The Extravagance of Music, David Brown, Gavin Hopps

Resource Information

The instance The Extravagance of Music, David Brown, Gavin Hopps represents a material embodiment of a distinct intellectual or artistic creation found in University of Liverpool. This resource is a combination of several types including: Instance, Electronic.

Image

http://covers.openlibrary.org/b/isbn/9783319918181-M.jpg?default=false

Label

The Extravagance of Music, David Brown, Gavin Hopps

Statement of responsibility

David Brown, Gavin Hopps

Instantiates

• The Extravagance of Music

Publication

• Cham, Switzerland, Palgrave Macmillan, 2018

Copyright

• ©2018

Bibliography note

Includes bibliographical references and index

Carrier category

online resource

Carrier category code

• cr

Carrier MARC source

rdacarrier

Color

multicolored

Content category

text

Content type code

• txt

Content type MARC source

rdacontent

Contents

• Intro; Foreword; Acknowledgements; Contents; Abbreviations; Chapter 1 Introduction: An Art Open to the Divine; The Extravagance of Music; Ancestral Conceptions of Music; The Pythagorean Tradition; The Orphic Tradition; The Extravagance of the Divine; Prospectus; Part I God and Classical Sounds; Chapter 2 A Generous Excess; The Divine at Work Beyond Scripture; The Possibility of Music as Encounter; Types of Aesthetic Experience and Their Relation to Religion; Competing Types of Aesthetic Evaluation and Experience; Religious Perspectives Interacting with Aesthetic Criteria
• Music in the Context of Words: Setting Divine Encounters to MusicExample 1; Example 2; Example 3; Example 4; Example 5; Interim Conclusion; Chapter 3 Types of Extravagance; Order and the Music of the Spheres: Haydn, Mozart, and Bach; A Sense of Transcendence: Beethoven and Led Zeppelin; Divine Immanence: Beethoven, Sibelius and Debussy, and the Creed's Incarnatus; Divine Immanence in Nature; Immanence and the Incarnatus est of the Creed; The Mystery of the Divine Life: Minimalism, Bruckner, Liszt, and Franck; Transcending Time; Serenity, Majesty, Ecstatic Joy
• Specifics: Coltrane on Generosity, Schubert on Suffering, Massenet on SuicideChapter 4 Discovering God in Music's Excess; Giving Sense to the Encounter; From the Human Side: Knowledge and Emotion; From the Divine Side: Developing a Philosophy of Presence; Restraints on Such Experience; Part II Popular Music and the Opening up of Religious Experience; Chapter 5 Cultured Despisers; The Cloistral Refuge of Music; Pop Pollution; God's Love of Adverbs; The Wonder of Minor Experiences; Dancing 'with' and Dancing 'at'; What Has Graceland to Do with Jerusalem?; Theological Imperialism
• Aesthetic HospitalityThe Wandering of the Semantic; One Size Fits All; Too Much Heaven?; Rehabilitating Lightness; The World 'in Front of' the Text; The Spiritual Assets of Tackiness; Cultural Pessimism; Chapter 6 Spilt Religion; The Listener's Share; Unheard Melodies; Only Connect; Jordan: The Comeback; The Word in the Desert; Post-Secular Popular Music; The In-Between; The Impure Sacred; Oxymoronic Postures; Metaphysical Shuddering; Ontological Exuberance; Ludic Avowal; Subjunctive Explorations; Being in Darkness; The Interlocuted Listener; Secular Forms and Sacred Effects
• Musical HyperboleThe Moment Out of Time; The Swarming Forms of the Banal; Homeward Bound; Coda: Being Opened; Chapter 7 Conclusion; Index

Dimensions

unknown

Extent

1 online resource

File format

unknown

Form of item

online

Isbn

9783319918181

Media category

computer

Media MARC source

rdamedia

Media type code

• c

http://library.link/vocab/ext/overdrive/overdriveId

com.springer.onix.9783319918181

Record ID

b7167901

Reformatting quality

preservation

Sound

unknown sound

Specific material designation

remote

System control number

• on1044746310
• (OCoLC)1044746310