Coverart for item
The Resource Stations of the divided subject : contestation and ideological legitimation in German bourgeois literature, 1770-1914, Richard T. Gray

Stations of the divided subject : contestation and ideological legitimation in German bourgeois literature, 1770-1914, Richard T. Gray

Label
Stations of the divided subject : contestation and ideological legitimation in German bourgeois literature, 1770-1914
Title
Stations of the divided subject
Title remainder
contestation and ideological legitimation in German bourgeois literature, 1770-1914
Statement of responsibility
Richard T. Gray
Creator
Subject
Language
eng
Summary
A sociohistory of German bourgeois literature from 1770 to 1914, this book traces the sociogenesis of bourgeois divided subjectivity by examining the dialectic of utopian contestation and ideological legitimation as manifested in six canonical literary texts: Lessing's Emilia Galotti, Schiller's The Robbers, Heine's Ideas: The Book Le Grand, Buchner's Woyzeck, Hofmannsthal's Tale of the Cavalry, and Kafka's The Judgement
Cataloging source
DLC
http://library.link/vocab/creatorName
Gray, Richard T
Index
index present
Literary form
non fiction
Nature of contents
bibliography
http://library.link/vocab/subjectName
  • German literature
  • Literature and society
  • German literature
  • Middle class in literature
  • Middle class
Label
Stations of the divided subject : contestation and ideological legitimation in German bourgeois literature, 1770-1914, Richard T. Gray
Instantiates
Publication
Bibliography note
Includes bibliographical references (p. [345]-373) and index
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • Literature as therapy for divided subjects:
  • Free-lancing: Heine's Ideas: The book Le grand and literature between service and servitude
  • The madness of civilization: carnivalization, spectatorship, and the critique of enlightenment in Büchner's Woyzeck
  • Station 3.
  • The return of the political repressed and the aporia of the bourgeois subject:
  • The hermeneut(r)ic(k) of the psychic narrative: Freud's "uncanny" and the political unconscious in Hofmannsthal's A tale of the cavalry
  • Introduction:
  • Toward a sociosemiotic literary practice
  • Divided subjectivity and the internal dialectic of bourgeois literature
  • Station 1.
  • Repression and the ideological constitution of bourgeois subjectivity:
  • Picturing Emilia: conflict of representations and the tragedy of bourgeois subjectivity in Lessing's Emilia Galotti
  • Righting writing: semiotic conflict, hermeneutical disjunction, and the sub(im)ation of revolt in Schiller's The robbers
  • Station 2.
Control code
DCLC9433723-B
Dimensions
24 cm.
Extent
xv, 390 p.
Isbn
9780804724029
Lccn
94033723
Media category
unmediated
Media MARC source
rdamedia
Media type code
  • n
Label
Stations of the divided subject : contestation and ideological legitimation in German bourgeois literature, 1770-1914, Richard T. Gray
Publication
Bibliography note
Includes bibliographical references (p. [345]-373) and index
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • Literature as therapy for divided subjects:
  • Free-lancing: Heine's Ideas: The book Le grand and literature between service and servitude
  • The madness of civilization: carnivalization, spectatorship, and the critique of enlightenment in Büchner's Woyzeck
  • Station 3.
  • The return of the political repressed and the aporia of the bourgeois subject:
  • The hermeneut(r)ic(k) of the psychic narrative: Freud's "uncanny" and the political unconscious in Hofmannsthal's A tale of the cavalry
  • Introduction:
  • Toward a sociosemiotic literary practice
  • Divided subjectivity and the internal dialectic of bourgeois literature
  • Station 1.
  • Repression and the ideological constitution of bourgeois subjectivity:
  • Picturing Emilia: conflict of representations and the tragedy of bourgeois subjectivity in Lessing's Emilia Galotti
  • Righting writing: semiotic conflict, hermeneutical disjunction, and the sub(im)ation of revolt in Schiller's The robbers
  • Station 2.
Control code
DCLC9433723-B
Dimensions
24 cm.
Extent
xv, 390 p.
Isbn
9780804724029
Lccn
94033723
Media category
unmediated
Media MARC source
rdamedia
Media type code
  • n

Library Locations

    • Sydney Jones LibraryBorrow it
      Chatham Street, Liverpool, L7 7BD, GB
      53.403069 -2.963723
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