Coverart for item
The Resource Human rights, social movements and activism in contemporary Latin American cinema, Mariana Cunha, Antônio Márcio da Silva

Human rights, social movements and activism in contemporary Latin American cinema, Mariana Cunha, Antônio Márcio da Silva

Label
Human rights, social movements and activism in contemporary Latin American cinema
Title
Human rights, social movements and activism in contemporary Latin American cinema
Statement of responsibility
Mariana Cunha, Antônio Márcio da Silva
Contributor
Editor
Subject
Language
eng
Member of
Cataloging source
N$T
Dewey number
791.43098
Index
index present
LC call number
PN1993.5.L3
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
http://library.link/vocab/relatedWorkOrContributorDate
1980-
http://library.link/vocab/relatedWorkOrContributorName
  • Silva, Antônio Márcio da
  • Cunha, Mariana
http://library.link/vocab/subjectName
  • Motion pictures
  • Motion picture industry
  • Latin America
Label
Human rights, social movements and activism in contemporary Latin American cinema, Mariana Cunha, Antônio Márcio da Silva
Instantiates
Publication
Antecedent source
unknown
Bibliography note
Includes bibliographical references and index
Carrier category
online resource
Carrier category code
cr
Carrier MARC source
rdacarrier
Color
multicolored
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • Intro; Contents; Notes on Contributors; List of Figures; Chapter 1 Introduction; Human Rights Discourses in Latin America; Films and Human Rights in Latin America: From Political Films to Human Rights Film Festivals; Human Rights in Contemporary Latin American Cinema; References; Chapter 2 Human Rights and the Shadow of Chile's Dictatorship: Patricio Guzmán and the Poetics of a Cinematic Landscape; Landscape Cinema; The Desert; The Water; Stories of Humanity; References
  • Chapter 3 Rewriting the History of the Urban Revolutionary: Documentary Film and Human Rights Activism in Post-dirty War SocietyThe Guerra Sucia in the 1970s; The Dehumanization of the Urban Guerrillero During the Guerra Sucia; Early Depictions of Revolutionaries in Film; Post-Guerra Sucia Society and 2001; Documentary Filmmaking in Post-Mexican Guerra Sucia Society; Conclusion: The Return of the Dinosaur; References; Chapter 4 Human Rights Abuses and State Violence in Prison Films by Hector Babenco; Tomorrow's Criminal? The Impact of Youth Imprisonment in Pixote: a lei do mais fraco
  • The Political Prisoner and State Violence in O beijo da mulher aranhaCarandiru: Human Rights as an Unfinished Discourse; Conclusion; References; Chapter 5 Territories, Existence and Identities: Indigenous Peoples in Argentine Films; Indigenous Peoples in Film; Making Sense of Film Representations; Landscapes: From Preserved to Postnational; Conclusion; References; Chapter 6 The Right to Nature: Contested Landscapes and Indigenous Territoriality in Martírio (2016); Indigenous Environments; Temporalities of Exhaustion; Conclusion; References
  • Chapter 7 Urban Occupations: Cinema and the Struggle for the Right to HousingIzidora and the Neoliberal Way of Urban Intervention; June 2013: On Cameras, Fences, Pliers and the Formation of Izidora; The Izidora War Machine; Those Who Fight Also Film; Cinema-Image of Resistance; Occupations Reborn: Final Considerations; References; Chapter 8 The Art of the Social Movement Corrective: On Redeeming the Human Rights Narrative in También la lluvia and Our Brand Is Crisis; Bolivia: The Emblem of Latin American Scarcity and Empowerment; Stories About Making Stories
  • Correcting and Redeeming the Human Rights NarrativeReferences; Chapter 9 Transnational Finance on the Road to the Andes: Societal Ruptures and Poisoned Deals in La deuda/Oliver's Deal (2015); Corporate Traps: Free Will Versus Coercion and Uneven Knowledge; Neoliberal Morals Versus Family Structures; Representational Limits: On the Road to the Andes; Conclusion; References; Chapter 10 A Woman's Right to Move: The Politics of Female Walking in Latin American Cinema; References; Chapter 11 Intersectionality as a Human Rights Issue in Contemporary Latin American Queer Cinema
Dimensions
unknown
Extent
1 online resource (244 pages)
File format
unknown
Form of item
online
Isbn
9783319962078
Level of compression
unknown
Media category
computer
Media MARC source
rdamedia
Media type code
c
Quality assurance targets
not applicable
Reformatting quality
unknown
Sound
unknown sound
Specific material designation
remote
Label
Human rights, social movements and activism in contemporary Latin American cinema, Mariana Cunha, Antônio Márcio da Silva
Publication
Antecedent source
unknown
Bibliography note
Includes bibliographical references and index
Carrier category
online resource
Carrier category code
cr
Carrier MARC source
rdacarrier
Color
multicolored
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • Intro; Contents; Notes on Contributors; List of Figures; Chapter 1 Introduction; Human Rights Discourses in Latin America; Films and Human Rights in Latin America: From Political Films to Human Rights Film Festivals; Human Rights in Contemporary Latin American Cinema; References; Chapter 2 Human Rights and the Shadow of Chile's Dictatorship: Patricio Guzmán and the Poetics of a Cinematic Landscape; Landscape Cinema; The Desert; The Water; Stories of Humanity; References
  • Chapter 3 Rewriting the History of the Urban Revolutionary: Documentary Film and Human Rights Activism in Post-dirty War SocietyThe Guerra Sucia in the 1970s; The Dehumanization of the Urban Guerrillero During the Guerra Sucia; Early Depictions of Revolutionaries in Film; Post-Guerra Sucia Society and 2001; Documentary Filmmaking in Post-Mexican Guerra Sucia Society; Conclusion: The Return of the Dinosaur; References; Chapter 4 Human Rights Abuses and State Violence in Prison Films by Hector Babenco; Tomorrow's Criminal? The Impact of Youth Imprisonment in Pixote: a lei do mais fraco
  • The Political Prisoner and State Violence in O beijo da mulher aranhaCarandiru: Human Rights as an Unfinished Discourse; Conclusion; References; Chapter 5 Territories, Existence and Identities: Indigenous Peoples in Argentine Films; Indigenous Peoples in Film; Making Sense of Film Representations; Landscapes: From Preserved to Postnational; Conclusion; References; Chapter 6 The Right to Nature: Contested Landscapes and Indigenous Territoriality in Martírio (2016); Indigenous Environments; Temporalities of Exhaustion; Conclusion; References
  • Chapter 7 Urban Occupations: Cinema and the Struggle for the Right to HousingIzidora and the Neoliberal Way of Urban Intervention; June 2013: On Cameras, Fences, Pliers and the Formation of Izidora; The Izidora War Machine; Those Who Fight Also Film; Cinema-Image of Resistance; Occupations Reborn: Final Considerations; References; Chapter 8 The Art of the Social Movement Corrective: On Redeeming the Human Rights Narrative in También la lluvia and Our Brand Is Crisis; Bolivia: The Emblem of Latin American Scarcity and Empowerment; Stories About Making Stories
  • Correcting and Redeeming the Human Rights NarrativeReferences; Chapter 9 Transnational Finance on the Road to the Andes: Societal Ruptures and Poisoned Deals in La deuda/Oliver's Deal (2015); Corporate Traps: Free Will Versus Coercion and Uneven Knowledge; Neoliberal Morals Versus Family Structures; Representational Limits: On the Road to the Andes; Conclusion; References; Chapter 10 A Woman's Right to Move: The Politics of Female Walking in Latin American Cinema; References; Chapter 11 Intersectionality as a Human Rights Issue in Contemporary Latin American Queer Cinema
Dimensions
unknown
Extent
1 online resource (244 pages)
File format
unknown
Form of item
online
Isbn
9783319962078
Level of compression
unknown
Media category
computer
Media MARC source
rdamedia
Media type code
c
Quality assurance targets
not applicable
Reformatting quality
unknown
Sound
unknown sound
Specific material designation
remote

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