The Resource The Palgrave handbook of musical theatre producers, edited by Laura MacDonald and William A. Everett
The Palgrave handbook of musical theatre producers, edited by Laura MacDonald and William A. Everett
Resource Information
The item The Palgrave handbook of musical theatre producers, edited by Laura MacDonald and William A. Everett represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in Sydney Jones Library, University of Liverpool.This item is available to borrow from 1 library branch.
Resource Information
The item The Palgrave handbook of musical theatre producers, edited by Laura MacDonald and William A. Everett represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in Sydney Jones Library, University of Liverpool.
This item is available to borrow from 1 library branch.
- Language
- eng
- Extent
- 1 online resource.
- Contents
-
- Acknowledgements; Contents; Notes on Contributors; Overture ; Chapter 1: A Ballyhoo for Producers; Notes; Chapter 2: Actors Act. Directors Direct. Producers … Produce? Mel Brooks's The Producers and the Creation of an Archetype; The Producers (1968) as a Film; The Producers (2001) on Stage; Notes; Act 1. To the 1940s ; Chapter 3: Tony Pastor: The Father of Vaudeville; Notes; Chapter 4: Adolf Philipp and the German American Musical Comedy; Philipp at the Germania Theater; Notes; Chapter 5: George Edwardes: The Guv'nor of Late Victorian Musical Theatre; Notes
- Chapter 6: Charles Frohman: King of the Star-MakersNotes; Chapter 7: Aggressive, Beleaguered, Commercial, Defiant: Marc Klaw and Abraham Erlanger; Notes; Chapter 8: Did the Shuberts Save Broadway? The Corporate Producers; Early Operations to 1905; Sam S. and Lee Shubert, Incorporated and the Shubert Theatrical Company; The Shubert Theatrical Company of New Jersey; The Shubert Theatrical Corporation; The Shubert Theatrical Corporation in Receivership; Select Theatres and Select Operating Corporation; Notes; Chapter 9: Sam Harris: A Producing Patron of Innovation; George M. Cohan/Cohan & Harris
- Irving BerlinGeorge S. Kaufman and Moss Hart; Notes; Chapter 10: Florenz Ziegfeld Jr.'s 'Simple Idea': Girls and Music in Tastefully Extravagant Settings; Notes; Chapter 11: Feather-Footed Impresario: The Scandals of George White; George White's Early Life and Career; Producing the Scandals: 1919 to 1939; George White as Broadway Producer: Significance and Innovations; Notes; Chapter 12: Alexander A. Aarons and Vinton Freedley: The Smart Sophisticates; Notes; Chapter 13: Coherency: Lew Fields, the Performer-­Producer and Experimenter in Integration; Fields and the Shuberts
- Fields's Work with Herbert and the New Kids, Rodgers and HartTowards the Integrated Musical; Notes; Chapter 14: Firm Foundations: James Cassius Williamson and 'The Firm'; The Firm After Williamson; Notes; Chapter 15: Japanese Women's Popular Musicals: The Takarazuka Revue; Notes; Act 2. From the 1940s through the 1970s ; Chapter 16: Refining the Tastes of Broadway Audiences: The Theatre Guild and American Musical Theatre; Notes; Chapter 17: More than a Producer: 'George Abbott Presents'; Notes; Chapter 18: Rodgers and Hammerstein: The Sound of Money; Pre-R Rodgers and Hammerstein
- Rodgers After HammersteinNotes; Chapter 19: The Nice One: The Productions of Robert Griffith; Notes; Chapter 20: The Sparkplug and the Engineer: Balancing Art and Business in the Collaboration of Cy Feuer and Ernest Martin; Notes; Chapter 21: Roger L. Stevens: The Great Facilitator; Notes; Chapter 22: 'He Could Get It for You Wholesale': The Producing Genius of David Merrick; David Merrick; Merrick and the Musicals; Merrick and Money; Merrick and Marketing; Merrick versus Margulois; Legacy; Notes; Chapter 23: Stuart Ostrow: Experiments in Independence; Notes
- Isbn
- 9781137433084
- Label
- The Palgrave handbook of musical theatre producers
- Title
- The Palgrave handbook of musical theatre producers
- Statement of responsibility
- edited by Laura MacDonald and William A. Everett
- Language
- eng
- Biography type
- collective biography
- Cataloging source
- N$T
- Dewey number
- 792.64
- Index
- index present
- LC call number
- ML2054
- Literary form
- non fiction
- Nature of contents
-
- dictionaries
- bibliography
- http://library.link/vocab/relatedWorkOrContributorDate
- 1962-
- http://library.link/vocab/relatedWorkOrContributorName
-
- MacDonald, Laura
- Everett, William A.
- Series statement
- Palgrave Handbooks
- http://library.link/vocab/subjectName
- Musical theater producers and directors
- Label
- The Palgrave handbook of musical theatre producers, edited by Laura MacDonald and William A. Everett
- Antecedent source
- unknown
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- online resource
- Carrier category code
-
- cr
- Carrier MARC source
- rdacarrier
- Color
- multicolored
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
-
- Acknowledgements; Contents; Notes on Contributors; Overture ; Chapter 1: A Ballyhoo for Producers; Notes; Chapter 2: Actors Act. Directors Direct. Producers … Produce? Mel Brooks's The Producers and the Creation of an Archetype; The Producers (1968) as a Film; The Producers (2001) on Stage; Notes; Act 1. To the 1940s ; Chapter 3: Tony Pastor: The Father of Vaudeville; Notes; Chapter 4: Adolf Philipp and the German American Musical Comedy; Philipp at the Germania Theater; Notes; Chapter 5: George Edwardes: The Guv'nor of Late Victorian Musical Theatre; Notes
- Chapter 6: Charles Frohman: King of the Star-MakersNotes; Chapter 7: Aggressive, Beleaguered, Commercial, Defiant: Marc Klaw and Abraham Erlanger; Notes; Chapter 8: Did the Shuberts Save Broadway? The Corporate Producers; Early Operations to 1905; Sam S. and Lee Shubert, Incorporated and the Shubert Theatrical Company; The Shubert Theatrical Company of New Jersey; The Shubert Theatrical Corporation; The Shubert Theatrical Corporation in Receivership; Select Theatres and Select Operating Corporation; Notes; Chapter 9: Sam Harris: A Producing Patron of Innovation; George M. Cohan/Cohan & Harris
- Irving BerlinGeorge S. Kaufman and Moss Hart; Notes; Chapter 10: Florenz Ziegfeld Jr.'s 'Simple Idea': Girls and Music in Tastefully Extravagant Settings; Notes; Chapter 11: Feather-Footed Impresario: The Scandals of George White; George White's Early Life and Career; Producing the Scandals: 1919 to 1939; George White as Broadway Producer: Significance and Innovations; Notes; Chapter 12: Alexander A. Aarons and Vinton Freedley: The Smart Sophisticates; Notes; Chapter 13: Coherency: Lew Fields, the Performer-­Producer and Experimenter in Integration; Fields and the Shuberts
- Fields's Work with Herbert and the New Kids, Rodgers and HartTowards the Integrated Musical; Notes; Chapter 14: Firm Foundations: James Cassius Williamson and 'The Firm'; The Firm After Williamson; Notes; Chapter 15: Japanese Women's Popular Musicals: The Takarazuka Revue; Notes; Act 2. From the 1940s through the 1970s ; Chapter 16: Refining the Tastes of Broadway Audiences: The Theatre Guild and American Musical Theatre; Notes; Chapter 17: More than a Producer: 'George Abbott Presents'; Notes; Chapter 18: Rodgers and Hammerstein: The Sound of Money; Pre-R Rodgers and Hammerstein
- Rodgers After HammersteinNotes; Chapter 19: The Nice One: The Productions of Robert Griffith; Notes; Chapter 20: The Sparkplug and the Engineer: Balancing Art and Business in the Collaboration of Cy Feuer and Ernest Martin; Notes; Chapter 21: Roger L. Stevens: The Great Facilitator; Notes; Chapter 22: 'He Could Get It for You Wholesale': The Producing Genius of David Merrick; David Merrick; Merrick and the Musicals; Merrick and Money; Merrick and Marketing; Merrick versus Margulois; Legacy; Notes; Chapter 23: Stuart Ostrow: Experiments in Independence; Notes
- Dimensions
- unknown
- Extent
- 1 online resource.
- File format
- unknown
- Form of item
- online
- Isbn
- 9781137433084
- Level of compression
- unknown
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
-
- c
- Quality assurance targets
- not applicable
- Reformatting quality
- unknown
- Sound
- unknown sound
- Specific material designation
- remote
- System control number
- ocn979992047
- Label
- The Palgrave handbook of musical theatre producers, edited by Laura MacDonald and William A. Everett
- Antecedent source
- unknown
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- online resource
- Carrier category code
-
- cr
- Carrier MARC source
- rdacarrier
- Color
- multicolored
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
-
- Acknowledgements; Contents; Notes on Contributors; Overture ; Chapter 1: A Ballyhoo for Producers; Notes; Chapter 2: Actors Act. Directors Direct. Producers … Produce? Mel Brooks's The Producers and the Creation of an Archetype; The Producers (1968) as a Film; The Producers (2001) on Stage; Notes; Act 1. To the 1940s ; Chapter 3: Tony Pastor: The Father of Vaudeville; Notes; Chapter 4: Adolf Philipp and the German American Musical Comedy; Philipp at the Germania Theater; Notes; Chapter 5: George Edwardes: The Guv'nor of Late Victorian Musical Theatre; Notes
- Chapter 6: Charles Frohman: King of the Star-MakersNotes; Chapter 7: Aggressive, Beleaguered, Commercial, Defiant: Marc Klaw and Abraham Erlanger; Notes; Chapter 8: Did the Shuberts Save Broadway? The Corporate Producers; Early Operations to 1905; Sam S. and Lee Shubert, Incorporated and the Shubert Theatrical Company; The Shubert Theatrical Company of New Jersey; The Shubert Theatrical Corporation; The Shubert Theatrical Corporation in Receivership; Select Theatres and Select Operating Corporation; Notes; Chapter 9: Sam Harris: A Producing Patron of Innovation; George M. Cohan/Cohan & Harris
- Irving BerlinGeorge S. Kaufman and Moss Hart; Notes; Chapter 10: Florenz Ziegfeld Jr.'s 'Simple Idea': Girls and Music in Tastefully Extravagant Settings; Notes; Chapter 11: Feather-Footed Impresario: The Scandals of George White; George White's Early Life and Career; Producing the Scandals: 1919 to 1939; George White as Broadway Producer: Significance and Innovations; Notes; Chapter 12: Alexander A. Aarons and Vinton Freedley: The Smart Sophisticates; Notes; Chapter 13: Coherency: Lew Fields, the Performer-­Producer and Experimenter in Integration; Fields and the Shuberts
- Fields's Work with Herbert and the New Kids, Rodgers and HartTowards the Integrated Musical; Notes; Chapter 14: Firm Foundations: James Cassius Williamson and 'The Firm'; The Firm After Williamson; Notes; Chapter 15: Japanese Women's Popular Musicals: The Takarazuka Revue; Notes; Act 2. From the 1940s through the 1970s ; Chapter 16: Refining the Tastes of Broadway Audiences: The Theatre Guild and American Musical Theatre; Notes; Chapter 17: More than a Producer: 'George Abbott Presents'; Notes; Chapter 18: Rodgers and Hammerstein: The Sound of Money; Pre-R Rodgers and Hammerstein
- Rodgers After HammersteinNotes; Chapter 19: The Nice One: The Productions of Robert Griffith; Notes; Chapter 20: The Sparkplug and the Engineer: Balancing Art and Business in the Collaboration of Cy Feuer and Ernest Martin; Notes; Chapter 21: Roger L. Stevens: The Great Facilitator; Notes; Chapter 22: 'He Could Get It for You Wholesale': The Producing Genius of David Merrick; David Merrick; Merrick and the Musicals; Merrick and Money; Merrick and Marketing; Merrick versus Margulois; Legacy; Notes; Chapter 23: Stuart Ostrow: Experiments in Independence; Notes
- Dimensions
- unknown
- Extent
- 1 online resource.
- File format
- unknown
- Form of item
- online
- Isbn
- 9781137433084
- Level of compression
- unknown
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
-
- c
- Quality assurance targets
- not applicable
- Reformatting quality
- unknown
- Sound
- unknown sound
- Specific material designation
- remote
- System control number
- ocn979992047
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.liverpool.ac.uk/portal/The-Palgrave-handbook-of-musical-theatre/gsOI82VP69w/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.liverpool.ac.uk/portal/The-Palgrave-handbook-of-musical-theatre/gsOI82VP69w/">The Palgrave handbook of musical theatre producers, edited by Laura MacDonald and William A. Everett</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.liverpool.ac.uk/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.liverpool.ac.uk/">Sydney Jones Library, University of Liverpool</a></span></span></span></span></div>
