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The Resource Southern women playwrights : new essays in literary history and criticism, edited by Robert L. McDonald and Linda Rohrer Paige

Southern women playwrights : new essays in literary history and criticism, edited by Robert L. McDonald and Linda Rohrer Paige

Label
Southern women playwrights : new essays in literary history and criticism
Title
Southern women playwrights
Title remainder
new essays in literary history and criticism
Statement of responsibility
edited by Robert L. McDonald and Linda Rohrer Paige
Contributor
Subject
Language
eng
Cataloging source
DLC
Government publication
government publication of a state province territory dependency etc
Index
index present
Literary form
non fiction
Nature of contents
bibliography
http://library.link/vocab/relatedWorkOrContributorDate
  • 1964-
  • 1948-
http://library.link/vocab/relatedWorkOrContributorName
  • McDonald, Robert L.
  • Paige, Linda Rohrer
http://library.link/vocab/subjectName
  • American drama
  • Women and literature
  • Dramatists, American
  • American drama
  • American drama
  • Southern States
  • Southern States
Label
Southern women playwrights : new essays in literary history and criticism, edited by Robert L. McDonald and Linda Rohrer Paige
Instantiates
Publication
Bibliography note
Includes bibliographical references and index
Contents
  • Acknowledgments
  • Introduction
  • 1.
  • Current State of Scholarship on Southern Women Playwrights/
  • Robert L. McDonald
  • p. 1
  • 2.
  • "Let the People Sing!": Zora Neale Hurston and the Dream of a Negro Theater/
  • John Lowe
  • p. 11
  • 3.
  • These Four: Hellman's Roots Are Showing/
  • Theresa R. Mooney
  • p. 27
  • 4.
  • Carson McCullers, Lillian Smith, and the Politics of Broadway/
  • Judith Giblin James
  • p. 42
  • 5.
  • Delayed Entrance of Lily Mae Jenkins: Queer Identity, Gender Ambiguity, and Southern Ambivalence in Carson McCullers's The Member of the Wedding/
  • Betty E. McKinnie
  • Carlos L. Dews
  • p. 61
  • 6.
  • "Controversy Only Means Disagreement": Alice Children's Activist Drama/
  • Donna Lisker
  • p. 73
  • 7.
  • Role-ing on the River: Actors Theatre of Louisville and the Southern Woman Playwright/
  • Elizabeth S. Bell
  • p. 89
  • 8.
  • Precursor and Protege: Lillian Hellman and Marsha Norman/
  • Sally Burke
  • p. 103
  • 9.
  • "Un-ruling" the Woman: Comedy and the Plays of Beth Henley and Rebecca Gilman/
  • Janet L. Gupton
  • p. 124
  • 10.
  • Pseudonymy and Identity Politics: Exploring "Jane Martin"/
  • J. Ellen Gainor
  • p. 139
  • 11.
  • Dialectic and the Drama of Naomi Wallace/
  • Claudia Barnett
  • p. 154
  • 12.
  • Amparo Garcia and the Eyes of Tejas: Texas Community through Mexicana Eyes/
  • Carolyn Roark
  • p. 169
  • 13.
  • Reconfiguring History: Migration, Memory, and (Re)Membering in Suzan-Lori Parks's Plays/
  • Elizabeth Brown-Guillory
  • p. 183
  • 14.
  • Memory Palace in Paula Vogel's Plays/
  • Alan Shepard
  • Mary Lamb
  • p. 198
  • 15.
  • Postmodern Monologues in Regina Porter's Tripping through the Car House/
  • Mary Resing
  • p. 218
  • 16.
  • Southern Women Playwrights and the Atlanta Hub: Home Is the Place Where You Go/
  • Linda Rohrer Paige
  • p. 230
  • Contributors.
  • p. 247
  • Index.
  • p. 251
Control code
ocm47650688
Dimensions
23 cm.
Extent
xvi, 257 p.
Isbn
9780817310790
Lccn
2001004243
Label
Southern women playwrights : new essays in literary history and criticism, edited by Robert L. McDonald and Linda Rohrer Paige
Publication
Bibliography note
Includes bibliographical references and index
Contents
  • Acknowledgments
  • Introduction
  • 1.
  • Current State of Scholarship on Southern Women Playwrights/
  • Robert L. McDonald
  • p. 1
  • 2.
  • "Let the People Sing!": Zora Neale Hurston and the Dream of a Negro Theater/
  • John Lowe
  • p. 11
  • 3.
  • These Four: Hellman's Roots Are Showing/
  • Theresa R. Mooney
  • p. 27
  • 4.
  • Carson McCullers, Lillian Smith, and the Politics of Broadway/
  • Judith Giblin James
  • p. 42
  • 5.
  • Delayed Entrance of Lily Mae Jenkins: Queer Identity, Gender Ambiguity, and Southern Ambivalence in Carson McCullers's The Member of the Wedding/
  • Betty E. McKinnie
  • Carlos L. Dews
  • p. 61
  • 6.
  • "Controversy Only Means Disagreement": Alice Children's Activist Drama/
  • Donna Lisker
  • p. 73
  • 7.
  • Role-ing on the River: Actors Theatre of Louisville and the Southern Woman Playwright/
  • Elizabeth S. Bell
  • p. 89
  • 8.
  • Precursor and Protege: Lillian Hellman and Marsha Norman/
  • Sally Burke
  • p. 103
  • 9.
  • "Un-ruling" the Woman: Comedy and the Plays of Beth Henley and Rebecca Gilman/
  • Janet L. Gupton
  • p. 124
  • 10.
  • Pseudonymy and Identity Politics: Exploring "Jane Martin"/
  • J. Ellen Gainor
  • p. 139
  • 11.
  • Dialectic and the Drama of Naomi Wallace/
  • Claudia Barnett
  • p. 154
  • 12.
  • Amparo Garcia and the Eyes of Tejas: Texas Community through Mexicana Eyes/
  • Carolyn Roark
  • p. 169
  • 13.
  • Reconfiguring History: Migration, Memory, and (Re)Membering in Suzan-Lori Parks's Plays/
  • Elizabeth Brown-Guillory
  • p. 183
  • 14.
  • Memory Palace in Paula Vogel's Plays/
  • Alan Shepard
  • Mary Lamb
  • p. 198
  • 15.
  • Postmodern Monologues in Regina Porter's Tripping through the Car House/
  • Mary Resing
  • p. 218
  • 16.
  • Southern Women Playwrights and the Atlanta Hub: Home Is the Place Where You Go/
  • Linda Rohrer Paige
  • p. 230
  • Contributors.
  • p. 247
  • Index.
  • p. 251
Control code
ocm47650688
Dimensions
23 cm.
Extent
xvi, 257 p.
Isbn
9780817310790
Lccn
2001004243

Library Locations

    • Sydney Jones LibraryBorrow it
      Chatham Street, Liverpool, L7 7BD, GB
      53.403069 -2.963723
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