Coverart for item
The Resource Left of the color line : race, radicalism, and twentieth-century literature of the United States, edited by Bill V. Mullen and James Smethurst

Left of the color line : race, radicalism, and twentieth-century literature of the United States, edited by Bill V. Mullen and James Smethurst

Label
Left of the color line : race, radicalism, and twentieth-century literature of the United States
Title
Left of the color line
Title remainder
race, radicalism, and twentieth-century literature of the United States
Statement of responsibility
edited by Bill V. Mullen and James Smethurst
Contributor
Subject
Language
eng
Cataloging source
DLC
Illustrations
illustrations
Index
index present
Literary form
non fiction
http://library.link/vocab/relatedWorkOrContributorDate
1959-
http://library.link/vocab/relatedWorkOrContributorName
  • Mullen, Bill
  • Smethurst, James Edward
Series statement
The John Hope Franklin series in African American history and culture
http://library.link/vocab/subjectName
  • American literature
  • Race in literature
  • Politics and literature
  • United States
  • Radicalism
  • Right and left (Political science) in literature
  • African Americans in literature
  • Race relations in literature
  • Radicalism in literature
  • Minorities in literature
Label
Left of the color line : race, radicalism, and twentieth-century literature of the United States, edited by Bill V. Mullen and James Smethurst
Instantiates
Publication
Bibliography note
Includes bibliographical references and index
Contents
  • Anthony Dawahare
  • W.E.B. Du Bois, Dark princess, and the Afro-Asian international
  • Bill V. Mullen
  • Barrios of the world unite!: regionalism, transnationalism, and internationalism in Tejano war poetry from the Mexican Revolution to World War II
  • B.V. Olguín
  • Narrating nationalisms: black Marxism and Jewish communists through the eyes of Harold Cruse
  • Alan Wald
  • From communism to brotherhood: the drafts of Invisible man
  • Barbara Foley
  • Alice Childress, Lorraine Hansberry, and Claudia Jones: black women write the popular front
  • Introduction
  • Mary Helen Washington
  • Voice of the cracker: Don West reinvents the Appalachian
  • Rachel Rubin
  • First negro matinee idol: Harry Belafonte and American culture in the 1950s
  • Michelle Stephens
  • Bamboo that snaps back!: resistance and revolution in Asian Pacific American working-class and left-wing expressive culture
  • Fred Ho
  • Poetry and sympathy: New York, the Left, and the rise of black arts
  • James Smethurst
  • Marxist critique of borderlands postmodernism: Adorno's Negative dialectics and Chicano cultural criticism
  • Bill V. Mullen,
  • Marcial González
  • Letters the presidents did not release: radical scholarship and the legacy of the American volunteers in Spain
  • Cary Nelson
  • James Smethurst
  • Modernism and the aesthetics of management, or T.S. Eliot's labor literature
  • Eric Schocket
  • F.B. Eyes: the bureau reads Claude McKay
  • William J. Maxwell
  • Specter of radicalism in Alain Locke's The new negro
Control code
ocm51817458
Dimensions
25 cm.
Extent
331 p.
Isbn
9780807827994
Lccn
2003005015
Other physical details
ill.
Label
Left of the color line : race, radicalism, and twentieth-century literature of the United States, edited by Bill V. Mullen and James Smethurst
Publication
Bibliography note
Includes bibliographical references and index
Contents
  • Anthony Dawahare
  • W.E.B. Du Bois, Dark princess, and the Afro-Asian international
  • Bill V. Mullen
  • Barrios of the world unite!: regionalism, transnationalism, and internationalism in Tejano war poetry from the Mexican Revolution to World War II
  • B.V. Olguín
  • Narrating nationalisms: black Marxism and Jewish communists through the eyes of Harold Cruse
  • Alan Wald
  • From communism to brotherhood: the drafts of Invisible man
  • Barbara Foley
  • Alice Childress, Lorraine Hansberry, and Claudia Jones: black women write the popular front
  • Introduction
  • Mary Helen Washington
  • Voice of the cracker: Don West reinvents the Appalachian
  • Rachel Rubin
  • First negro matinee idol: Harry Belafonte and American culture in the 1950s
  • Michelle Stephens
  • Bamboo that snaps back!: resistance and revolution in Asian Pacific American working-class and left-wing expressive culture
  • Fred Ho
  • Poetry and sympathy: New York, the Left, and the rise of black arts
  • James Smethurst
  • Marxist critique of borderlands postmodernism: Adorno's Negative dialectics and Chicano cultural criticism
  • Bill V. Mullen,
  • Marcial González
  • Letters the presidents did not release: radical scholarship and the legacy of the American volunteers in Spain
  • Cary Nelson
  • James Smethurst
  • Modernism and the aesthetics of management, or T.S. Eliot's labor literature
  • Eric Schocket
  • F.B. Eyes: the bureau reads Claude McKay
  • William J. Maxwell
  • Specter of radicalism in Alain Locke's The new negro
Control code
ocm51817458
Dimensions
25 cm.
Extent
331 p.
Isbn
9780807827994
Lccn
2003005015
Other physical details
ill.

Library Locations

    • Sydney Jones LibraryBorrow it
      Chatham Street, Liverpool, L7 7BD, GB
      53.403069 -2.963723
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