Coverart for item
The Resource Musical instruments in the 21st century : identities, configurations, practices, Till Bovermann, Alberto de Campo, Hauke Egermann, Sarah-Indriyati Hardjowirogo, Stefan Weinzierl, editors

Musical instruments in the 21st century : identities, configurations, practices, Till Bovermann, Alberto de Campo, Hauke Egermann, Sarah-Indriyati Hardjowirogo, Stefan Weinzierl, editors

Label
Musical instruments in the 21st century : identities, configurations, practices
Title
Musical instruments in the 21st century
Title remainder
identities, configurations, practices
Statement of responsibility
Till Bovermann, Alberto de Campo, Hauke Egermann, Sarah-Indriyati Hardjowirogo, Stefan Weinzierl, editors
Contributor
Editor
Subject
Language
eng
Member of
Cataloging source
N$T
Dewey number
789.9
Index
no index present
LC call number
ML1092
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
http://library.link/vocab/relatedWorkOrContributorName
  • Bovermann, Till
  • Campo, Alberto de
  • Egermann, Hauke
  • Hardjowirogo, Sarah-Indriyati
  • Weinzierl, Stefan
http://library.link/vocab/subjectName
  • Electronic musical instruments
  • Musical instruments
Label
Musical instruments in the 21st century : identities, configurations, practices, Till Bovermann, Alberto de Campo, Hauke Egermann, Sarah-Indriyati Hardjowirogo, Stefan Weinzierl, editors
Instantiates
Publication
Copyright
Antecedent source
unknown
Bibliography note
Includes bibliographical references
Carrier category
online resource
Carrier category code
cr
Carrier MARC source
rdacarrier
Color
multicolored
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • 1 Introduction; Abstract; Think Know Reflect; 2 Instrumentality. On the Construction of Instrumental Identity; Abstract; 1 Introduction; 2 Musical Instruments versus Other Things; 3 Musical Instruments and Musical Instrument Concepts; 4 Previous Approaches to Instrumentality; 5 Criteria of Instrumentality: A Preliminary Inventory; 6 Conclusion; References; 3 From Musical Instruments as Ontological Entities to Instrumental Quality: A Linguistic Exploration of Musical Instrumentality in the Digital Era; Abstract; 1 Introduction
  • 2 A Linguistic and Cognitive Perspective on Musical Instrumentality2.1 A Multidisciplinary Framework…; 2.2 … for a Heterogeneous Corpus; 3 From Lexicographic and Academic Instrument Definitions…; 3.1 Lexicographic Definitions; 3.2 (Ethno-) Musicology Definitions; 4 … to the Emergence of a Terminology in a Computer Music Community of Practices; 4.1 Strategies for Naming and Categorising Digital Devices in Users' Interviews; 4.2 Defining Instrumentality; 5 Naming Strategies in Computer Music Literature Titles: A Stabilisation Under Construction; 6 Concluding Remarks and Perspectives
  • AcknowledgmentsReferences; 4 From Idiophone to Touchpad. The Technological Development to the Virtual Musical Instrument; Abstract; 1 Introduction; 2 The Development of Musical Instruments in Ten Stages from Prehistory to the Digital Age; 3 New Forms of Composing and Playing in a Digital World of Music; References; 5 Musical Instruments as Assemblage; Abstract; 1 Introduction: From Musical Instrument to Assemblage; 2 Violins and Fiddles: Identical Instruments, Diverse Assemblages; 3 The Electric Guitar: Technological Assemblage as 'Integrated Circuit'
  • 4 The Turntable: An Assemblage en Route to a Musical Instrument5 Conclusion: Instrument Design and Assemblage; References; 6 Instrumentality as Distributed, Interpersonal, and Self-Agential: Aesthetic Implications of an Instrumental Assemblage and Its Fortuitous Voice; Abstract; 1 Introduction; 2 Exploring the Instrumentality of an Installatory Assemblage; 3 Distribution, Natural Environment, Interpersonal Accomplishment: Three Extensions to Alperson's Concept of Instrumentality; References
  • 7 Interactivity of Digital Musical Instruments: Implications of Classifying Musical Instruments on Basic Music ResearchAbstract; 1 The Hornbostel-Sachs System and Musical Instrument Classification; 2 Scientific Concept Formation: Classification and Taxonomy; 2.1 Classification and Taxonomy I: The Logical Concept; 2.2 Classification and Taxonomy II: The Problem of Empirical Adequacy; 3 The 'Computer-as-a-Musical Instrument', Interactivity and Automata: A Necessity of a New Approach to Musical Instrument Classification?
Dimensions
unknown
Extent
1 online resource.
File format
unknown
Form of item
online
Isbn
9789811029509
Level of compression
unknown
Media category
computer
Media MARC source
rdamedia
Media type code
c
Quality assurance targets
not applicable
Reformatting quality
unknown
Sound
unknown sound
Specific material designation
remote
System control number
ocn965904305
Label
Musical instruments in the 21st century : identities, configurations, practices, Till Bovermann, Alberto de Campo, Hauke Egermann, Sarah-Indriyati Hardjowirogo, Stefan Weinzierl, editors
Publication
Copyright
Antecedent source
unknown
Bibliography note
Includes bibliographical references
Carrier category
online resource
Carrier category code
cr
Carrier MARC source
rdacarrier
Color
multicolored
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • 1 Introduction; Abstract; Think Know Reflect; 2 Instrumentality. On the Construction of Instrumental Identity; Abstract; 1 Introduction; 2 Musical Instruments versus Other Things; 3 Musical Instruments and Musical Instrument Concepts; 4 Previous Approaches to Instrumentality; 5 Criteria of Instrumentality: A Preliminary Inventory; 6 Conclusion; References; 3 From Musical Instruments as Ontological Entities to Instrumental Quality: A Linguistic Exploration of Musical Instrumentality in the Digital Era; Abstract; 1 Introduction
  • 2 A Linguistic and Cognitive Perspective on Musical Instrumentality2.1 A Multidisciplinary Framework…; 2.2 … for a Heterogeneous Corpus; 3 From Lexicographic and Academic Instrument Definitions…; 3.1 Lexicographic Definitions; 3.2 (Ethno-) Musicology Definitions; 4 … to the Emergence of a Terminology in a Computer Music Community of Practices; 4.1 Strategies for Naming and Categorising Digital Devices in Users' Interviews; 4.2 Defining Instrumentality; 5 Naming Strategies in Computer Music Literature Titles: A Stabilisation Under Construction; 6 Concluding Remarks and Perspectives
  • AcknowledgmentsReferences; 4 From Idiophone to Touchpad. The Technological Development to the Virtual Musical Instrument; Abstract; 1 Introduction; 2 The Development of Musical Instruments in Ten Stages from Prehistory to the Digital Age; 3 New Forms of Composing and Playing in a Digital World of Music; References; 5 Musical Instruments as Assemblage; Abstract; 1 Introduction: From Musical Instrument to Assemblage; 2 Violins and Fiddles: Identical Instruments, Diverse Assemblages; 3 The Electric Guitar: Technological Assemblage as 'Integrated Circuit'
  • 4 The Turntable: An Assemblage en Route to a Musical Instrument5 Conclusion: Instrument Design and Assemblage; References; 6 Instrumentality as Distributed, Interpersonal, and Self-Agential: Aesthetic Implications of an Instrumental Assemblage and Its Fortuitous Voice; Abstract; 1 Introduction; 2 Exploring the Instrumentality of an Installatory Assemblage; 3 Distribution, Natural Environment, Interpersonal Accomplishment: Three Extensions to Alperson's Concept of Instrumentality; References
  • 7 Interactivity of Digital Musical Instruments: Implications of Classifying Musical Instruments on Basic Music ResearchAbstract; 1 The Hornbostel-Sachs System and Musical Instrument Classification; 2 Scientific Concept Formation: Classification and Taxonomy; 2.1 Classification and Taxonomy I: The Logical Concept; 2.2 Classification and Taxonomy II: The Problem of Empirical Adequacy; 3 The 'Computer-as-a-Musical Instrument', Interactivity and Automata: A Necessity of a New Approach to Musical Instrument Classification?
Dimensions
unknown
Extent
1 online resource.
File format
unknown
Form of item
online
Isbn
9789811029509
Level of compression
unknown
Media category
computer
Media MARC source
rdamedia
Media type code
c
Quality assurance targets
not applicable
Reformatting quality
unknown
Sound
unknown sound
Specific material designation
remote
System control number
ocn965904305

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