The Resource Rhythmic alteration in seventeenth- and eighteeth-century music: notes inégales and overdotting
Rhythmic alteration in seventeenth- and eighteeth-century music: notes inégales and overdotting
Resource Information
The item Rhythmic alteration in seventeenth- and eighteeth-century music: notes inégales and overdotting represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of Liverpool.This item is available to borrow from 1 library branch.
Resource Information
The item Rhythmic alteration in seventeenth- and eighteeth-century music: notes inégales and overdotting represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of Liverpool.
This item is available to borrow from 1 library branch.
- Summary
- The problems of rhythmic alteration are among the most controversial issues facing today's historically oriented performers of Baroque music. Hitherto, anyone seeking to understand the French practice of notes inegales and the related concept of overdotting had to absorb an unwieldy and frequently polemical literature of essays. Now, for the first time, Stephen E. Hefling's Rhythmic Alteration in Seventeenth- and Eighteenth-Century Music provides a comprehensive compendium of what is known about notes inegales and overdotting, including tables and summaries that make pertinent historical evidence readily accessible to performers and scholars alike. The volume concludes with a concise overview of problems and choices faced by performers
- Language
- eng
- Extent
- xvi, 232 pages
- Contents
-
- pt. I. Notes Inegales. Ch. 1. Conventional Aspects of French Inequality. Ch. 2. The Negation of Inequality, Discrepancies among the Sources, and Related Matters. Ch. 3. Notes Inegales Outside France
- pt. II. Overdotting. Ch. 4. The Value(s) of the Dot. Ch. 5. The Earlier German Sources on Overdotting. Ch. 6. Later Sources on Overdotting. Ch. 7. Summary Observations
- Isbn
- 9780028710358
- Label
- Rhythmic alteration in seventeenth- and eighteeth-century music: notes inégales and overdotting
- Title
- Rhythmic alteration in seventeenth- and eighteeth-century music: notes inégales and overdotting
- Language
- eng
- Summary
- The problems of rhythmic alteration are among the most controversial issues facing today's historically oriented performers of Baroque music. Hitherto, anyone seeking to understand the French practice of notes inegales and the related concept of overdotting had to absorb an unwieldy and frequently polemical literature of essays. Now, for the first time, Stephen E. Hefling's Rhythmic Alteration in Seventeenth- and Eighteenth-Century Music provides a comprehensive compendium of what is known about notes inegales and overdotting, including tables and summaries that make pertinent historical evidence readily accessible to performers and scholars alike. The volume concludes with a concise overview of problems and choices faced by performers
- Cataloging source
- UkLiU
- http://library.link/vocab/creatorName
- Hefling, Stephen E
- Index
- no index present
- Literary form
- non fiction
- http://library.link/vocab/subjectName
-
- Notes inégales
- Musical meter and rhythm
- Performance practice (Music)
- Performance practice (Music)
- Label
- Rhythmic alteration in seventeenth- and eighteeth-century music: notes inégales and overdotting
- Bibliography note
- Includes bibliographical references (pages 201-223) and index
- Carrier category
- volume
- Carrier category code
-
- nc
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
- pt. I. Notes Inegales. Ch. 1. Conventional Aspects of French Inequality. Ch. 2. The Negation of Inequality, Discrepancies among the Sources, and Related Matters. Ch. 3. Notes Inegales Outside France -- pt. II. Overdotting. Ch. 4. The Value(s) of the Dot. Ch. 5. The Earlier German Sources on Overdotting. Ch. 6. Later Sources on Overdotting. Ch. 7. Summary Observations
- Dimensions
- 24 cm
- Extent
- xvi, 232 pages
- Isbn
- 9780028710358
- Media category
- unmediated
- Media MARC source
- rdamedia
- Media type code
-
- n
- Other physical details
- illustrations
- Label
- Rhythmic alteration in seventeenth- and eighteeth-century music: notes inégales and overdotting
- Bibliography note
- Includes bibliographical references (pages 201-223) and index
- Carrier category
- volume
- Carrier category code
-
- nc
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
- pt. I. Notes Inegales. Ch. 1. Conventional Aspects of French Inequality. Ch. 2. The Negation of Inequality, Discrepancies among the Sources, and Related Matters. Ch. 3. Notes Inegales Outside France -- pt. II. Overdotting. Ch. 4. The Value(s) of the Dot. Ch. 5. The Earlier German Sources on Overdotting. Ch. 6. Later Sources on Overdotting. Ch. 7. Summary Observations
- Dimensions
- 24 cm
- Extent
- xvi, 232 pages
- Isbn
- 9780028710358
- Media category
- unmediated
- Media MARC source
- rdamedia
- Media type code
-
- n
- Other physical details
- illustrations
Library Links
Embed
Settings
Select options that apply then copy and paste the RDF/HTML data fragment to include in your application
Embed this data in a secure (HTTPS) page:
Layout options:
Include data citation:
<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.liverpool.ac.uk/portal/Rhythmic-alteration-in-seventeenth--and/PB-hA5fQ13o/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.liverpool.ac.uk/portal/Rhythmic-alteration-in-seventeenth--and/PB-hA5fQ13o/">Rhythmic alteration in seventeenth- and eighteeth-century music: notes inégales and overdotting</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.liverpool.ac.uk/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.liverpool.ac.uk/">University of Liverpool</a></span></span></span></span></div>
Note: Adjust the width and height settings defined in the RDF/HTML code fragment to best match your requirements
Preview
Cite Data - Experimental
Data Citation of the Item Rhythmic alteration in seventeenth- and eighteeth-century music: notes inégales and overdotting
Copy and paste the following RDF/HTML data fragment to cite this resource
<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.liverpool.ac.uk/portal/Rhythmic-alteration-in-seventeenth--and/PB-hA5fQ13o/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.liverpool.ac.uk/portal/Rhythmic-alteration-in-seventeenth--and/PB-hA5fQ13o/">Rhythmic alteration in seventeenth- and eighteeth-century music: notes inégales and overdotting</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.liverpool.ac.uk/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.liverpool.ac.uk/">University of Liverpool</a></span></span></span></span></div>
