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The Resource The music and sound of experimental film, edited by Holly Rogers and Jeremy Barham

The music and sound of experimental film, edited by Holly Rogers and Jeremy Barham

Label
The music and sound of experimental film
Title
The music and sound of experimental film
Statement of responsibility
edited by Holly Rogers and Jeremy Barham
Contributor
Editor
Subject
Language
eng
Cataloging source
DLC
Illustrations
illustrations
Index
index present
Literary form
non fiction
Nature of contents
bibliography
http://library.link/vocab/relatedWorkOrContributorDate
1963-
http://library.link/vocab/relatedWorkOrContributorName
  • Rogers, Holly
  • Barham, Jeremy
http://library.link/vocab/subjectName
  • Motion picture music
  • Experimental films
Label
The music and sound of experimental film, edited by Holly Rogers and Jeremy Barham
Instantiates
Publication
Bibliography note
Includes bibliographical references and index
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
Absolute sounding images: abstract film and radio drama of the 1920s as complementary forms of a media-specific art / Dieter Daniels -- A primitivism of the senses: the role of music in Len Lye's experimental animation / Malcolm Cook -- An education avant-garde: sound and music in Julien Bryan's OIAA films on Latin America, 1942-1949 / James Tobias -- "bump...bup...bup": aural innovation in the films of Norman McLaren / Terence Dobson -- Sights and sounds of the moving mind: the visionary sountracks of Stan Brakhage / Eric Smigel -- Discontinuities and resynchronisations: the use of sound in Polish experimental cinema from the 1930s to the 1980s / Daniel Muzyczuk -- Grid intensities: hearing structures in Chantal Akerman's films of the 1970s / Paul Hegarty -- Meaning and musicality: sound-image relations in the films of John Smith / Andy Birtwistle -- Audiovisual dissonance in found-footage film / Holly Rogers -- Rebalancing the picture-sound relationship: the audiovisual compositions of Lis Rhodes / Aimee Mollaghan -- Sounding decay in the digital age: "audio-visions" of Decasia (2002) and Lyrical nitrate (1991) / Nessa Johnston -- The sound of queer experimental film / Juan A. Suárez -- Avant-gardists and the lure of pop music / Carol Vernallis -- The music of Gustav Mahler in experimental film contexts: questions of visual music and intermedial theory / Jeremy Barham
Control code
036880785
Dimensions
24 cm
Extent
xvi, 320 pages
Isbn
9780190469900
Lccn
2016049716
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
Other physical details
illustrations
Label
The music and sound of experimental film, edited by Holly Rogers and Jeremy Barham
Publication
Bibliography note
Includes bibliographical references and index
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
Absolute sounding images: abstract film and radio drama of the 1920s as complementary forms of a media-specific art / Dieter Daniels -- A primitivism of the senses: the role of music in Len Lye's experimental animation / Malcolm Cook -- An education avant-garde: sound and music in Julien Bryan's OIAA films on Latin America, 1942-1949 / James Tobias -- "bump...bup...bup": aural innovation in the films of Norman McLaren / Terence Dobson -- Sights and sounds of the moving mind: the visionary sountracks of Stan Brakhage / Eric Smigel -- Discontinuities and resynchronisations: the use of sound in Polish experimental cinema from the 1930s to the 1980s / Daniel Muzyczuk -- Grid intensities: hearing structures in Chantal Akerman's films of the 1970s / Paul Hegarty -- Meaning and musicality: sound-image relations in the films of John Smith / Andy Birtwistle -- Audiovisual dissonance in found-footage film / Holly Rogers -- Rebalancing the picture-sound relationship: the audiovisual compositions of Lis Rhodes / Aimee Mollaghan -- Sounding decay in the digital age: "audio-visions" of Decasia (2002) and Lyrical nitrate (1991) / Nessa Johnston -- The sound of queer experimental film / Juan A. Suárez -- Avant-gardists and the lure of pop music / Carol Vernallis -- The music of Gustav Mahler in experimental film contexts: questions of visual music and intermedial theory / Jeremy Barham
Control code
036880785
Dimensions
24 cm
Extent
xvi, 320 pages
Isbn
9780190469900
Lccn
2016049716
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
Other physical details
illustrations

Library Locations

    • Sydney Jones LibraryBorrow it
      Chatham Street, Liverpool, L7 7BD, GB
      53.403069 -2.963723
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