Coverart for item
The Resource Reframing immersive theatre : the politics and pragmatics of participatory performance, edited by James Frieze

Reframing immersive theatre : the politics and pragmatics of participatory performance, edited by James Frieze

Label
Reframing immersive theatre : the politics and pragmatics of participatory performance
Title
Reframing immersive theatre
Title remainder
the politics and pragmatics of participatory performance
Statement of responsibility
edited by James Frieze
Contributor
Editor
Subject
Language
eng
Member of
Cataloging source
N$T
Dewey number
700
Index
index present
LC call number
NX212
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
http://library.link/vocab/relatedWorkOrContributorDate
1967-
http://library.link/vocab/relatedWorkOrContributorName
Frieze, James
http://library.link/vocab/subjectName
  • Performance
  • Theater
  • Performance
Label
Reframing immersive theatre : the politics and pragmatics of participatory performance, edited by James Frieze
Instantiates
Publication
Antecedent source
unknown
Carrier category
online resource
Carrier category code
cr
Carrier MARC source
rdacarrier
Color
multicolored
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • Notes ; Contents; Notes on Contributors; List of Figures ; Chapter 1: Reframing Immersive Theatre: The Politics and Pragmatics of Participatory Performance; Critiquing Engagement Within and Beyond the Immersive Event; More than Representation? Navigating the Immersive Event; Note; Part I: Participant as Co-designer: Critical Reflections; Chapter 2: On Being Immersed: The Pleasure of Being: Washing, Feeding, Holding; 'A Scale of Immersivity': Defining Features; Experiential Practice and Embodied Analysis; Being Through Being Touched by Touching; A Shared Responsibility
  • Contracts, Space, Sensual Scenography…Bodies, Senses, Time…; Space, Duration, Bodies…; Conclusion: Experiencing the Epic in an Intimate Immersive Encounter; Notes; Chapter 3: In the Body of the Beholder: Insider Dynamics and Extended Audiencing Transform Dance Spectatorship in  Sleep No More; Embodying Dance Spectatorship Through Postmodernist Dance Practices; Facilitating Affective Engagement in SNM Through Insider Dynamics; Complicity; Ushered Across the Threshold; Porosity; Lady Macbeth and Her Mistaken Consort; Contagion; Unmoored by Macbeth; Inclusion; The Candy Man
  • Extended Audiencing Amplifies Dance SpectatorshipFinal Thoughts on Curating Identity Through Choreographed Spectatorship; Notes; Chapter 4: Troubling Bodies in Follow the North Star; Notes; Chapter 5: Experiencing Michael Mayhew's Away in a Manger: Spectatorial Immersion in Durational Performance; Notes; Chapter 6: Integrating Realities Through Immersive Gaming; Perversity, Threat, and Affectation; Permeable Frame, Practical Potential; Chapter 7: Negotiating the Possible Worlds of Uninvited Guests' Make Better Please: A Hypertextual Experience; Make Better Please; Conclusion
  • Chapter 8: Outdoors: A Rimini Protokoll Theatre-MazeThe Techno-Ventriloquist: A Theatre-Maze Companion; The Ethics of Co-design; Conclusion: Outdoors as Immersive Enquiry; Chapter 9: Immersed in Sound: Kursk and the Phenomenology of Aural Experience; Note; Part II: Facilitating Immersive Performance: Ethics and Practicalities; Chapter 10: Reflections on Immersion and Interaction; Definitions; Implicit and Explicit Why; Control; Exploitation; Pushing Further; Chapter 11: Caravania!: Intimacy and Immersion for Family Audiences; Notes
  • Chapter 12: A Dramaturgy of Participation: Participatory Rituals, Immersive Environments, and Interactive Gameplay in Hotel MedeaMaking Hotel Medea; Audience Behaviour; Actor Training; Hosts and Guests; Micro-Events; A Dramaturgy of Participation in Hotel Medea; Chapter I: Zero Hour Market; 00:00 h; 00:40 h, the Wedding Preparation; Chapter II: Drylands; 02:00 h, Children's Bedroom; 02:00 h, Jason's Campaign Room; Chapter III: Feast of Dawn; 05:00 h, The Cupboards; 05:30 h, The Shrine; Conclusion; Chapter 13: She Wants You to Kiss Her: Negotiating Risk in the Immersive Theatre Contract
Dimensions
unknown
Extent
1 online resource.
File format
unknown
Form of item
online
Isbn
9781137366047
Level of compression
unknown
Media category
computer
Media MARC source
rdamedia
Media type code
c
Quality assurance targets
not applicable
Reformatting quality
unknown
Sound
unknown sound
Specific material designation
remote
System control number
ocn980874859
Label
Reframing immersive theatre : the politics and pragmatics of participatory performance, edited by James Frieze
Publication
Antecedent source
unknown
Carrier category
online resource
Carrier category code
cr
Carrier MARC source
rdacarrier
Color
multicolored
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • Notes ; Contents; Notes on Contributors; List of Figures ; Chapter 1: Reframing Immersive Theatre: The Politics and Pragmatics of Participatory Performance; Critiquing Engagement Within and Beyond the Immersive Event; More than Representation? Navigating the Immersive Event; Note; Part I: Participant as Co-designer: Critical Reflections; Chapter 2: On Being Immersed: The Pleasure of Being: Washing, Feeding, Holding; 'A Scale of Immersivity': Defining Features; Experiential Practice and Embodied Analysis; Being Through Being Touched by Touching; A Shared Responsibility
  • Contracts, Space, Sensual Scenography…Bodies, Senses, Time…; Space, Duration, Bodies…; Conclusion: Experiencing the Epic in an Intimate Immersive Encounter; Notes; Chapter 3: In the Body of the Beholder: Insider Dynamics and Extended Audiencing Transform Dance Spectatorship in  Sleep No More; Embodying Dance Spectatorship Through Postmodernist Dance Practices; Facilitating Affective Engagement in SNM Through Insider Dynamics; Complicity; Ushered Across the Threshold; Porosity; Lady Macbeth and Her Mistaken Consort; Contagion; Unmoored by Macbeth; Inclusion; The Candy Man
  • Extended Audiencing Amplifies Dance SpectatorshipFinal Thoughts on Curating Identity Through Choreographed Spectatorship; Notes; Chapter 4: Troubling Bodies in Follow the North Star; Notes; Chapter 5: Experiencing Michael Mayhew's Away in a Manger: Spectatorial Immersion in Durational Performance; Notes; Chapter 6: Integrating Realities Through Immersive Gaming; Perversity, Threat, and Affectation; Permeable Frame, Practical Potential; Chapter 7: Negotiating the Possible Worlds of Uninvited Guests' Make Better Please: A Hypertextual Experience; Make Better Please; Conclusion
  • Chapter 8: Outdoors: A Rimini Protokoll Theatre-MazeThe Techno-Ventriloquist: A Theatre-Maze Companion; The Ethics of Co-design; Conclusion: Outdoors as Immersive Enquiry; Chapter 9: Immersed in Sound: Kursk and the Phenomenology of Aural Experience; Note; Part II: Facilitating Immersive Performance: Ethics and Practicalities; Chapter 10: Reflections on Immersion and Interaction; Definitions; Implicit and Explicit Why; Control; Exploitation; Pushing Further; Chapter 11: Caravania!: Intimacy and Immersion for Family Audiences; Notes
  • Chapter 12: A Dramaturgy of Participation: Participatory Rituals, Immersive Environments, and Interactive Gameplay in Hotel MedeaMaking Hotel Medea; Audience Behaviour; Actor Training; Hosts and Guests; Micro-Events; A Dramaturgy of Participation in Hotel Medea; Chapter I: Zero Hour Market; 00:00 h; 00:40 h, the Wedding Preparation; Chapter II: Drylands; 02:00 h, Children's Bedroom; 02:00 h, Jason's Campaign Room; Chapter III: Feast of Dawn; 05:00 h, The Cupboards; 05:30 h, The Shrine; Conclusion; Chapter 13: She Wants You to Kiss Her: Negotiating Risk in the Immersive Theatre Contract
Dimensions
unknown
Extent
1 online resource.
File format
unknown
Form of item
online
Isbn
9781137366047
Level of compression
unknown
Media category
computer
Media MARC source
rdamedia
Media type code
c
Quality assurance targets
not applicable
Reformatting quality
unknown
Sound
unknown sound
Specific material designation
remote
System control number
ocn980874859

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