production; Co-production Partners; Most Frequent Bi-lateral Interactions; Number of Co-producers; (Co)-production: Admissions and Circulation; Admissions; Circulation; Part I: Policy and Practice of Co-production: Scholarly Voices; Chapter 3: Official Co-production: Policy Instruments and Imperatives; Historical Context; International Co-production; Official Co-production; International Treaty Conditions
  • Safe-Guarding National Policy ObjectivesOfficial Co-production at the Nexus of Competing Policy Imperatives; Impact on Content; Conclusion; References; Chapter 4: The European Co-production Treaties: A Short History and a Possible Typology; Introduction; The Policy Cycle Framework; A History of Co-production Treaties; The First Big Policy Cycle-Bilateral Co-production Treaties; Emergence (Agenda-Setting); Formulation; Implementation; Evaluation; The Second Big Policy Cycle-The European Convention on Cinematographic Co-production; Industry-based Typology of Co-production Treaties
  • Treaties for Obvious ReasonsTreaties for Non-industry Reasons; Treaties of Disconnection; Conclusion; References; Chapter 5: From Co-productions to 'Co-distributions'? Re-evaluating Distribution Policies for European Film; The European Circulation of European Co-productions; How Does Film Distribution for Co-production Work?; European Film Policies; The MEDIA Programme; Digital Distribution and European Film Policies: Walk This Way (WtW) and The TIDE Experiment; Conclusions; References; Chapter 6: European Co-productions in a Digital Single Market: EUtopia or Dystopia?
  • A Fragmented, Culturally Diverse European MarketBoosting Co-productions Through Support Schemes; The Role of Territoriality in Film Financing; Media Convergence as Discourse; Analysing Political Discourse; The Commission: Tearing Down Barriers Online; Giving Consumers What They Want; The Issue of Absolute Territorial Exclusivity; The European Film Industry: 'If It Ain't Broke, Don't Fix It'; The Current Model Is Fit for Purpose; Negative Consequences; Conclusion; References; Chapter 7: The Emergence of Pan-European Film Studios and Its Implications for Co-production Studies and Policy
Dimensions
unknown
Extent
1 online resource (1 volume)
File format
unknown
Form of item
online
Isbn
9783319971575
Level of compression
unknown
Media category
computer
Media MARC source
rdamedia
Media type code
c
Other physical details
illustrations (black and white, and colour).
http://library.link/vocab/ext/overdrive/overdriveId
com.springer.onix.9783319971575
Quality assurance targets
not applicable
Reformatting quality
unknown
Sound
unknown sound
Specific material designation
remote
System control number
  • on1083545237
  • (OCoLC)1083545237
Label
European film and television co-production : policy and practice, edited by Julia Hammett-Jamart, Petar Mitric, Eva Novrup Redvall
Publication
Antecedent source
unknown
Bibliography note
Includes bibliographical references and index
Carrier category
online resource
Carrier category code
cr
Carrier MARC source
rdacarrier
Color
multicolored
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • Intro; Foreword; Visions, Realities and Challenges; Co-production and Creative European Networks; Inside the Complex World of European Co-production; Contents; Notes on Contributors; List of Figures; List of Tables; Chapter 1: Introduction: European Film and Television Co-production; The Significance of European Co-production; Existing Co-production Literature; Enhancing the Dialogue; Definitions and Concepts; Content and Structure; Recurrent Themes; References; Chapter 2: Statistical Overview: Production, Co-production and Circulation; Statistical Snapshot; Methodological Considerations
  • Production VolumeOverall Production Volume in Europe; Producing Countries and Growth; Feature Fiction Films; Focus on Co-production; Majority Co-productions; Minority Co-production; Co-production Partners; Most Frequent Bi-lateral Interactions; Number of Co-producers; (Co)-production: Admissions and Circulation; Admissions; Circulation; Part I: Policy and Practice of Co-production: Scholarly Voices; Chapter 3: Official Co-production: Policy Instruments and Imperatives; Historical Context; International Co-production; Official Co-production; International Treaty Conditions
  • Safe-Guarding National Policy ObjectivesOfficial Co-production at the Nexus of Competing Policy Imperatives; Impact on Content; Conclusion; References; Chapter 4: The European Co-production Treaties: A Short History and a Possible Typology; Introduction; The Policy Cycle Framework; A History of Co-production Treaties; The First Big Policy Cycle-Bilateral Co-production Treaties; Emergence (Agenda-Setting); Formulation; Implementation; Evaluation; The Second Big Policy Cycle-The European Convention on Cinematographic Co-production; Industry-based Typology of Co-production Treaties
  • Treaties for Obvious ReasonsTreaties for Non-industry Reasons; Treaties of Disconnection; Conclusion; References; Chapter 5: From Co-productions to 'Co-distributions'? Re-evaluating Distribution Policies for European Film; The European Circulation of European Co-productions; How Does Film Distribution for Co-production Work?; European Film Policies; The MEDIA Programme; Digital Distribution and European Film Policies: Walk This Way (WtW) and The TIDE Experiment; Conclusions; References; Chapter 6: European Co-productions in a Digital Single Market: EUtopia or Dystopia?
  • A Fragmented, Culturally Diverse European MarketBoosting Co-productions Through Support Schemes; The Role of Territoriality in Film Financing; Media Convergence as Discourse; Analysing Political Discourse; The Commission: Tearing Down Barriers Online; Giving Consumers What They Want; The Issue of Absolute Territorial Exclusivity; The European Film Industry: 'If It Ain't Broke, Don't Fix It'; The Current Model Is Fit for Purpose; Negative Consequences; Conclusion; References; Chapter 7: The Emergence of Pan-European Film Studios and Its Implications for Co-production Studies and Policy
Dimensions
unknown
Extent
1 online resource (1 volume)
File format
unknown
Form of item
online
Isbn
9783319971575
Level of compression
unknown
Media category
computer
Media MARC source
rdamedia
Media type code
c
Other physical details
illustrations (black and white, and colour).
http://library.link/vocab/ext/overdrive/overdriveId
com.springer.onix.9783319971575
Quality assurance targets
not applicable
Reformatting quality
unknown
Sound
unknown sound
Specific material designation
remote
System control number
  • on1083545237
  • (OCoLC)1083545237

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