Coverart for item
The Resource Shakespeare and twentieth-century Irish drama : conceptualizing identity and staging boundaries, Rebecca Steinberger

Shakespeare and twentieth-century Irish drama : conceptualizing identity and staging boundaries, Rebecca Steinberger

Label
Shakespeare and twentieth-century Irish drama : conceptualizing identity and staging boundaries
Title
Shakespeare and twentieth-century Irish drama
Title remainder
conceptualizing identity and staging boundaries
Statement of responsibility
Rebecca Steinberger
Title variation
Shakespeare and 20th-century Irish drama
Creator
Subject
Language
eng
Cataloging source
DLC
http://library.link/vocab/creatorDate
1970-
http://library.link/vocab/creatorName
Steinberger, Rebecca
Illustrations
  • illustrations
  • plates
Index
index present
Literary form
non fiction
Nature of contents
bibliography
http://library.link/vocab/subjectName
  • English drama
  • Nationalism and literature
  • Imperialism in literature
  • Colonies in literature
  • Ireland
  • Nationalism in literature
  • National characteristics, Irish, in literature
  • Shakespeare, William
  • O'Casey, Sean
  • Friel, Brian
Label
Shakespeare and twentieth-century Irish drama : conceptualizing identity and staging boundaries, Rebecca Steinberger
Instantiates
Publication
Bibliography note
Includes bibliographical references (p. [97]-110) and index
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • List of Plates
  • Introduction.
  • p. 1
  • 1.
  • 'What Ish My Nation?': The Blurring of National Identity in Shakespeare's Henry V, Richard II, and Spenser's A View Of The Present State Of Ireland.
  • p. 5
  • Disseminating Identity: England's Sense of Self and the Irish Other.
  • p. 6
  • How Does a Text 'Colonize'?.
  • p. 8
  • Shakespeare's Richard: or, a View of the Present State of England.
  • p. 12
  • Resistance is Futile: Assimilation and the Celtic Other in Henry V.
  • p. 16
  • 2.
  • 'Past and to Come Seems Best; Things Present Worse': Appropriations Of Shakespeare's Henriad in Modern Irish Drama.
  • p. 31
  • Counter-Hegemony and the Abbey Theatre.
  • p. 32
  • Brush up your Shakespeare.
  • p. 38
  • 'A State of Chassis': Sean O'Casey's Dublin Plays and Shakespeare's Henriad.
  • p. 40
  • Strange Bedfellows: Religion and Politics.
  • p. 49
  • 3.
  • 'Something is Being Eroded': Peripheral Visions in Contemporary Irish Drama.
  • p. 65
  • 'The end of art is peace': The Field Day Theatre Company and the Culture of Resistance.
  • p. 67
  • Colonial Domination and Deculturation in Brian Friel's Translations and Shakespeare's Henriad.
  • p. 76
  • Irish Erasure: Assimilation and Colonization of the Other.
  • p. 83
  • Conclusion.
  • p. 95
  • Further Reading.
  • p. 97
  • Bibliography.
  • p. 105
  • Index.
  • p. 111
Control code
ocn145378433
Dimensions
23 cm.
Extent
viii, 115 p., [4] p. of plates
Isbn
9780754637806
Lccn
2007021920
Media category
unmediated
Media MARC source
rdamedia
Media type code
  • n
Other physical details
ill.
Label
Shakespeare and twentieth-century Irish drama : conceptualizing identity and staging boundaries, Rebecca Steinberger
Publication
Bibliography note
Includes bibliographical references (p. [97]-110) and index
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • List of Plates
  • Introduction.
  • p. 1
  • 1.
  • 'What Ish My Nation?': The Blurring of National Identity in Shakespeare's Henry V, Richard II, and Spenser's A View Of The Present State Of Ireland.
  • p. 5
  • Disseminating Identity: England's Sense of Self and the Irish Other.
  • p. 6
  • How Does a Text 'Colonize'?.
  • p. 8
  • Shakespeare's Richard: or, a View of the Present State of England.
  • p. 12
  • Resistance is Futile: Assimilation and the Celtic Other in Henry V.
  • p. 16
  • 2.
  • 'Past and to Come Seems Best; Things Present Worse': Appropriations Of Shakespeare's Henriad in Modern Irish Drama.
  • p. 31
  • Counter-Hegemony and the Abbey Theatre.
  • p. 32
  • Brush up your Shakespeare.
  • p. 38
  • 'A State of Chassis': Sean O'Casey's Dublin Plays and Shakespeare's Henriad.
  • p. 40
  • Strange Bedfellows: Religion and Politics.
  • p. 49
  • 3.
  • 'Something is Being Eroded': Peripheral Visions in Contemporary Irish Drama.
  • p. 65
  • 'The end of art is peace': The Field Day Theatre Company and the Culture of Resistance.
  • p. 67
  • Colonial Domination and Deculturation in Brian Friel's Translations and Shakespeare's Henriad.
  • p. 76
  • Irish Erasure: Assimilation and Colonization of the Other.
  • p. 83
  • Conclusion.
  • p. 95
  • Further Reading.
  • p. 97
  • Bibliography.
  • p. 105
  • Index.
  • p. 111
Control code
ocn145378433
Dimensions
23 cm.
Extent
viii, 115 p., [4] p. of plates
Isbn
9780754637806
Lccn
2007021920
Media category
unmediated
Media MARC source
rdamedia
Media type code
  • n
Other physical details
ill.

Library Locations

    • Sydney Jones LibraryBorrow it
      Chatham Street, Liverpool, L7 7BD, GB
      53.403069 -2.963723
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