The Resource Unsettling scores : German film, music, and ideology, Roger Hillman
Unsettling scores : German film, music, and ideology, Roger Hillman
Resource Information
The item Unsettling scores : German film, music, and ideology, Roger Hillman represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in Sydney Jones Library, University of Liverpool.This item is available to borrow from 1 library branch.
Resource Information
The item Unsettling scores : German film, music, and ideology, Roger Hillman represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in Sydney Jones Library, University of Liverpool.
This item is available to borrow from 1 library branch.
- Language
- eng
- Extent
- xi, 219 p.
- Contents
-
- Establishing a tonal center
- Music as cultural marker in German film
- History on the soundtrack : the example of Beethoven's Ninth
- A Wagnerian German requiem : Syberberg's Hitler (1977)
- Alexander Kluge's Songs without words : Die Patriotin (1979)
- Fassbinder's compromised request concert : Lili Marleen (1980)
- The great eclecticism of the filmmaker Werner Herzog
- Pivot chords : Austrian music and Visconti's Senso (1954)
- Conclusion : film music and cultural memory
- Isbn
- 9780253217547
- Label
- Unsettling scores : German film, music, and ideology
- Title
- Unsettling scores
- Title remainder
- German film, music, and ideology
- Statement of responsibility
- Roger Hillman
- Language
- eng
- Cataloging source
- DLC
- http://library.link/vocab/creatorName
- Hillman, Roger
- Government publication
- government publication level undetermined
- Illustrations
- illustrations
- Index
- index present
- LC call number
- ML2075
- LC item number
- .H54 2005
- Literary form
- non fiction
- http://library.link/vocab/subjectName
-
- Motion pictures and music
- Motion picture music
- National socialism and motion pictures
- Label
- Unsettling scores : German film, music, and ideology, Roger Hillman
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- volume
- Carrier category code
-
- nc
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
- Establishing a tonal center -- Music as cultural marker in German film -- History on the soundtrack : the example of Beethoven's Ninth -- A Wagnerian German requiem : Syberberg's Hitler (1977) -- Alexander Kluge's Songs without words : Die Patriotin (1979) -- Fassbinder's compromised request concert : Lili Marleen (1980) -- The great eclecticism of the filmmaker Werner Herzog -- Pivot chords : Austrian music and Visconti's Senso (1954) -- Conclusion : film music and cultural memory
- Control code
- l82004019209
- Dimensions
- 24 cm.
- Extent
- xi, 219 p.
- Isbn
- 9780253217547
- Lccn
- 2004019209
- Media category
- unmediated
- Media MARC source
- rdamedia
- Media type code
-
- n
- Other physical details
- ill.
- Label
- Unsettling scores : German film, music, and ideology, Roger Hillman
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- volume
- Carrier category code
-
- nc
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
- Establishing a tonal center -- Music as cultural marker in German film -- History on the soundtrack : the example of Beethoven's Ninth -- A Wagnerian German requiem : Syberberg's Hitler (1977) -- Alexander Kluge's Songs without words : Die Patriotin (1979) -- Fassbinder's compromised request concert : Lili Marleen (1980) -- The great eclecticism of the filmmaker Werner Herzog -- Pivot chords : Austrian music and Visconti's Senso (1954) -- Conclusion : film music and cultural memory
- Control code
- l82004019209
- Dimensions
- 24 cm.
- Extent
- xi, 219 p.
- Isbn
- 9780253217547
- Lccn
- 2004019209
- Media category
- unmediated
- Media MARC source
- rdamedia
- Media type code
-
- n
- Other physical details
- ill.
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.liverpool.ac.uk/portal/Unsettling-scores--German-film-music-and/ZmIdC33fn3A/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.liverpool.ac.uk/portal/Unsettling-scores--German-film-music-and/ZmIdC33fn3A/">Unsettling scores : German film, music, and ideology, Roger Hillman</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.liverpool.ac.uk/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.liverpool.ac.uk/">Sydney Jones Library, University of Liverpool</a></span></span></span></span></div>
