Coverart for item
The Resource Film music & beyond : writing on music and the screen, Hans Keller ; edited by Christopher Wintle

Film music & beyond : writing on music and the screen, Hans Keller ; edited by Christopher Wintle

Label
Film music & beyond : writing on music and the screen
Title
Film music & beyond
Title remainder
writing on music and the screen
Statement of responsibility
Hans Keller ; edited by Christopher Wintle
Creator
Contributor
Subject
Language
eng
Cataloging source
UKM
http://library.link/vocab/creatorName
Keller, Hans
Illustrations
illustrations
Index
no index present
Literary form
non fiction
http://library.link/vocab/relatedWorkOrContributorName
Wintle, Christopher
Series statement
The Hans Keller archive
http://library.link/vocab/subjectName
Motion picture music
Label
Film music & beyond : writing on music and the screen, Hans Keller ; edited by Christopher Wintle
Instantiates
Publication
Note
"Published in association with the William Alwyn Foundation" -- T.p
Bibliography note
Includes bibliography (p. 243-248) and index
Contents
  • need for competent film music criticism.
  • p. 3
  • Pt. 1.
  • Film music topics
  • psychology of film music.
  • p. 21
  • news and the muse.
  • p. 25
  • Featured music : 'classical' quotations
  • 1.
  • question of quotation.
  • p. 30
  • 2.
  • Reply to Pizzetti.
  • p. 32
  • Hollywood
  • 1.
  • Hollywood music - another view.
  • p. 36
  • 2.
  • Hollywood orchestrators : the dragon shows his teeth.
  • p. 41
  • 3.
  • From Auden to Hollywood (through route).
  • p. 47
  • British film music
  • 1.
  • appeal to constructive consciences.
  • p. 51
  • 2.
  • Film music : British.
  • p. 53
  • 3.
  • LCMC-ICA failure.
  • p. 57
  • Film music of the world
  • 1.
  • Continental, British and American.
  • p. 60
  • 2.
  • World review.
  • p. 63
  • Film-musical ingredients
  • 1.
  • Film-musical atmosphere.
  • p. 67
  • 2.
  • Music in documentary film.
  • p. 68
  • 3.
  • film dirge.
  • p. 70
  • 4.
  • simple tune.
  • p. 71
  • 5.
  • Noise as Leitmotiv.
  • p. 74
  • 6.
  • Noisy music and musical noise.
  • p. 79
  • 7.
  • Tonal structures; the documentary approach; the function of 'featured' music.
  • p. 82
  • 8.
  • Problems of integration.
  • p. 84
  • 9.
  • Speech rhythm.
  • p. 87
  • Films and the ballet.
  • p. 91
  • 'Filmized' opera and oratorio
  • 1.
  • Revolution or retrogression?.
  • p. 94
  • 2.
  • Another filmed opera.
  • p. 98
  • 3.
  • Tales from the Vienna Hollywoods.
  • p. 100
  • 4.
  • Carmen a la Hollywood.
  • p. 103
  • 5.
  • operatic problem.
  • p. 106
  • Pt. 2.
  • Film music composers
  • 1.
  • 'William Alwyn : bad and great work'.
  • p. 111
  • 2.
  • 'Malcom Arnold Oscarred'.
  • p. 116
  • 3.
  • 'Georges auric at film music's best'.
  • p. 119
  • 4.
  • Arnold Bax.
  • p. 123
  • 5.
  • Arthur Benjamin.
  • p. 125
  • 6.
  • Leonard Bernstein.
  • p. 133
  • 7.
  • Benjamin Britten.
  • p. 137
  • 8.
  • Anton Karas.
  • p. 146
  • 9.
  • Joseph Kosma.
  • p. 149
  • 10.
  • Frank Loesser.
  • p. 150
  • 11.
  • Gian Carlo Menotti.
  • p. 151
  • 12.
  • Alan Rawsthorne.
  • p. 154
  • 13.
  • 'The film-musical art of Renzo Rosselini'.
  • p. 166
  • 14.
  • Matyas Seiber.
  • p. 167
  • 15.
  • Virgil Thomson.
  • p. 168
  • 16.
  • Ralph Vaughan Williams.
  • p. 172
  • 17.
  • Roman Vlad.
  • p. 174
  • 18.
  • William Walton.
  • p. 178
  • Pt. 3.
  • Film music criticism (composite columns)
  • 1.
  • 'Film music : some objections'.
  • p. 183
  • 2.
  • Arthur Honegger.
  • p. 185
  • 3.
  • 'Film music and no film music.
  • p. 187
  • 4.
  • Roy Webb.
  • p. 188
  • 5.
  • 'Nine Swiss shorts'.
  • p. 190
  • 6.
  • Arthur Bliss.
  • p. 192
  • 7.
  • ['Chromatic C major'] Richard Arnell.
  • p. 193
  • 8.
  • Benjamin Frankel.
  • p. 195
  • 9.
  • Benjamin Frankel.
  • p. 198
  • 10.
  • Georges Auric.
  • p. 200
  • 11.
  • ['Background and foreground music'].
  • p. 202
  • 12.
  • ['Tonal structures'] 'no music'.
  • p. 205
  • Pt. 4.
  • Television music
  • 1.
  • Unite, Lowbrows!.
  • p. 213
  • 2.
  • 'Personality' : BBC and ITV.
  • p. 216
  • 3.
  • For or against?.
  • p. 219
  • 4.
  • Welcome to William Glock.
  • p. 222
  • 5.
  • Problem of production.
  • p. 225
  • 6.
  • Lunch with Lionel Salter : education, billings and announcements.
  • p. 228
  • 7.
  • NATO and eurovision.
  • p. 231
  • 8.
  • ITV steps in; producing string players; new TV opera; thought for the century.
  • p. 234
  • 9.
  • musical future.
  • p. 237
Control code
ocm61441052
Dimensions
25 cm.
Extent
200 p.
Isbn
9780954012366
Other physical details
ill.
Label
Film music & beyond : writing on music and the screen, Hans Keller ; edited by Christopher Wintle
Publication
Note
"Published in association with the William Alwyn Foundation" -- T.p
Bibliography note
Includes bibliography (p. 243-248) and index
Contents
  • need for competent film music criticism.
  • p. 3
  • Pt. 1.
  • Film music topics
  • psychology of film music.
  • p. 21
  • news and the muse.
  • p. 25
  • Featured music : 'classical' quotations
  • 1.
  • question of quotation.
  • p. 30
  • 2.
  • Reply to Pizzetti.
  • p. 32
  • Hollywood
  • 1.
  • Hollywood music - another view.
  • p. 36
  • 2.
  • Hollywood orchestrators : the dragon shows his teeth.
  • p. 41
  • 3.
  • From Auden to Hollywood (through route).
  • p. 47
  • British film music
  • 1.
  • appeal to constructive consciences.
  • p. 51
  • 2.
  • Film music : British.
  • p. 53
  • 3.
  • LCMC-ICA failure.
  • p. 57
  • Film music of the world
  • 1.
  • Continental, British and American.
  • p. 60
  • 2.
  • World review.
  • p. 63
  • Film-musical ingredients
  • 1.
  • Film-musical atmosphere.
  • p. 67
  • 2.
  • Music in documentary film.
  • p. 68
  • 3.
  • film dirge.
  • p. 70
  • 4.
  • simple tune.
  • p. 71
  • 5.
  • Noise as Leitmotiv.
  • p. 74
  • 6.
  • Noisy music and musical noise.
  • p. 79
  • 7.
  • Tonal structures; the documentary approach; the function of 'featured' music.
  • p. 82
  • 8.
  • Problems of integration.
  • p. 84
  • 9.
  • Speech rhythm.
  • p. 87
  • Films and the ballet.
  • p. 91
  • 'Filmized' opera and oratorio
  • 1.
  • Revolution or retrogression?.
  • p. 94
  • 2.
  • Another filmed opera.
  • p. 98
  • 3.
  • Tales from the Vienna Hollywoods.
  • p. 100
  • 4.
  • Carmen a la Hollywood.
  • p. 103
  • 5.
  • operatic problem.
  • p. 106
  • Pt. 2.
  • Film music composers
  • 1.
  • 'William Alwyn : bad and great work'.
  • p. 111
  • 2.
  • 'Malcom Arnold Oscarred'.
  • p. 116
  • 3.
  • 'Georges auric at film music's best'.
  • p. 119
  • 4.
  • Arnold Bax.
  • p. 123
  • 5.
  • Arthur Benjamin.
  • p. 125
  • 6.
  • Leonard Bernstein.
  • p. 133
  • 7.
  • Benjamin Britten.
  • p. 137
  • 8.
  • Anton Karas.
  • p. 146
  • 9.
  • Joseph Kosma.
  • p. 149
  • 10.
  • Frank Loesser.
  • p. 150
  • 11.
  • Gian Carlo Menotti.
  • p. 151
  • 12.
  • Alan Rawsthorne.
  • p. 154
  • 13.
  • 'The film-musical art of Renzo Rosselini'.
  • p. 166
  • 14.
  • Matyas Seiber.
  • p. 167
  • 15.
  • Virgil Thomson.
  • p. 168
  • 16.
  • Ralph Vaughan Williams.
  • p. 172
  • 17.
  • Roman Vlad.
  • p. 174
  • 18.
  • William Walton.
  • p. 178
  • Pt. 3.
  • Film music criticism (composite columns)
  • 1.
  • 'Film music : some objections'.
  • p. 183
  • 2.
  • Arthur Honegger.
  • p. 185
  • 3.
  • 'Film music and no film music.
  • p. 187
  • 4.
  • Roy Webb.
  • p. 188
  • 5.
  • 'Nine Swiss shorts'.
  • p. 190
  • 6.
  • Arthur Bliss.
  • p. 192
  • 7.
  • ['Chromatic C major'] Richard Arnell.
  • p. 193
  • 8.
  • Benjamin Frankel.
  • p. 195
  • 9.
  • Benjamin Frankel.
  • p. 198
  • 10.
  • Georges Auric.
  • p. 200
  • 11.
  • ['Background and foreground music'].
  • p. 202
  • 12.
  • ['Tonal structures'] 'no music'.
  • p. 205
  • Pt. 4.
  • Television music
  • 1.
  • Unite, Lowbrows!.
  • p. 213
  • 2.
  • 'Personality' : BBC and ITV.
  • p. 216
  • 3.
  • For or against?.
  • p. 219
  • 4.
  • Welcome to William Glock.
  • p. 222
  • 5.
  • Problem of production.
  • p. 225
  • 6.
  • Lunch with Lionel Salter : education, billings and announcements.
  • p. 228
  • 7.
  • NATO and eurovision.
  • p. 231
  • 8.
  • ITV steps in; producing string players; new TV opera; thought for the century.
  • p. 234
  • 9.
  • musical future.
  • p. 237
Control code
ocm61441052
Dimensions
25 cm.
Extent
200 p.
Isbn
9780954012366
Other physical details
ill.

Library Locations

    • Sydney Jones LibraryBorrow it
      Chatham Street, Liverpool, L7 7BD, GB
      53.403069 -2.963723
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