Coverart for item
The Resource Narrative and genre : key concepts in media studies, Nick Lacey

Narrative and genre : key concepts in media studies, Nick Lacey

Label
Narrative and genre : key concepts in media studies
Title
Narrative and genre
Title remainder
key concepts in media studies
Statement of responsibility
Nick Lacey
Creator
Subject
Language
eng
Cataloging source
BDS
http://library.link/vocab/creatorDate
1961-
http://library.link/vocab/creatorName
Lacey, Nick
Illustrations
illustrations
Index
index present
Literary form
non fiction
http://library.link/vocab/subjectName
  • Mass media and language
  • Language and culture
  • Language arts
  • Motion pictures and language
  • Communication in literature
  • Narration (Rhetoric)
  • Film genres
Label
Narrative and genre : key concepts in media studies, Nick Lacey
Instantiates
Publication
Bibliography note
Includes bibliographical references and index
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
1. Introduction to Narrative Theory. 1.2. Once upon a time -- openings. 1.3. What is narrative? 1.4. Todorov and narrative structure. 1.5. Propp's narrative functions. 1.6. Levi-Strauss and binary oppositions. 1.7. Barthes's narrative codes -- 2. A History of Narrative. 2.2. The Epic of Gilgamesh. 2.3. Aristotle's theory of art. 2.4. The oral tradition. 2.5. Le Morte D'Arthur (The Death of Arthur). 2.6. Shakespeare. 2.7. The novel. 2.8. Romanticism. 2.9. Modernism. 2.10. Postmodernism -- 3. Theory of Narrative 2. 3.2. More advanced narrative theory. 3.3. Narrative voice. 3.4. Ideological narrative analysis -- The Searchers. 3.5. Alternative narrative systems. 3.6. Alternative narrative and documentary -- 4. Theory of Genre 1. 4.2. Generic conventions. 4.3. The basic schema of genre. 4.4. Genre and society. 4.5. Film noir and 'hard-boiled' crime novels -- the repertoire of elements. 4.6. The TV cop genre: NYPD Blue -- oppositions in genre. 4.7. Science fiction -- repertoire of elements and history. 4.8. Melodrama -- a genre and a style. 4.9. Genre and format -- 5. Theory of Genre 2. 5.2. Genre -- the chicken or the egg? 5.3. Twelve generic approaches to media texts. 5.4. Genre as Jungian myth. 5.5. Genre and gender -- soap opera. 5.6. Generic cycles. 5.7. Non-realistic genres -- horror. 5.8. Genre and semiotics. 5.9. Ideology and genre criticism. 5.10. Genres and scheduling. 5.11. Conclusion: narrative and genre -- Basic Instinct (Paul Verhoeven, 1992) -- Nora Prentiss (Vincent Sherman, 1947) -- Psycho (Alfred Hitchcock, 1960) -- The Searchers (John Ford, 1956) -- Strange Days (Kathryn Bigelow, 1995) -- The Usual Suspects (Bryan Singer, 1995) -- Television -- Movies -- Video -- Books
Control code
070015005122
Dimensions
23 cm.
Extent
ix, 268 p.
Isbn
9780333658727
Media category
unmediated
Media MARC source
rdamedia
Media type code
  • n
Other physical details
ill.
Label
Narrative and genre : key concepts in media studies, Nick Lacey
Publication
Bibliography note
Includes bibliographical references and index
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
1. Introduction to Narrative Theory. 1.2. Once upon a time -- openings. 1.3. What is narrative? 1.4. Todorov and narrative structure. 1.5. Propp's narrative functions. 1.6. Levi-Strauss and binary oppositions. 1.7. Barthes's narrative codes -- 2. A History of Narrative. 2.2. The Epic of Gilgamesh. 2.3. Aristotle's theory of art. 2.4. The oral tradition. 2.5. Le Morte D'Arthur (The Death of Arthur). 2.6. Shakespeare. 2.7. The novel. 2.8. Romanticism. 2.9. Modernism. 2.10. Postmodernism -- 3. Theory of Narrative 2. 3.2. More advanced narrative theory. 3.3. Narrative voice. 3.4. Ideological narrative analysis -- The Searchers. 3.5. Alternative narrative systems. 3.6. Alternative narrative and documentary -- 4. Theory of Genre 1. 4.2. Generic conventions. 4.3. The basic schema of genre. 4.4. Genre and society. 4.5. Film noir and 'hard-boiled' crime novels -- the repertoire of elements. 4.6. The TV cop genre: NYPD Blue -- oppositions in genre. 4.7. Science fiction -- repertoire of elements and history. 4.8. Melodrama -- a genre and a style. 4.9. Genre and format -- 5. Theory of Genre 2. 5.2. Genre -- the chicken or the egg? 5.3. Twelve generic approaches to media texts. 5.4. Genre as Jungian myth. 5.5. Genre and gender -- soap opera. 5.6. Generic cycles. 5.7. Non-realistic genres -- horror. 5.8. Genre and semiotics. 5.9. Ideology and genre criticism. 5.10. Genres and scheduling. 5.11. Conclusion: narrative and genre -- Basic Instinct (Paul Verhoeven, 1992) -- Nora Prentiss (Vincent Sherman, 1947) -- Psycho (Alfred Hitchcock, 1960) -- The Searchers (John Ford, 1956) -- Strange Days (Kathryn Bigelow, 1995) -- The Usual Suspects (Bryan Singer, 1995) -- Television -- Movies -- Video -- Books
Control code
070015005122
Dimensions
23 cm.
Extent
ix, 268 p.
Isbn
9780333658727
Media category
unmediated
Media MARC source
rdamedia
Media type code
  • n
Other physical details
ill.

Library Locations

    • Sydney Jones LibraryBorrow it
      Chatham Street, Liverpool, L7 7BD, GB
      53.403069 -2.963723
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