Coverart for item
The Resource The digital arts and humanities : neogeography, social media and big data integrations and applications, Charles Travis, Alexander von Lünen, editors, (electronic resource)

The digital arts and humanities : neogeography, social media and big data integrations and applications, Charles Travis, Alexander von Lünen, editors, (electronic resource)

Label
The digital arts and humanities : neogeography, social media and big data integrations and applications
Title
The digital arts and humanities
Title remainder
neogeography, social media and big data integrations and applications
Statement of responsibility
Charles Travis, Alexander von Lünen, editors
Contributor
Subject
Language
eng
Summary
The case studies in this book illuminate how arts and humanities tropes can aid in contextualizing Digital Arts and Humanities, Neogeographic and Social Media activity and data through the creation interpretive schemas to study interactions between visualizations, language, human behaviour, time and place
Member of
Cataloging source
EBLCP
Dewey number
001.2
Index
no index present
LC call number
AZ195
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
http://library.link/vocab/relatedWorkOrContributorDate
  • 1964-
  • 1971-
http://library.link/vocab/relatedWorkOrContributorName
  • Travis, Charles
  • Lünen, Alexander von
Series statement
Springer geography
http://library.link/vocab/subjectName
  • Digital humanities
  • Art and technology
  • Computer art
  • Geography
  • Application software
  • Geographic information systems
  • Science
  • Mass media
  • Communication
  • Social sciences in mass media
Label
The digital arts and humanities : neogeography, social media and big data integrations and applications, Charles Travis, Alexander von Lünen, editors, (electronic resource)
Instantiates
Publication
Note
  • Description based upon print version of record
  • Web Applications and GIS Platforms for the Collection of Q̀̀uasi-Real-Time'' Perception of Earthquakes
Bibliography note
Includes bibliographical references
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Color
multicolored
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • Preface; References; Acknowledgements; Contents; Part I Arts, Humanities, Social Media; 1 When Selfies Turn into Online Doppelgngers: From Double as Shadow to Double as Alter Ego; Introduction; Selfies as Virtual Doppelgnger; Double as Shadow (Self-amputation); Double as Alter Ego (Self-amplification); Conclusion; References; 2 Beuys Don't Cry: From Social Sculptures to Social Media; Introduction; Art and Authority; Art as a Reaction to Technical Change; We Are Reading Time in Space; Being-in-the-World; Fluxus; Social Sculpture = Social Media?; Conclusions: Stop Making Sense; References
  • Part II Indigital Mapping3 Aboriginal Digitalities: Indigenous Peoples and New Media; Introduction; Digital Media and Indigenous Identity; Convergence Between Multimodal Communication and Indigenous Epistemologies; Visual Language, Indigenous Codex and Glyphs; Epistemological Convergence; Haptic Codes and Hyperlinks; Social Memory: Storage and Performance ; Conclusions; References; 4 Kiowa Storytelling Around a Map; Introduction; Native American Mapmaking; Kiowa Calendars and Maps; Kiowa Storytelling Around Maps; Conclusion; References
  • Part III Digital Practices in Irish Conflict and Peace Studies5 A Digital Exploration of Hunger Strikes in British Prisons, 1913 -- 1940; Introduction: Visualizing Hunger Strike History; Trends Within the R̀̀egister of Criminal Prisoner H̀unger Striking'''; Analyzing and Digitizing the Physical R̀̀egister''; Goals and Freeware Methods; Determining the Data; One Year in Hunger Strike History: 1917; New Research Questions Generated; Conclusion: Digital Exhibitions as Public Scholarship; References
  • 6 Digital Practices of the Moral Imagination, Socially Engaged Theatre and the Creative Transformation of Conflict in Northern IrelandIntroduction; Leveraging Theatre and Technology for Social Change in Conflict Affected Societies; Derry-Londonderry's Verbal Arts Centre (VAC) -- Crows on the Wire Project; Crows on the Wire: Staging as a Practice of the Moral Imagination; Crows on the Wire App: Exemplar of the Digital Practice of the Moral Imagination; Belfast-Based Kabosh Theatre Company -- Streets of Belfast Project
  • The West Awakes and Shankill Stories: Re-Imaginings of Belfast's Brick and MortarStreets of Belfast App: Exemplar of the Digital Practice of the Moral Imagination; Conclusion; References; Part IV Neogeography, Mobility and Performance; 7 Historical Memory and Natural Hazards in Neogeographic Mapping Technologies; Introduction; An Open Source, Interdisciplinary GIS Project; The Community Integrated GIS (CIGIS); P̀̀erception of Places'' in the CIGIS Project; P̀̀erception of Earthquakes'' in the CIGIS Project
Dimensions
unknown
Extent
1 online resource (206 p.)
File format
unknown
Form of item
online
Isbn
9783319409535
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Reformatting quality
preservation
Sound
unknown sound
Specific material designation
remote
System control number
  • SPR961456440
  • ocn961456440
Label
The digital arts and humanities : neogeography, social media and big data integrations and applications, Charles Travis, Alexander von Lünen, editors, (electronic resource)
Publication
Note
  • Description based upon print version of record
  • Web Applications and GIS Platforms for the Collection of Q̀̀uasi-Real-Time'' Perception of Earthquakes
Bibliography note
Includes bibliographical references
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Color
multicolored
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • Preface; References; Acknowledgements; Contents; Part I Arts, Humanities, Social Media; 1 When Selfies Turn into Online Doppelgngers: From Double as Shadow to Double as Alter Ego; Introduction; Selfies as Virtual Doppelgnger; Double as Shadow (Self-amputation); Double as Alter Ego (Self-amplification); Conclusion; References; 2 Beuys Don't Cry: From Social Sculptures to Social Media; Introduction; Art and Authority; Art as a Reaction to Technical Change; We Are Reading Time in Space; Being-in-the-World; Fluxus; Social Sculpture = Social Media?; Conclusions: Stop Making Sense; References
  • Part II Indigital Mapping3 Aboriginal Digitalities: Indigenous Peoples and New Media; Introduction; Digital Media and Indigenous Identity; Convergence Between Multimodal Communication and Indigenous Epistemologies; Visual Language, Indigenous Codex and Glyphs; Epistemological Convergence; Haptic Codes and Hyperlinks; Social Memory: Storage and Performance ; Conclusions; References; 4 Kiowa Storytelling Around a Map; Introduction; Native American Mapmaking; Kiowa Calendars and Maps; Kiowa Storytelling Around Maps; Conclusion; References
  • Part III Digital Practices in Irish Conflict and Peace Studies5 A Digital Exploration of Hunger Strikes in British Prisons, 1913 -- 1940; Introduction: Visualizing Hunger Strike History; Trends Within the R̀̀egister of Criminal Prisoner H̀unger Striking'''; Analyzing and Digitizing the Physical R̀̀egister''; Goals and Freeware Methods; Determining the Data; One Year in Hunger Strike History: 1917; New Research Questions Generated; Conclusion: Digital Exhibitions as Public Scholarship; References
  • 6 Digital Practices of the Moral Imagination, Socially Engaged Theatre and the Creative Transformation of Conflict in Northern IrelandIntroduction; Leveraging Theatre and Technology for Social Change in Conflict Affected Societies; Derry-Londonderry's Verbal Arts Centre (VAC) -- Crows on the Wire Project; Crows on the Wire: Staging as a Practice of the Moral Imagination; Crows on the Wire App: Exemplar of the Digital Practice of the Moral Imagination; Belfast-Based Kabosh Theatre Company -- Streets of Belfast Project
  • The West Awakes and Shankill Stories: Re-Imaginings of Belfast's Brick and MortarStreets of Belfast App: Exemplar of the Digital Practice of the Moral Imagination; Conclusion; References; Part IV Neogeography, Mobility and Performance; 7 Historical Memory and Natural Hazards in Neogeographic Mapping Technologies; Introduction; An Open Source, Interdisciplinary GIS Project; The Community Integrated GIS (CIGIS); P̀̀erception of Places'' in the CIGIS Project; P̀̀erception of Earthquakes'' in the CIGIS Project
Dimensions
unknown
Extent
1 online resource (206 p.)
File format
unknown
Form of item
online
Isbn
9783319409535
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Reformatting quality
preservation
Sound
unknown sound
Specific material designation
remote
System control number
  • SPR961456440
  • ocn961456440

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