Coverart for item
The Resource Television for women : new directions, edited by Rachel Moseley, Helen Wheatley and Helen Wood, (electronic book)

Television for women : new directions, edited by Rachel Moseley, Helen Wheatley and Helen Wood, (electronic book)

Label
Television for women : new directions
Title
Television for women
Title remainder
new directions
Statement of responsibility
edited by Rachel Moseley, Helen Wheatley and Helen Wood
Contributor
Editor
Subject
Language
eng
Member of
Cataloging source
NhCcYBP
Dewey number
791.45/6522
Illustrations
illustrations
Index
index present
LC call number
PN1992.8.W65
LC item number
T45 2017
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
http://library.link/vocab/relatedWorkOrContributorDate
  • 1974-
  • 1972-
http://library.link/vocab/relatedWorkOrContributorName
  • Moseley, Rachel
  • Wheatley, Helen
  • Wood, Helen
  • Taylor & Francis
http://library.link/vocab/subjectName
  • Women on television
  • Women's television programs
  • Television and women
Label
Television for women : new directions, edited by Rachel Moseley, Helen Wheatley and Helen Wood, (electronic book)
Instantiates
Publication
Copyright
Bibliography note
Includes bibliographical references and index
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • 3.
  • Ẁomen pushed their way forward and became quite a force within the BBC': women's roles in television production and the production of programmes for women
  • Vanessa Jackson
  • pt. II
  • Women and identity
  • 4.
  • Catfight! Camp and queer visibility in Orange is the New Black
  • Dana A. Heller
  • 5.
  • Brown girls who don't need saving: social media and the role of p̀ossessive investment' in The Mindy Project and The Good Wife
  • Pt. I
  • Sujata Moorti
  • 6.
  • Watching One Born Every Minute: negotiating the terms of the g̀ood birth'
  • Sara De Benedictis
  • 7.
  • Sex, class and consumerism: British sitcom's negotiation of the single girl
  • Vicky Ball
  • pt. III
  • Formations of women's television
  • 8.
  • Women and work
  • Feminist television or television for women? Revisiting the launch of Canada's Women's Television Network
  • Sarah A. Matheson
  • 9.
  • Tradition and innovation: Italian women's channels, factual entertainment and the significance of generation in women's viewing preferences
  • Cecilia Penati and Anna Sfardini
  • 10.
  • Producing domestic abuse in Pakistani television: between commerce, ratings and social responsibility
  • Munira Cheema
  • pt. IV
  • Women and the home
  • 1.
  • 11.
  • Television in the ideal home
  • Helen Wheatley
  • 12.
  • Ì've been having fantasies about Regan and Carter three times a week': television, women and desire
  • Hazel Collie
  • 13.
  • Dreaming of the g̀ood life': gender, mobility and anxiety in Wanted Down Under
  • Jilly Boyce Kay and Helen Wood
  • Women's history, women's work: popular television as feminine historiography
  • Moya Luckett
  • 2.
  • The feminisation of contemporary British television drama: Sally Wainwright and Red Production
  • Ruth McElroy
Control code
99983358955
Dimensions
unknown
Extent
1 online resource (xv, 266 pages.) :
Form of item
online
Isbn
9781138914285
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Specific material designation
remote
Label
Television for women : new directions, edited by Rachel Moseley, Helen Wheatley and Helen Wood, (electronic book)
Publication
Copyright
Bibliography note
Includes bibliographical references and index
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • 3.
  • Ẁomen pushed their way forward and became quite a force within the BBC': women's roles in television production and the production of programmes for women
  • Vanessa Jackson
  • pt. II
  • Women and identity
  • 4.
  • Catfight! Camp and queer visibility in Orange is the New Black
  • Dana A. Heller
  • 5.
  • Brown girls who don't need saving: social media and the role of p̀ossessive investment' in The Mindy Project and The Good Wife
  • Pt. I
  • Sujata Moorti
  • 6.
  • Watching One Born Every Minute: negotiating the terms of the g̀ood birth'
  • Sara De Benedictis
  • 7.
  • Sex, class and consumerism: British sitcom's negotiation of the single girl
  • Vicky Ball
  • pt. III
  • Formations of women's television
  • 8.
  • Women and work
  • Feminist television or television for women? Revisiting the launch of Canada's Women's Television Network
  • Sarah A. Matheson
  • 9.
  • Tradition and innovation: Italian women's channels, factual entertainment and the significance of generation in women's viewing preferences
  • Cecilia Penati and Anna Sfardini
  • 10.
  • Producing domestic abuse in Pakistani television: between commerce, ratings and social responsibility
  • Munira Cheema
  • pt. IV
  • Women and the home
  • 1.
  • 11.
  • Television in the ideal home
  • Helen Wheatley
  • 12.
  • Ì've been having fantasies about Regan and Carter three times a week': television, women and desire
  • Hazel Collie
  • 13.
  • Dreaming of the g̀ood life': gender, mobility and anxiety in Wanted Down Under
  • Jilly Boyce Kay and Helen Wood
  • Women's history, women's work: popular television as feminine historiography
  • Moya Luckett
  • 2.
  • The feminisation of contemporary British television drama: Sally Wainwright and Red Production
  • Ruth McElroy
Control code
99983358955
Dimensions
unknown
Extent
1 online resource (xv, 266 pages.) :
Form of item
online
Isbn
9781138914285
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Specific material designation
remote

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