The Resource Narrative and genre : key concepts in media studies, Nick Lacey
Narrative and genre : key concepts in media studies, Nick Lacey
Resource Information
The item Narrative and genre : key concepts in media studies, Nick Lacey represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of Liverpool.This item is available to borrow from 1 library branch.
Resource Information
The item Narrative and genre : key concepts in media studies, Nick Lacey represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of Liverpool.
This item is available to borrow from 1 library branch.
- Language
- eng
- Extent
- ix, 268 p.
- Contents
-
- 1. Introduction to Narrative Theory. 1.2. Once upon a time
- openings. 1.3. What is narrative? 1.4. Todorov and narrative structure. 1.5. Propp's narrative functions. 1.6. Levi-Strauss and binary oppositions. 1.7. Barthes's narrative codes
- 2. A History of Narrative. 2.2. The Epic of Gilgamesh. 2.3. Aristotle's theory of art. 2.4. The oral tradition. 2.5. Le Morte D'Arthur (The Death of Arthur). 2.6. Shakespeare. 2.7. The novel. 2.8. Romanticism. 2.9. Modernism. 2.10. Postmodernism
- 3. Theory of Narrative 2. 3.2. More advanced narrative theory. 3.3. Narrative voice. 3.4. Ideological narrative analysis
- The Searchers. 3.5. Alternative narrative systems. 3.6. Alternative narrative and documentary
- 4. Theory of Genre 1. 4.2. Generic conventions. 4.3. The basic schema of genre. 4.4. Genre and society. 4.5. Film noir and 'hard-boiled' crime novels
- the repertoire of elements. 4.6. The TV cop genre: NYPD Blue
- oppositions in genre. 4.7. Science fiction
- repertoire of elements and history. 4.8. Melodrama
- a genre and a style. 4.9. Genre and format
- 5. Theory of Genre 2. 5.2. Genre
- the chicken or the egg? 5.3. Twelve generic approaches to media texts. 5.4. Genre as Jungian myth. 5.5. Genre and gender
- soap opera. 5.6. Generic cycles. 5.7. Non-realistic genres
- horror. 5.8. Genre and semiotics. 5.9. Ideology and genre criticism. 5.10. Genres and scheduling. 5.11. Conclusion: narrative and genre
- Basic Instinct (Paul Verhoeven, 1992)
- Nora Prentiss (Vincent Sherman, 1947)
- Psycho (Alfred Hitchcock, 1960)
- The Searchers (John Ford, 1956)
- Strange Days (Kathryn Bigelow, 1995)
- The Usual Suspects (Bryan Singer, 1995)
- Television
- Movies
- Video
- Books
- Isbn
- 9780333658727
- Label
- Narrative and genre : key concepts in media studies
- Title
- Narrative and genre
- Title remainder
- key concepts in media studies
- Statement of responsibility
- Nick Lacey
- Language
- eng
- Cataloging source
- BDS
- http://library.link/vocab/creatorDate
- 1961-
- http://library.link/vocab/creatorName
- Lacey, Nick
- Illustrations
- illustrations
- Index
- index present
- Literary form
- non fiction
- http://library.link/vocab/subjectName
-
- Mass media and language
- Language and culture
- Language arts
- Motion pictures and language
- Communication in literature
- Narration (Rhetoric)
- Film genres
- Label
- Narrative and genre : key concepts in media studies, Nick Lacey
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- volume
- Carrier category code
-
- nc
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
- 1. Introduction to Narrative Theory. 1.2. Once upon a time -- openings. 1.3. What is narrative? 1.4. Todorov and narrative structure. 1.5. Propp's narrative functions. 1.6. Levi-Strauss and binary oppositions. 1.7. Barthes's narrative codes -- 2. A History of Narrative. 2.2. The Epic of Gilgamesh. 2.3. Aristotle's theory of art. 2.4. The oral tradition. 2.5. Le Morte D'Arthur (The Death of Arthur). 2.6. Shakespeare. 2.7. The novel. 2.8. Romanticism. 2.9. Modernism. 2.10. Postmodernism -- 3. Theory of Narrative 2. 3.2. More advanced narrative theory. 3.3. Narrative voice. 3.4. Ideological narrative analysis -- The Searchers. 3.5. Alternative narrative systems. 3.6. Alternative narrative and documentary -- 4. Theory of Genre 1. 4.2. Generic conventions. 4.3. The basic schema of genre. 4.4. Genre and society. 4.5. Film noir and 'hard-boiled' crime novels -- the repertoire of elements. 4.6. The TV cop genre: NYPD Blue -- oppositions in genre. 4.7. Science fiction -- repertoire of elements and history. 4.8. Melodrama -- a genre and a style. 4.9. Genre and format -- 5. Theory of Genre 2. 5.2. Genre -- the chicken or the egg? 5.3. Twelve generic approaches to media texts. 5.4. Genre as Jungian myth. 5.5. Genre and gender -- soap opera. 5.6. Generic cycles. 5.7. Non-realistic genres -- horror. 5.8. Genre and semiotics. 5.9. Ideology and genre criticism. 5.10. Genres and scheduling. 5.11. Conclusion: narrative and genre -- Basic Instinct (Paul Verhoeven, 1992) -- Nora Prentiss (Vincent Sherman, 1947) -- Psycho (Alfred Hitchcock, 1960) -- The Searchers (John Ford, 1956) -- Strange Days (Kathryn Bigelow, 1995) -- The Usual Suspects (Bryan Singer, 1995) -- Television -- Movies -- Video -- Books
- Control code
- 070015005122
- Dimensions
- 23 cm.
- Extent
- ix, 268 p.
- Isbn
- 9780333658727
- Media category
- unmediated
- Media MARC source
- rdamedia
- Media type code
-
- n
- Other physical details
- ill.
- Label
- Narrative and genre : key concepts in media studies, Nick Lacey
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- volume
- Carrier category code
-
- nc
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
- 1. Introduction to Narrative Theory. 1.2. Once upon a time -- openings. 1.3. What is narrative? 1.4. Todorov and narrative structure. 1.5. Propp's narrative functions. 1.6. Levi-Strauss and binary oppositions. 1.7. Barthes's narrative codes -- 2. A History of Narrative. 2.2. The Epic of Gilgamesh. 2.3. Aristotle's theory of art. 2.4. The oral tradition. 2.5. Le Morte D'Arthur (The Death of Arthur). 2.6. Shakespeare. 2.7. The novel. 2.8. Romanticism. 2.9. Modernism. 2.10. Postmodernism -- 3. Theory of Narrative 2. 3.2. More advanced narrative theory. 3.3. Narrative voice. 3.4. Ideological narrative analysis -- The Searchers. 3.5. Alternative narrative systems. 3.6. Alternative narrative and documentary -- 4. Theory of Genre 1. 4.2. Generic conventions. 4.3. The basic schema of genre. 4.4. Genre and society. 4.5. Film noir and 'hard-boiled' crime novels -- the repertoire of elements. 4.6. The TV cop genre: NYPD Blue -- oppositions in genre. 4.7. Science fiction -- repertoire of elements and history. 4.8. Melodrama -- a genre and a style. 4.9. Genre and format -- 5. Theory of Genre 2. 5.2. Genre -- the chicken or the egg? 5.3. Twelve generic approaches to media texts. 5.4. Genre as Jungian myth. 5.5. Genre and gender -- soap opera. 5.6. Generic cycles. 5.7. Non-realistic genres -- horror. 5.8. Genre and semiotics. 5.9. Ideology and genre criticism. 5.10. Genres and scheduling. 5.11. Conclusion: narrative and genre -- Basic Instinct (Paul Verhoeven, 1992) -- Nora Prentiss (Vincent Sherman, 1947) -- Psycho (Alfred Hitchcock, 1960) -- The Searchers (John Ford, 1956) -- Strange Days (Kathryn Bigelow, 1995) -- The Usual Suspects (Bryan Singer, 1995) -- Television -- Movies -- Video -- Books
- Control code
- 070015005122
- Dimensions
- 23 cm.
- Extent
- ix, 268 p.
- Isbn
- 9780333658727
- Media category
- unmediated
- Media MARC source
- rdamedia
- Media type code
-
- n
- Other physical details
- ill.
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.liverpool.ac.uk/portal/Narrative-and-genre--key-concepts-in-media/VTFuIsd4dQQ/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.liverpool.ac.uk/portal/Narrative-and-genre--key-concepts-in-media/VTFuIsd4dQQ/">Narrative and genre : key concepts in media studies, Nick Lacey</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.liverpool.ac.uk/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.liverpool.ac.uk/">University of Liverpool</a></span></span></span></span></div>
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.liverpool.ac.uk/portal/Narrative-and-genre--key-concepts-in-media/VTFuIsd4dQQ/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.liverpool.ac.uk/portal/Narrative-and-genre--key-concepts-in-media/VTFuIsd4dQQ/">Narrative and genre : key concepts in media studies, Nick Lacey</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.liverpool.ac.uk/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.liverpool.ac.uk/">University of Liverpool</a></span></span></span></span></div>
