Coverart for item
The Resource Hollywood theory, non-Hollywood practice : cinema soundtracks in the 1980s and 1990s, Annette Davison

Hollywood theory, non-Hollywood practice : cinema soundtracks in the 1980s and 1990s, Annette Davison

Label
Hollywood theory, non-Hollywood practice : cinema soundtracks in the 1980s and 1990s
Title
Hollywood theory, non-Hollywood practice
Title remainder
cinema soundtracks in the 1980s and 1990s
Statement of responsibility
Annette Davison
Creator
Subject
Language
eng
Summary
"Relatively little has been written about film scores and soundtracks outside of Hollywood cinema. Hollywood Theory, Non-Hollywood Practice addresses this gap by looking at the practices of film soundtrack composition for non-Hollywood films made after 1980. Annette Davison argues that since the mid-1970s the model of the classical Hollywood score has functioned as a form of dominant ideology in relation to which alternative scoring and soundtrack practices may assert themselves."--BOOK JACKET
Cataloging source
DLC
http://library.link/vocab/creatorDate
1971-
http://library.link/vocab/creatorName
Davison, Annette
Index
no index present
Literary form
non fiction
Series statement
Ashgate popular and folk music series
http://library.link/vocab/subjectName
  • Motion picture music
  • Motion picture music
Label
Hollywood theory, non-Hollywood practice : cinema soundtracks in the 1980s and 1990s, Annette Davison
Instantiates
Publication
Bibliography note
Includes bibliographical references
Contents
  • List of illustrations
  • List of music examples
  • General Editor's preface
  • Acknowledgements
  • Introduction.
  • p. 1
  • 1.
  • Classical Hollywood cinema and scoring.
  • p. 11
  • 2.
  • New Hollywood cinema and ('post-'?) classical scoring.
  • p. 42
  • 3.
  • Alternatives to classical Hollywood scoring.
  • p. 59
  • 4.
  • 'What is the role of the quarter?': the soundtrack to Jean-Luc Godard's Prenom: Carmen.
  • p. 75
  • 5.
  • Playing in Jarman's Garden: sound, performance and images of persecution.
  • p. 117
  • 6.
  • Music to desire by: the soundtrack to Wim Wender's Der Hinmel uber Berlin.
  • p. 139
  • 7.
  • 'People call me a director, but I really think of myself as a sound-man': David Lynch's Wild at Heart.
  • p. 170
  • Bibliography.
  • p. 200
  • Discography.
  • p. 210
  • Index.
  • p. 211
Control code
l82003041873
Extent
x, 221 p.
Isbn
9780754605829
Lccn
2003041873
Label
Hollywood theory, non-Hollywood practice : cinema soundtracks in the 1980s and 1990s, Annette Davison
Publication
Bibliography note
Includes bibliographical references
Contents
  • List of illustrations
  • List of music examples
  • General Editor's preface
  • Acknowledgements
  • Introduction.
  • p. 1
  • 1.
  • Classical Hollywood cinema and scoring.
  • p. 11
  • 2.
  • New Hollywood cinema and ('post-'?) classical scoring.
  • p. 42
  • 3.
  • Alternatives to classical Hollywood scoring.
  • p. 59
  • 4.
  • 'What is the role of the quarter?': the soundtrack to Jean-Luc Godard's Prenom: Carmen.
  • p. 75
  • 5.
  • Playing in Jarman's Garden: sound, performance and images of persecution.
  • p. 117
  • 6.
  • Music to desire by: the soundtrack to Wim Wender's Der Hinmel uber Berlin.
  • p. 139
  • 7.
  • 'People call me a director, but I really think of myself as a sound-man': David Lynch's Wild at Heart.
  • p. 170
  • Bibliography.
  • p. 200
  • Discography.
  • p. 210
  • Index.
  • p. 211
Control code
l82003041873
Extent
x, 221 p.
Isbn
9780754605829
Lccn
2003041873

Library Locations

    • Sydney Jones LibraryBorrow it
      Chatham Street, Liverpool, L7 7BD, GB
      53.403069 -2.963723
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