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The Resource Weimar cinema : an essential guide to classic films of the era, edited by Noah Isenberg

Weimar cinema : an essential guide to classic films of the era, edited by Noah Isenberg

Label
Weimar cinema : an essential guide to classic films of the era
Title
Weimar cinema
Title remainder
an essential guide to classic films of the era
Statement of responsibility
edited by Noah Isenberg
Contributor
Subject
Language
eng
Cataloging source
DLC
Illustrations
illustrations
Index
index present
Literary form
non fiction
http://library.link/vocab/relatedWorkOrContributorName
Isenberg, Noah William
Series statement
Film and culture
http://library.link/vocab/subjectName
  • Motion pictures
  • Silent films
Label
Weimar cinema : an essential guide to classic films of the era, edited by Noah Isenberg
Instantiates
Publication
Bibliography note
  • Includes bibliographical references and index
  • Includes filmography: p. [331]-339
Contents
  • Fritz Lang's Dr. Mabuse, the gambler (1922) : grand enunciator of the Weimar era
  • Tom Gunning
  • Who gets the last laugh? : old age and generational change in F.W. Murnau's The last laugh (1924)
  • Sabine Hake
  • Inflation and devaluation : gender, space, and economics in G.W. Pabst's The joyless street (1925)
  • Sara F. Hall
  • Tradition as intellectual montage : F.W. Murnau's Faust (1926)
  • Matt Erlin
  • Metropolis (1927) : city, cinema, modernity
  • Anton Kaes
  • Suggestion, hypnosis, and crime : Robert Wiene's The Cabinet of Dr. Caligari (1920)
  • Berlin, symphony of a great city (1927) : city, image, sound
  • Nora M. Alter
  • Surface sheen and charged bodies : Louise Brooks as Lulu in Pandora's box (1929)
  • Margaret McCarthy
  • The bearable lightness of being : People on Sunday (1930)
  • Lutz Koepnick
  • National cinemas/international film culture : The blue Angel (1930) in multiple language versions
  • Patrice Petro
  • Coming out of the uniform : political and sexual emancipation in Leontine Sagan's Mädchen in uniform (1931)
  • Richard W. McCormick
  • Stefan Andriopoulos
  • Fritz Lang's M (1931) : an open case
  • Todd Herzog
  • Whose revolution? The subject of Kuhle Wampe (1932)
  • Marc Silberman
  • Of monsters and magicians : Paul Wegener's The golem : how he came into the world (1920)
  • Noah Isenberg
  • Movies, money, and mystique : Joe May's early Weimar blockbuster, The Indian tomb (1921)
  • Christian Rogowski
  • No end to Nosferatu (1922)
  • Thomas Elsaesser
Control code
ocn226360231
Dimensions
24 cm.
Extent
viii, 360 p.
Isbn
9780231130554
Lccn
2008029682
Other physical details
ill.
Label
Weimar cinema : an essential guide to classic films of the era, edited by Noah Isenberg
Publication
Bibliography note
  • Includes bibliographical references and index
  • Includes filmography: p. [331]-339
Contents
  • Fritz Lang's Dr. Mabuse, the gambler (1922) : grand enunciator of the Weimar era
  • Tom Gunning
  • Who gets the last laugh? : old age and generational change in F.W. Murnau's The last laugh (1924)
  • Sabine Hake
  • Inflation and devaluation : gender, space, and economics in G.W. Pabst's The joyless street (1925)
  • Sara F. Hall
  • Tradition as intellectual montage : F.W. Murnau's Faust (1926)
  • Matt Erlin
  • Metropolis (1927) : city, cinema, modernity
  • Anton Kaes
  • Suggestion, hypnosis, and crime : Robert Wiene's The Cabinet of Dr. Caligari (1920)
  • Berlin, symphony of a great city (1927) : city, image, sound
  • Nora M. Alter
  • Surface sheen and charged bodies : Louise Brooks as Lulu in Pandora's box (1929)
  • Margaret McCarthy
  • The bearable lightness of being : People on Sunday (1930)
  • Lutz Koepnick
  • National cinemas/international film culture : The blue Angel (1930) in multiple language versions
  • Patrice Petro
  • Coming out of the uniform : political and sexual emancipation in Leontine Sagan's Mädchen in uniform (1931)
  • Richard W. McCormick
  • Stefan Andriopoulos
  • Fritz Lang's M (1931) : an open case
  • Todd Herzog
  • Whose revolution? The subject of Kuhle Wampe (1932)
  • Marc Silberman
  • Of monsters and magicians : Paul Wegener's The golem : how he came into the world (1920)
  • Noah Isenberg
  • Movies, money, and mystique : Joe May's early Weimar blockbuster, The Indian tomb (1921)
  • Christian Rogowski
  • No end to Nosferatu (1922)
  • Thomas Elsaesser
Control code
ocn226360231
Dimensions
24 cm.
Extent
viii, 360 p.
Isbn
9780231130554
Lccn
2008029682
Other physical details
ill.

Library Locations

    • Sydney Jones LibraryBorrow it
      Chatham Street, Liverpool, L7 7BD, GB
      53.403069 -2.963723
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