The Resource Opera as soundtrack, Jeongwon Joe, (electronic book)
Opera as soundtrack, Jeongwon Joe, (electronic book)
Resource Information
The item Opera as soundtrack, Jeongwon Joe, (electronic book) represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of Liverpool.This item is available to borrow from 1 library branch.
Resource Information
The item Opera as soundtrack, Jeongwon Joe, (electronic book) represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of Liverpool.
This item is available to borrow from 1 library branch.
- Summary
- Jeongwon Joe examines the role of opera as soundtrack by exploring the distinct effects opera produces in film, and what elements set opera apart from other types of soundtrack music, such as jazz or symphony. The author explores why opera tends to accompany poignant, pivotal scenes; she argues that when soundtracks employ opera excerpts.
- Language
- eng
- Extent
- xv, 207 p.
- Contents
-
- Opera as geno-song
- Opera in cinematic death
- Opera in Woody Allen's Match Point
- Is cinema's anxiety opera's envy?
- Film divas : the problem and the power of the singing women
- Behind the discourse on the opera-cinema encounter
- Isbn
- 9780754667186
- Label
- Opera as soundtrack
- Title
- Opera as soundtrack
- Statement of responsibility
- Jeongwon Joe
- Language
- eng
- Summary
- Jeongwon Joe examines the role of opera as soundtrack by exploring the distinct effects opera produces in film, and what elements set opera apart from other types of soundtrack music, such as jazz or symphony. The author explores why opera tends to accompany poignant, pivotal scenes; she argues that when soundtracks employ opera excerpts.
- Cataloging source
- MiAaPQ
- http://library.link/vocab/creatorName
- Joe, Jeongwon
- Dewey number
- 791.43/6578
- Illustrations
- illustrations
- Index
- index present
- LC call number
- ML2100
- LC item number
- .J64 2013
- Literary form
- non fiction
- Nature of contents
-
- dictionaries
- bibliography
- Series statement
- Ashgate interdisciplinary studies in opera
- http://library.link/vocab/subjectName
-
- Opera in motion pictures
- Motion pictures and opera
- Summary expansion
- Filmmakers' fascination with opera dates back to the silent era but it was not until the late 1980s that critical enquiries into the intersection of opera and cinema began to emerge. Jeongwon Joe focusses primarily on the role of opera as soundtrack by exploring the distinct effects opera produces in film, effects which differ from other types of soundtrack music, such as jazz or symphony. These effects are examined from three perspectives: peculiar qualities of the operatic voice; various properties commonly associated with opera, such as excess, otherness or death; and multifaceted tensions between opera and cinema - for instance, opera as live, embodied, high art and cinema as technologically mediated, popular entertainment
- Label
- Opera as soundtrack, Jeongwon Joe, (electronic book)
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- online resource
- Carrier category code
-
- cr
- Carrier MARC source
- rdacarrier
- Color
- multicolored
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
- Opera as geno-song -- Opera in cinematic death -- Opera in Woody Allen's Match Point -- Is cinema's anxiety opera's envy? -- Film divas : the problem and the power of the singing women -- Behind the discourse on the opera-cinema encounter
- Control code
- EBC1336188
- Dimensions
- unknown
- Extent
- xv, 207 p.
- Form of item
-
- online
- electronic
- Isbn
- 9780754667186
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
-
- c
- Other physical details
- ill.
- Reproduction note
- Electronic resource.
- Specific material designation
- remote
- Label
- Opera as soundtrack, Jeongwon Joe, (electronic book)
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- online resource
- Carrier category code
-
- cr
- Carrier MARC source
- rdacarrier
- Color
- multicolored
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
- Opera as geno-song -- Opera in cinematic death -- Opera in Woody Allen's Match Point -- Is cinema's anxiety opera's envy? -- Film divas : the problem and the power of the singing women -- Behind the discourse on the opera-cinema encounter
- Control code
- EBC1336188
- Dimensions
- unknown
- Extent
- xv, 207 p.
- Form of item
-
- online
- electronic
- Isbn
- 9780754667186
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
-
- c
- Other physical details
- ill.
- Reproduction note
- Electronic resource.
- Specific material designation
- remote
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.liverpool.ac.uk/portal/Opera-as-soundtrack-Jeongwon-Joe-electronic/LAx1DENmM8k/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.liverpool.ac.uk/portal/Opera-as-soundtrack-Jeongwon-Joe-electronic/LAx1DENmM8k/">Opera as soundtrack, Jeongwon Joe, (electronic book)</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.liverpool.ac.uk/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.liverpool.ac.uk/">University of Liverpool</a></span></span></span></span></div>
