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The Resource Temples for tomorrow : looking back at the Harlem Renaissance, edited by Geneviève Fabre and Michel Feith

Temples for tomorrow : looking back at the Harlem Renaissance, edited by Geneviève Fabre and Michel Feith

Label
Temples for tomorrow : looking back at the Harlem Renaissance
Title
Temples for tomorrow
Title remainder
looking back at the Harlem Renaissance
Statement of responsibility
edited by Geneviève Fabre and Michel Feith
Contributor
Subject
Language
eng
Cataloging source
DLC
Illustrations
illustrations
Index
index present
Literary form
non fiction
http://library.link/vocab/relatedWorkOrContributorDate
1966-
http://library.link/vocab/relatedWorkOrContributorName
  • Fabre, Geneviève
  • Feith, Michel
http://library.link/vocab/subjectName
  • American literature
  • American literature
  • African Americans
  • American literature
  • African American arts
  • African Americans in literature
  • Harlem Renaissance
Label
Temples for tomorrow : looking back at the Harlem Renaissance, edited by Geneviève Fabre and Michel Feith
Instantiates
Publication
Bibliography note
Includes bibliographical references (p. 351-378) and index
Contents
  • Foreword
  • Acknowledgments
  • "Temples for Tomorrow": Introductory Essay/
  • Genevieve Fabre
  • Michel Feith
  • p. 1
  • 1.
  • Racial Doubt and Racial Shame in the Harlem Renaissance/
  • Arnold Rampersad
  • p. 31
  • 2.
  • Syncopated African: Constructions of Origins in the Harlem Renaissance (Literature, Music, Visual Arts)/
  • Michel Feith
  • p. 51
  • 3.
  • Oh Africa! The Influence of African Art during the Harlem Renaissance/
  • Amy H. Kirschke
  • p. 73
  • 4.
  • Florence B. Price's "Negro Symphony"/
  • Rae Linda Brown
  • p. 84
  • 5.
  • Ethel Waters: The Voice of an Era/
  • Randall Cherry
  • p. 99
  • 6.
  • Oscar Micheaux and the Harlem Renaissance/
  • Clyde Taylor
  • p. 125
  • 7.
  • Tragedy and the Joke: James Weldon Johnson's The Autobiography of an Ex-Coloured Man/
  • Alessandro Portelli
  • p. 143
  • 8.
  • "The Spell of Africa Is Upon Me": W.E.B. DuBois's Notion of Art as Propaganda/
  • Alessandra Lorini
  • p. 159
  • 9.
  • Subject to Disappearance: Interracial Identity in Nella Larsen's Quicksand/
  • George Hutchinson
  • p. 177
  • 10.
  • No Free Gifts: Toomer's "Fern" and the Harlem Renaissance/
  • William Boelhower
  • p. 193
  • 11.
  • Harlem as a Memory Place: Reconstructing the Harlem Renaissance in Space/
  • Dorothea Lobbermann
  • p. 210
  • 12.
  • "A Basin in the Mind": Language in Their Eyes Were Watching God/
  • Claudine Raynaud
  • p. 222
  • 13.
  • Langston Hughes's Blues/
  • Monica Michlin
  • p. 236
  • 14.
  • Tropics in New York: Claude McKay and the New Negro Movement/
  • Carl Pedersen
  • p. 259
  • 15.
  • West Indian Presence in Alain Locke's The New Negro (1925)/
  • Francoise Charras
  • p. 270
  • 16.
  • Three Ways to Translate the Harlem Renaissance/
  • Brent Hayes Edwards
  • p. 288
  • 17.
  • Harlem Renaissance Abroad: French Critics and the New Negro Literary Movement (1924-1964)/
  • Michel Fabre
  • p. 314
  • Chronology.
  • p. 333
  • Selected Bibliography.
  • p. 351
  • Contributors.
  • p. 379
  • Index.
  • p. 383
Control code
ocm44811631
Dimensions
24 cm.
Extent
x, 392 p.
Isbn
9780253214256
Lccn
00063426
Other physical details
ill.
Label
Temples for tomorrow : looking back at the Harlem Renaissance, edited by Geneviève Fabre and Michel Feith
Publication
Bibliography note
Includes bibliographical references (p. 351-378) and index
Contents
  • Foreword
  • Acknowledgments
  • "Temples for Tomorrow": Introductory Essay/
  • Genevieve Fabre
  • Michel Feith
  • p. 1
  • 1.
  • Racial Doubt and Racial Shame in the Harlem Renaissance/
  • Arnold Rampersad
  • p. 31
  • 2.
  • Syncopated African: Constructions of Origins in the Harlem Renaissance (Literature, Music, Visual Arts)/
  • Michel Feith
  • p. 51
  • 3.
  • Oh Africa! The Influence of African Art during the Harlem Renaissance/
  • Amy H. Kirschke
  • p. 73
  • 4.
  • Florence B. Price's "Negro Symphony"/
  • Rae Linda Brown
  • p. 84
  • 5.
  • Ethel Waters: The Voice of an Era/
  • Randall Cherry
  • p. 99
  • 6.
  • Oscar Micheaux and the Harlem Renaissance/
  • Clyde Taylor
  • p. 125
  • 7.
  • Tragedy and the Joke: James Weldon Johnson's The Autobiography of an Ex-Coloured Man/
  • Alessandro Portelli
  • p. 143
  • 8.
  • "The Spell of Africa Is Upon Me": W.E.B. DuBois's Notion of Art as Propaganda/
  • Alessandra Lorini
  • p. 159
  • 9.
  • Subject to Disappearance: Interracial Identity in Nella Larsen's Quicksand/
  • George Hutchinson
  • p. 177
  • 10.
  • No Free Gifts: Toomer's "Fern" and the Harlem Renaissance/
  • William Boelhower
  • p. 193
  • 11.
  • Harlem as a Memory Place: Reconstructing the Harlem Renaissance in Space/
  • Dorothea Lobbermann
  • p. 210
  • 12.
  • "A Basin in the Mind": Language in Their Eyes Were Watching God/
  • Claudine Raynaud
  • p. 222
  • 13.
  • Langston Hughes's Blues/
  • Monica Michlin
  • p. 236
  • 14.
  • Tropics in New York: Claude McKay and the New Negro Movement/
  • Carl Pedersen
  • p. 259
  • 15.
  • West Indian Presence in Alain Locke's The New Negro (1925)/
  • Francoise Charras
  • p. 270
  • 16.
  • Three Ways to Translate the Harlem Renaissance/
  • Brent Hayes Edwards
  • p. 288
  • 17.
  • Harlem Renaissance Abroad: French Critics and the New Negro Literary Movement (1924-1964)/
  • Michel Fabre
  • p. 314
  • Chronology.
  • p. 333
  • Selected Bibliography.
  • p. 351
  • Contributors.
  • p. 379
  • Index.
  • p. 383
Control code
ocm44811631
Dimensions
24 cm.
Extent
x, 392 p.
Isbn
9780253214256
Lccn
00063426
Other physical details
ill.

Library Locations

    • Sydney Jones LibraryBorrow it
      Chatham Street, Liverpool, L7 7BD, GB
      53.403069 -2.963723
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