The Resource The sound of Shakespeare, Wes Folkerth
The sound of Shakespeare, Wes Folkerth
Resource Information
The item The sound of Shakespeare, Wes Folkerth represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of Liverpool.This item is available to borrow from 1 library branch.
Resource Information
The item The sound of Shakespeare, Wes Folkerth represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of Liverpool.
This item is available to borrow from 1 library branch.
- Summary
- "The Sound of Shakespeare reveals the surprising extent to which Shakespeare's art is informed by the various attitudes, beliefs, practices and discourses that pertained to sound and hearing in his culture." "In this study, Wes Folkerth develops listening as a critical practice, attending to the ways in which Shakespeare's plays express their author's awareness of early modern associations between sound and particular forms of ethical and aesthetic experience. Through readings of the acoustic representation of deep subjectivity in Richard III, of the 'public ear' in Antony and Cleopatra, the receptive ear in Coriolanus, the grotesque ear in A Midsummer Night's Dream, the 'greedy ear' in Othello, and the 'willing ear' in Measure for Measure, Folkerth demonstrates that by listening to Shakespeare himself listening, we derive a fuller understanding of why his works continue to resonate so strongly with us today."--BOOK JACKET
- Language
- eng
- Extent
- xii, 147 p.
- Contents
-
- 1. Shakespearience
- 2. The public ear
- 3. Receptivity
- 4. Transformation and continuity
- 5. Shakespearean acoustemologies
- Isbn
- 9780415253765
- Label
- The sound of Shakespeare
- Title
- The sound of Shakespeare
- Statement of responsibility
- Wes Folkerth
- Language
- eng
- Summary
- "The Sound of Shakespeare reveals the surprising extent to which Shakespeare's art is informed by the various attitudes, beliefs, practices and discourses that pertained to sound and hearing in his culture." "In this study, Wes Folkerth develops listening as a critical practice, attending to the ways in which Shakespeare's plays express their author's awareness of early modern associations between sound and particular forms of ethical and aesthetic experience. Through readings of the acoustic representation of deep subjectivity in Richard III, of the 'public ear' in Antony and Cleopatra, the receptive ear in Coriolanus, the grotesque ear in A Midsummer Night's Dream, the 'greedy ear' in Othello, and the 'willing ear' in Measure for Measure, Folkerth demonstrates that by listening to Shakespeare himself listening, we derive a fuller understanding of why his works continue to resonate so strongly with us today."--BOOK JACKET
- Cataloging source
- DLC
- http://library.link/vocab/creatorDate
- 1964-
- http://library.link/vocab/creatorName
- Folkerth, Wes
- Index
- index present
- Literary form
- non fiction
- Nature of contents
- bibliography
- Series statement
- Accents on Shakespeare
- http://library.link/vocab/subjectName
-
- Sounds in literature
- Sound in literature
- Shakespeare, William
- Label
- The sound of Shakespeare, Wes Folkerth
- Bibliography note
- Includes bibliographical references (p. [131]-141) and index
- Carrier category
- volume
- Carrier category code
-
- nc
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
- 1. Shakespearience -- 2. The public ear -- 3. Receptivity -- 4. Transformation and continuity -- 5. Shakespearean acoustemologies
- Control code
- ocm48753331
- Dimensions
- 23 cm.
- Extent
- xii, 147 p.
- Isbn
- 9780415253765
- Lccn
- 2002069893
- Media category
- unmediated
- Media MARC source
- rdamedia
- Media type code
-
- n
- Label
- The sound of Shakespeare, Wes Folkerth
- Bibliography note
- Includes bibliographical references (p. [131]-141) and index
- Carrier category
- volume
- Carrier category code
-
- nc
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
- 1. Shakespearience -- 2. The public ear -- 3. Receptivity -- 4. Transformation and continuity -- 5. Shakespearean acoustemologies
- Control code
- ocm48753331
- Dimensions
- 23 cm.
- Extent
- xii, 147 p.
- Isbn
- 9780415253765
- Lccn
- 2002069893
- Media category
- unmediated
- Media MARC source
- rdamedia
- Media type code
-
- n
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.liverpool.ac.uk/portal/The-sound-of-Shakespeare-Wes-Folkerth/H0fcBHDagPs/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.liverpool.ac.uk/portal/The-sound-of-Shakespeare-Wes-Folkerth/H0fcBHDagPs/">The sound of Shakespeare, Wes Folkerth</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.liverpool.ac.uk/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.liverpool.ac.uk/">University of Liverpool</a></span></span></span></span></div>
