The Resource Into the groove : popular music and contemporary German fiction, Andrew Wright Hurley
Into the groove : popular music and contemporary German fiction, Andrew Wright Hurley
Resource Information
The item Into the groove : popular music and contemporary German fiction, Andrew Wright Hurley represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of Liverpool.This item is available to borrow from 1 library branch.
Resource Information
The item Into the groove : popular music and contemporary German fiction, Andrew Wright Hurley represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of Liverpool.
This item is available to borrow from 1 library branch.
- Summary
- In Germany between the mid-1990s and the mid-2000s there was an unprecedented 'confusion of the spheres' of literature and popular music. Popular musicians 'crossed over' into the literary field, editors and writers called for contemporary German literature to become more like popular music, writers attempted to borrow structural aspects from music or paid new attention to popular music at the thematic level. Others sought to raise their profiles by means of performance models taken from the popular music field. This book sets out to make sense of this situation. It argues for more inclusive and detailed attention to what it calls 'musico-centric fiction', for which it discerns intellectual precursors going back to the 1960s and also identifies examples written since the turn of the millennium, after the would-be death of 'pop literature'. In doing so, it focuses on fiction and paratextual interventions by authors including Peter Handke, Rolf Dieter Brinkmann, Rainald Goetz, Andreas Neumeister, Thomas Meinecke, Matthias Politycki, Frank Goosen, Benjamin von Stuckrad-Barre, Thomas Brussig, Karen Duve, and Kerstin Grether. Andrew W. Hurley is Senior Lecturer in German and Cultural Studies at the University of Technology, Sydney, Australia
- Language
- eng
- Extent
- 1 online resource (ix, 272 pages)
- Note
- Title from publisher's bibliographic system (viewed on 02 Oct 2015)
- Contents
-
- Preludes and returns: popular music, the '68 generation, and the literarization of the jukebox
- Enter the double agent: the German popular musician as novelist
- Techno-lit: electronica and its impacts on fiction
- Analogue is better: rock- and pop-centric literature
- After the GDR's "musical niche society"? popular music in the literature of Thomas Brussig
- The gendering of popular music in the novels of Karen Duve and Kerstin Grether
- Conclusion: Out of the groove?
- Isbn
- 9781782044307
- Label
- Into the groove : popular music and contemporary German fiction
- Title
- Into the groove
- Title remainder
- popular music and contemporary German fiction
- Statement of responsibility
- Andrew Wright Hurley
- Language
- eng
- Summary
- In Germany between the mid-1990s and the mid-2000s there was an unprecedented 'confusion of the spheres' of literature and popular music. Popular musicians 'crossed over' into the literary field, editors and writers called for contemporary German literature to become more like popular music, writers attempted to borrow structural aspects from music or paid new attention to popular music at the thematic level. Others sought to raise their profiles by means of performance models taken from the popular music field. This book sets out to make sense of this situation. It argues for more inclusive and detailed attention to what it calls 'musico-centric fiction', for which it discerns intellectual precursors going back to the 1960s and also identifies examples written since the turn of the millennium, after the would-be death of 'pop literature'. In doing so, it focuses on fiction and paratextual interventions by authors including Peter Handke, Rolf Dieter Brinkmann, Rainald Goetz, Andreas Neumeister, Thomas Meinecke, Matthias Politycki, Frank Goosen, Benjamin von Stuckrad-Barre, Thomas Brussig, Karen Duve, and Kerstin Grether. Andrew W. Hurley is Senior Lecturer in German and Cultural Studies at the University of Technology, Sydney, Australia
- Cataloging source
- UkCbUP
- http://library.link/vocab/creatorName
- Hurley, Andrew Wright
- Dewey number
- 833/.92093578
- Index
- index present
- LC call number
- PT749.M87
- LC item number
- H87 2015
- Literary form
- non fiction
- Nature of contents
- dictionaries
- http://library.link/vocab/subjectName
-
- German fiction
- German fiction
- Music in literature
- Music and literature
- Paratext
- Label
- Into the groove : popular music and contemporary German fiction, Andrew Wright Hurley
- Note
- Title from publisher's bibliographic system (viewed on 02 Oct 2015)
- Carrier category
- online resource
- Carrier category code
-
- cr
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
- Preludes and returns: popular music, the '68 generation, and the literarization of the jukebox -- Enter the double agent: the German popular musician as novelist -- Techno-lit: electronica and its impacts on fiction -- Analogue is better: rock- and pop-centric literature -- After the GDR's "musical niche society"? popular music in the literature of Thomas Brussig -- The gendering of popular music in the novels of Karen Duve and Kerstin Grether -- Conclusion: Out of the groove?
- Control code
- CR9781782044307
- Extent
- 1 online resource (ix, 272 pages)
- Form of item
- online
- Isbn
- 9781782044307
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
-
- c
- Other physical details
- digital, PDF file(s).
- Specific material designation
- remote
- Label
- Into the groove : popular music and contemporary German fiction, Andrew Wright Hurley
- Note
- Title from publisher's bibliographic system (viewed on 02 Oct 2015)
- Carrier category
- online resource
- Carrier category code
-
- cr
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
- Preludes and returns: popular music, the '68 generation, and the literarization of the jukebox -- Enter the double agent: the German popular musician as novelist -- Techno-lit: electronica and its impacts on fiction -- Analogue is better: rock- and pop-centric literature -- After the GDR's "musical niche society"? popular music in the literature of Thomas Brussig -- The gendering of popular music in the novels of Karen Duve and Kerstin Grether -- Conclusion: Out of the groove?
- Control code
- CR9781782044307
- Extent
- 1 online resource (ix, 272 pages)
- Form of item
- online
- Isbn
- 9781782044307
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
-
- c
- Other physical details
- digital, PDF file(s).
- Specific material designation
- remote
Subject
- German fiction -- 20th century -- History and criticism
- German fiction -- 21st century -- History and criticism
- Music and literature -- Germany
- Music in literature
- Paratext -- Germany
Member of
- Online access with EBA: Cambridge Books Online
- Online access with EBA: JSTOR
- Studies in German literature, linguistics, and culture
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.liverpool.ac.uk/portal/Into-the-groove--popular-music-and-contemporary/_TpSxyaT1DY/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.liverpool.ac.uk/portal/Into-the-groove--popular-music-and-contemporary/_TpSxyaT1DY/">Into the groove : popular music and contemporary German fiction, Andrew Wright Hurley</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.liverpool.ac.uk/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.liverpool.ac.uk/">University of Liverpool</a></span></span></span></span></div>
