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The Resource Movie music, the film reader, edited by Kay Dickinson

Movie music, the film reader, edited by Kay Dickinson

Label
Movie music, the film reader
Title
Movie music, the film reader
Statement of responsibility
edited by Kay Dickinson
Contributor
Subject
Language
eng
Cataloging source
OX/U-1
Index
index present
Literary form
non fiction
http://library.link/vocab/relatedWorkOrContributorDate
1972-
http://library.link/vocab/relatedWorkOrContributorName
Dickinson, Kay
Series statement
In focus--Routledge film readers
http://library.link/vocab/subjectName
Motion picture music
Label
Movie music, the film reader, edited by Kay Dickinson
Instantiates
Publication
Bibliography note
Includes bibliographical references and indexes
Contents
  • Acknowledgements
  • General Introduction.
  • p. 1
  • Pt. 1.
  • Meanings of the Film Score.
  • p. 13
  • 1.
  • Language of Music: A Brief Analysis of Vertigo/
  • Kathryn Kalinak
  • p. 15
  • 2.
  • Prejudices and Bad Habits/
  • Theodor Adorno
  • Hans Eisler
  • p. 25
  • 3.
  • Why Music? The Sound Film and Its Spectator/
  • Claudia Gorbman
  • p. 37
  • 4.
  • Reforming "Jackass Music": The Problematic Aesthetics of Early American Film Music Accompaniment/
  • Tim Anderson
  • p. 49
  • Pt. 2.
  • Place of the Song.
  • p. 61
  • 5.
  • Banking on Film Music: Structural Interactions of the Film and Record Industries/
  • Jeff Smith
  • p. 63
  • 6.
  • Cinema, Postmodernity and Authenticity/
  • Lawrence Grossberg
  • p. 83
  • 7.
  • Silences of the Palace and the Anxiety of Musical Creation/
  • Anastasia Valassopoulos
  • p. 99
  • 8.
  • Must You Remember This? Orchestrating the "Standard" Pop Song in Sleepless in Seattle/
  • Ian Garwood
  • p. 109
  • Pt. 3.
  • Formal Politics of Music on Film.
  • p. 119
  • 9.
  • Whose Jazz, Whose Cinema?/
  • Krin Gabbard
  • p. 121
  • 10.
  • Animation of Sound/
  • Philip Brophy
  • p. 133
  • 11.
  • Pop, Speed, Teenagers and the "MTV Aesthetic"/
  • Kay Dickinson
  • p. 143
  • Pt. 4.
  • Crossing over into the Narrative.
  • p. 153
  • 12.
  • Gender Power, and a Cucumber Satirizing Masculinity in This is Spinal Tap/
  • Carl Plantinga
  • p. 155
  • 13.
  • Manufacturing Authenticity Imagining the Music Industry in Anglo-American Cinema, 1956-62/
  • Keir Keightley
  • p. 165
  • 14.
  • Madonna "Wanna-Be" Story on Film/
  • Lisa Lewis
  • p. 181
  • Further Reading.
  • p. 191
  • Index.
  • p. 195
Control code
990415281598
Dimensions
24 cm.
Extent
viii, 207 p
Isbn
9780415281607
Lccn
2002032632
Label
Movie music, the film reader, edited by Kay Dickinson
Publication
Bibliography note
Includes bibliographical references and indexes
Contents
  • Acknowledgements
  • General Introduction.
  • p. 1
  • Pt. 1.
  • Meanings of the Film Score.
  • p. 13
  • 1.
  • Language of Music: A Brief Analysis of Vertigo/
  • Kathryn Kalinak
  • p. 15
  • 2.
  • Prejudices and Bad Habits/
  • Theodor Adorno
  • Hans Eisler
  • p. 25
  • 3.
  • Why Music? The Sound Film and Its Spectator/
  • Claudia Gorbman
  • p. 37
  • 4.
  • Reforming "Jackass Music": The Problematic Aesthetics of Early American Film Music Accompaniment/
  • Tim Anderson
  • p. 49
  • Pt. 2.
  • Place of the Song.
  • p. 61
  • 5.
  • Banking on Film Music: Structural Interactions of the Film and Record Industries/
  • Jeff Smith
  • p. 63
  • 6.
  • Cinema, Postmodernity and Authenticity/
  • Lawrence Grossberg
  • p. 83
  • 7.
  • Silences of the Palace and the Anxiety of Musical Creation/
  • Anastasia Valassopoulos
  • p. 99
  • 8.
  • Must You Remember This? Orchestrating the "Standard" Pop Song in Sleepless in Seattle/
  • Ian Garwood
  • p. 109
  • Pt. 3.
  • Formal Politics of Music on Film.
  • p. 119
  • 9.
  • Whose Jazz, Whose Cinema?/
  • Krin Gabbard
  • p. 121
  • 10.
  • Animation of Sound/
  • Philip Brophy
  • p. 133
  • 11.
  • Pop, Speed, Teenagers and the "MTV Aesthetic"/
  • Kay Dickinson
  • p. 143
  • Pt. 4.
  • Crossing over into the Narrative.
  • p. 153
  • 12.
  • Gender Power, and a Cucumber Satirizing Masculinity in This is Spinal Tap/
  • Carl Plantinga
  • p. 155
  • 13.
  • Manufacturing Authenticity Imagining the Music Industry in Anglo-American Cinema, 1956-62/
  • Keir Keightley
  • p. 165
  • 14.
  • Madonna "Wanna-Be" Story on Film/
  • Lisa Lewis
  • p. 181
  • Further Reading.
  • p. 191
  • Index.
  • p. 195
Control code
990415281598
Dimensions
24 cm.
Extent
viii, 207 p
Isbn
9780415281607
Lccn
2002032632

Library Locations

    • Sydney Jones LibraryBorrow it
      Chatham Street, Liverpool, L7 7BD, GB
      53.403069 -2.963723
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