Horror films -- History and criticism
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The concept Horror films -- History and criticism represents the subject, aboutness, idea or notion of resources found in University of Liverpool.
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Horror films -- History and criticism
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The concept Horror films -- History and criticism represents the subject, aboutness, idea or notion of resources found in University of Liverpool.
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- "I'm from Brooklyn" : detection, myth and religion in Angel heart
- "One day men will say I gave birth to the twentieth century"/
- "What are you scared of?"/
- "Where did you get those eyes?" Creepshow, Ronero & King's satirical pseudo-homage
- "You're next!" : loss of identity in the horror film
- (Adam) Simon says... : Paradoxa interview with the director of 'The American Nightmare'
- 3D the early days
- A history of horror
- A history of horror
- Abject terrors : surveying the modern and postmodern horror film
- Adam Rockoff's Going to pieces: The rise and fall of the slasher film, 1978-1986 [review]
- Affective Intensities and evolving horror forms : from found footage to virtual reality
- Affective intensities and evolving horror forms : from found footage to virtual reality
- Affective intensities and evolving horror forms : from found footage to virtual reality
- Aliens in the home : the child in science fiction
- All that gothic
- All things vampire
- An annotated bibliography on vampire media
- An edgy realism : film theoretical encounters with Dogma 95, new french extremity, and the shaky-cam horror film
- Analysis and interpretation : Sevastakis on horror film and Schelde on sf film
- Angela M. Smith's Hideous Progeny: disability, eugenics, and classical horror cinema [review]/
- Anne Billson's Let the right one in [review]
- Anne Morey's Genre, reception, and adaptation in the "Twilight" series [review]/
- Are we not men? : the horror of eugenics in 'The Island of Dr. Moreau'
- Artificial wombs and archaic tombs : Angela Carter's The Passion of New Eve and the Alien tetralogy
- At the expense of others: : economic inequality and the horror film/
- Attack of the leading ladies : gender, sexuality, and spectatorship in classic horror cinema
- Attack of the living dead virus : the metaphor of contagious disease in zombie movies
- Bad seeds and holy terrors : the child villains of horror film
- Blood money : a history of the first teen slasher film cycle
- Blood on Satan's Claw : [a review]
- Brainstorm : when it comes to science fiction films Douglas Trumbull has a better idea
- Bright darkness : the lost art of the supernatural horror film
- Bug : [a review]
- Caligari's children: the film as tale of terror
- Cinema inferno : celluloid explosions from the cultural margins
- Cinematic emotion in horror films and thrillers : the aesthetic paradox of pleasurable fear
- Colin Odell & Michelle Le Blanc -- Horror films [Review]
- Cronenberg on Cronenberg : [a review]
- Cutting edge : art-horror and the horrific avant-garde
- Cynthia J. Miller and A Bowdoin Van Riper's The laughing dead: the horror-comedy film from Bride of Frankenstein to Zombieland [Review]/
- Dark dreams 2.0 : a psychological history of the modern horror film from the 1950s to the 21st century
- Dark romance : sexuality in the horror film
- Dark visions : conversations with the masters of the horror film
- Darkness creeps/
- Darren Elliott-Smith's Queer horror: film and television: sexuality and masculinity at the margins [Review]/
- David Huckvale's James Bernard, composer to Count Dracula [review]
- Dawn Keetley and Angela Tenga's Plant horror: approaches to the monstrous vegetal in fiction and film [Review]
- Defining cult movies : the cultural politics of oppositional taste
- Deleuze and horror film
- Descent into the pit of the redeemer : the sacrificial child in international film and literature
- Devil's advocates
- Devouring whirlwind : terror and transcendence in the cinema of cruelty
- Digital horror : haunted technologies, network panic and the found footage phenomenon
- Domesticity as horror : George A. Romero's 'Jack's Wife'
- Dracula (the original 1931 shooting script) : [a review]
- Eine kleine nachtmusik/
- Embodiment and horror cinema
- Emily E. Auger's Tech-noir film: a theory of the development of popular genres [review]/
- Entretien
- Eros in the mind's eye : sexuality and the fantastic in art and film
- Expanding the Gothic canon : studies in literature, film and new media
- Fairytale and Gothic Horror : Uncanny Transformations in Film
- Fantastic cinema : an illustrated survey
- Fear, cultural anxiety, and transformation : horror, science fiction, and fantasy films remade
- Final girls, feminism and popular culture
- Forrest J. Ackerman presents Mr. Monster's movie gold : a treasure-trove of imagi-movies
- Francis Ford Coppola on 'Dracula'
- From beyond the grave: : [a review]
- Game's over/
- Games of terror : 'Halloween', 'Friday the 13th', and the films of the stalker cycle : [a review]
- Games of terror : Halloween, Friday the 13th, and the films of the stalker cycle
- Gender, language, and myth : essays on popular narrative
- Get out [Review]/
- Gothic : critical concepts in literary and cultural studies
- Gothic dissections in film and literature : the body in parts
- Gothic film : an Edinburgh companion
- Gothicka : vampire heroes, human gods, and the new supernatural
- Grindhouse/
- Guilty pleasures of the horror film
- H.P. Lovecraft in popular culture : the works and their adaptations in film, television, comics, music, and games
- Halloween past-perfect
- Hammer film scores and the musical avant-garde
- Hell is other people/
- Hideous sun demon : the special edition
- Horror
- Horror
- Horror
- Horror : a thematic history in fiction and film
- Horror after 9/11 : world of fear, cinema of terror
- Horror and the Horror Film
- Horror and the horror film
- Horror business
- Horror cinema
- Horror film : creating and marketing fear
- Horror films
- Horror international
- Horror movies : [a review]
- Horror zone : the cultural experience of contemporary horror cinema
- Horror, the film reader
- Horror, the film reader
- Horrorbox-office hits
- I was a Cold War monster : horror films, eroticism, and the Cold War imagination
- Immortal monster : the mythological evolution of the fantastic beast in modern fiction and film
- Incredibly strange films
- James Whale : a new world of gods and monsters
- Jeffrey Weinstock's The vampire film: undead cinema [review]
- John Kenneth Muir's Horror films of the 1990s [review]
- Jordan Peele's Get out : political horror
- Julian Hanich's Cinematic emotions in horror films and thrillers: the aesthetic paradox of pleasurable fear [review]
- Kevin J. Wetmore, Jrs's Back from the dead: remakes of the Romero zombie films as markers of their times [review]
- Killer tapes and shattered screens : video spectatorship from VHS to file sharing
- Kristen Lacefield's The scary screen: media anxiety in The Ring [review]
- Laughing, screaming : modern Hollywood horror and comedy
- Linnie Blake and Xavier Aldana Reyes's Digital horror: haunted technologies, network panic and the found footage phenomenon [review]
- Lone star films
- Lovecraft-Verfilmungen oder der fluch des unverfilmbaren? :/
- Mario DeGiglio-Bellmare, Charles Elbé, and Kristopher Woofter's Recovering 1940s horror cinema: traces of a lost decade [Review]
- Mark Clark and Bryan Senn's Sixties shockers: a critical filmography of horror cinema, 1960-1969 [review]
- Men, women and chain saws : gender in the modern horror film : [a review]
- Men, women and chainsaws: gender in the modern horror film
- Monster mishmash : iconicity and intertextuality in Tobe Hooper's The Texas chain saw massacre/
- Monsters and mad scientists : a cultural history of the horror movie
- Monsters and mad scientists : a cultural history of the horror movie : [a review]
- Monsters and mad scientists: a cultural history of the horror movie
- Monsters in the closet : homosexuality and the horror film
- Monstrous adaptations : generic and thematic mutations in horror film
- Monstrous children and childish monsters : essays on cinema's holy terrors
- Monstrous forms : moving image horror across media
- Monstrous nature : environment and horror on the big screen
- Music in the horror film : listening to fear
- Narrative mortality : the "fragmegrated" corpse of the horror anthology film
- Necronomicon, Book 1
- Necronomicon, Book five
- Necronomicon, Book four
- Necronomicon, Book three
- Necronomicon, Book two
- Nightmare movies : a critical history of the horror film, 1968-88
- Nightmare movies : horror on screen since the 1960s
- Nightmare movies : wide screen horror since 1968
- Offensive films
- Our zombies, ourselves : Exiting the Foucauldian universe in George A. Romero's Land of the dead
- Over my dead body/
- Paradoxa interview with Barry Keith Grant
- Peter Cushing : the gentle man of horror and his 91 films : [a review]
- Planks of reason : essays on the horror film
- Popcorn Poe: : Roger Corman's Poe films and tie-in books
- Price on movies
- Ramponierte raumschiffe, zerbrochene schweter und zahnlose verwölf/
- Randy Rasmussen's Psycho, The birds, and Halloween: the intimacy of terror in three classic films [Review]/
- Rational fears: American horror in the 1950s
- Re-envisaging the First Age of Cinematic Horror, 1896-1934 : Quanta of Fear
- Recreational terror : women and the pleasures of horror film viewing
- Reynold Humphries's The Hollywood Horror film, 1931-1941: madness in a social landscape [review]
- Scare tactics : the art, craft, and trade secrets of writing, producing, and directing chillers and thrillers : [a review]
- Science fiction, fantasy and horror reference : an annotated bibliography of works about literature and film
- Science fiction/horror
- Screening the gothic
- Shock : the essential guide to exploitation cinema
- Shocking representation : historical trauma, national cinema, and the modern horror film
- Should horror cap its teeth ?
- Skin shows : gothic horror and the technology of monsters
- Speaking of monsters : A teratological anthology
- Spectral media technology and the Vicious Brothers' Grave encounters/
- Stay out of the shower : the shocker film phenomenon
- Stephanie Bolluk and Wylie Lenz's Generation zombie: essays on the living dead in modern culture [review]
- Technology, monstrosity, and reproduction in twenty-first century horror
- Teenage wasteland : the slasher movie uncut
- Terror and everyday life: singular moments in the history of the horror film
- Terror tracks : music, sound and horror cinema
- The BFI companion to horror
- The Devil's Rain : [a review]
- The House of Hammer
- The Shining reader
- The Terence Fisher story
- The aesthetics of risk in Dawn of the Dead and 28 Days Later/
- The charm of evil : the life and films of Terence Fisher : [a review]
- The cinema of H. P. Lovecraft
- The dread of difference : gender and the horror film
- The dread of difference : gender and the horror film
- The films of Sam Raimi
- The horror film
- The horror film
- The horror film : [a review]
- The horror film : an introduction
- The horror film reader
- The horror market: always a tough sell/
- The horror reader
- The illustrated werewolf movie guide
- The naked and the undead : evil and the appeal of horror
- The night of the living dead
- The philosophy of horror, or, Paradoxes of the heart
- The pleasure and pain of cult horror films : an historical survey
- The projected man : The B-movie and the monstrous-masculine/
- The return of the repressed : gothic horror from The Castle of Otranto to Alien
- The rural gothic in American popular culture : Backwoods horror and terror in the wilderness
- The scary screen : media anxiety in The ring
- The sound of violence/
- The spectacle of isolation in horror films : dark parades
- The suburban gothic in American popular culture
- The urban Gothic : from Transylvania to the South Bronx
- The wet death and the uncanny
- The wounds of nations : horror cinema, historical trauma and national identity
- Theatricality in the horror film : a brief study on the dark pleasures of screen artifice
- Thomas M. Sipos's Horror film aesthetics: creating the visual language of fear [Review]/
- Time of the month?/
- Translating time : cinema, the fantastic, and temporal critique
- Trauma, Hysterie, Archiv: : ein Versuch über "Orlacs Hände :/
- Trick or Treat
- Uncanny realism and the decline of the modern horror film
- Unruly pleasures : the cult film and its critics
- Vacationing in Zombieland : the classical functions of the modern zombie comedy
- Vom verlust der Körperhaftigkeit: : aspekte der formveränderung des menschlichen körpers in horrorliteratur un-film im zwanzigsten jahrundert. Ein diskurs/
- Vom verlust der körperhaftigkeit : aspekt der formveränderung des menschlichen körpers in Horrorliteratur und-film in zwanzigsten jahrhundert/
- Wasteland : the Great War and the origins of modern horror
- Who are you afraid of? : Young women as consumers and producers of horror films
- William Friedkin : films of aberration, obsession and reality : [a review]
- Women and Domestic Space in Contemporary Gothic Narratives: The House As Subject
- Women in the horror films of Vincent Price
- Zombies along the Malecón/
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.liverpool.ac.uk/resource/0B-wYgybw_Q/" typeof="CategoryCode http://bibfra.me/vocab/lite/Concept"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.liverpool.ac.uk/resource/0B-wYgybw_Q/">Horror films -- History and criticism</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.liverpool.ac.uk/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.liverpool.ac.uk/">University of Liverpool</a></span></span></span></span></div>
