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The Resource The technique of film and video editing : history, theory, and practice, Ken Dancyger, (electronic book)

The technique of film and video editing : history, theory, and practice, Ken Dancyger, (electronic book)

Label
The technique of film and video editing : history, theory, and practice
Title
The technique of film and video editing
Title remainder
history, theory, and practice
Statement of responsibility
Ken Dancyger
Creator
Subject
Language
eng
Summary
The Technique of Film & Video Editing provides a detailed, precise look at the artistic and aesthetic principles and practices of editing for both picture and sound. Analyses of photographs from dozens of classic and contemporary films and videos provide a sound basis for the professional filmmaker and student editor. This book puts into context the storytelling choices an editor will have to make against a background of theory, history, and practice. This new edition has been updated to include the latest advances in digital video and nonlinear editing and explores the new trend of documentary as mainstream entertainment, using films such as "Farenheit 9/11" and "The Fog of War" as examples. * Learn how to strengthen your story and engage your audience through the editing process * Examples, analysis, and film stills from great movies * Includes a new chapter on the impact of documentaries
Member of
Cataloging source
OPELS
http://library.link/vocab/creatorName
Dancyger, Ken.
Dewey number
778.5/235
Illustrations
  • illustrations
  • portraits
Index
index present
LC call number
TR899
LC item number
.D26 2007
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
http://library.link/vocab/subjectName
  • Motion pictures
  • Video tapes
Label
The technique of film and video editing : history, theory, and practice, Ken Dancyger, (electronic book)
Instantiates
Publication
Note
Previous ed.: 2002
Bibliography note
Includes bibliographical references and index
Color
multicolored
Contents
  • Introduction; The Silent Period; The Early Sound Film; The Influence of the Documentary; The Influence of the Popular Arts; Editors Who Became Directors; Experiments in Editing: Alfred Hitchcock; New Technologies; International Advances; The Influence of Television and Theatre; New Challenges to Filmic Narrative Conventions; The MTV Influence on Editing I; The MTV Influence on Editing II; The Influence of Psychoanalytic Ideas on Editing; The Appropriation of Style I : Imitation and Innovation; The Appropriate of Style II: Limitation and Innovation; Action; Dialogue; Comedy; Documentary; Imaginative Documentary; Innovations in Documentary; More Innovations in Documentary; Ideas and Sound; The Picture Edit and Continuity; The Picture Edit and Pace; Changes in Pace; The Sound Edit and Clarity; The Sound Edit and Creative Sound; Innovations in the Use of Sound; Nonlinear Editing and Digital Technology I; Nonlinear Editing and Digital Technology II; Altering Reality Using Digital Visuals and Sound; Conclusion
  • I. History of film editing -- 1. The silent period -- 2. The early sound film -- 3. The influence of the documentary -- 4. The influence of the popular arts -- 5. Editors who became directors -- 6. Experiments in editing : Alfred Hitchcock -- 7. New technologies -- 8. International advances -- 9. The influence of television and theatre -- 10. New challenges to filmic narrative conventions -- 11. The MTV influence on editing I -- 12. The MTV influence on editing II -- 13. Changes in pace -- 14. The appropriation of style I : imitation and innovation -- 15. The appropriation of style II : limitation and innovation -- 16. The appropriation of style III : digital reality -- II. Editing for the genre -- 17. Action -- 18. Dialogue -- 19. Comedy -- 20. Documentary -- 21. Imaginative documentary -- 22. Innovations in documentary I -- 23. Innovations in documentary II -- 24. Ideas and sound -- III. Principles of editing -- 25. The picture edit and continuity
  • 26. The picture edit and pace -- 27. The sound edit and clarity -- 28. The sound edit and creative sound -- 29. Innovations of sound -- 30. Nonlinear editing and digital technology I -- 31. Nonlinear editing and digital technology II -- 32. Conclusion
Control code
SCIDI499049830
Dimensions
unknown
Edition
4th ed.
Extent
1 online resource (xxiii, 484 p.)
Form of item
online
Isbn
9780240807652
Other physical details
ill., ports.
Specific material designation
remote
Label
The technique of film and video editing : history, theory, and practice, Ken Dancyger, (electronic book)
Publication
Note
Previous ed.: 2002
Bibliography note
Includes bibliographical references and index
Color
multicolored
Contents
  • Introduction; The Silent Period; The Early Sound Film; The Influence of the Documentary; The Influence of the Popular Arts; Editors Who Became Directors; Experiments in Editing: Alfred Hitchcock; New Technologies; International Advances; The Influence of Television and Theatre; New Challenges to Filmic Narrative Conventions; The MTV Influence on Editing I; The MTV Influence on Editing II; The Influence of Psychoanalytic Ideas on Editing; The Appropriation of Style I : Imitation and Innovation; The Appropriate of Style II: Limitation and Innovation; Action; Dialogue; Comedy; Documentary; Imaginative Documentary; Innovations in Documentary; More Innovations in Documentary; Ideas and Sound; The Picture Edit and Continuity; The Picture Edit and Pace; Changes in Pace; The Sound Edit and Clarity; The Sound Edit and Creative Sound; Innovations in the Use of Sound; Nonlinear Editing and Digital Technology I; Nonlinear Editing and Digital Technology II; Altering Reality Using Digital Visuals and Sound; Conclusion
  • I. History of film editing -- 1. The silent period -- 2. The early sound film -- 3. The influence of the documentary -- 4. The influence of the popular arts -- 5. Editors who became directors -- 6. Experiments in editing : Alfred Hitchcock -- 7. New technologies -- 8. International advances -- 9. The influence of television and theatre -- 10. New challenges to filmic narrative conventions -- 11. The MTV influence on editing I -- 12. The MTV influence on editing II -- 13. Changes in pace -- 14. The appropriation of style I : imitation and innovation -- 15. The appropriation of style II : limitation and innovation -- 16. The appropriation of style III : digital reality -- II. Editing for the genre -- 17. Action -- 18. Dialogue -- 19. Comedy -- 20. Documentary -- 21. Imaginative documentary -- 22. Innovations in documentary I -- 23. Innovations in documentary II -- 24. Ideas and sound -- III. Principles of editing -- 25. The picture edit and continuity
  • 26. The picture edit and pace -- 27. The sound edit and clarity -- 28. The sound edit and creative sound -- 29. Innovations of sound -- 30. Nonlinear editing and digital technology I -- 31. Nonlinear editing and digital technology II -- 32. Conclusion
Control code
SCIDI499049830
Dimensions
unknown
Edition
4th ed.
Extent
1 online resource (xxiii, 484 p.)
Form of item
online
Isbn
9780240807652
Other physical details
ill., ports.
Specific material designation
remote

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