Shakespeare, William, 1564-1616 -- Stage history
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The concept Shakespeare, William, 1564-1616 -- Stage history represents the subject, aboutness, idea or notion of resources found in University of Liverpool.
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Shakespeare, William, 1564-1616 -- Stage history
Resource Information
The concept Shakespeare, William, 1564-1616 -- Stage history represents the subject, aboutness, idea or notion of resources found in University of Liverpool.
- Label
- Shakespeare, William, 1564-1616 -- Stage history
- Authority link
- http://id.loc.gov/authorities/subjects/sh85121041
- Date
- 1564-1616
139 Items that share the Concept Shakespeare, William, 1564-1616 -- Stage history
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- A midsummer night's dream
- A midsummer night's dream
- A midsummer night's dream
- A midsummer-night's dream
- Acting from Shakespeare's First Folio : theory, text and performance
- Advance sheets from Shakespeare, the Globe, and Blackfriars
- All's well that ends well
- Antony and Cleopatra
- Antony and Cleopatra
- As you like it
- As you like it
- Colorblind Shakespeare : new perspectives on race and performance
- Cymbeline
- Enter the body : women and representation on Shakespeare's stage
- Enter the body : women and representation on Shakespeare's stage
- Eyewitnesses of Shakespeare: first hand accounts of performances 1590-1890
- Free Shakespeare
- Hamlet
- Hamlet
- Hamlet on stage: the great tradition
- Hamlet, Prince of Denmark
- Henry IV, Part I
- Henry V
- Imagining Shakespeare : a history of texts and visions
- Imagining Shakespeare's Original Audience, 1660-2000: Groundlings, Gallants, Grocers
- Is Shakespeare still our contemporary?
- Julius Caesar on stage in England and America, 1599-1973
- King Henry V
- King Henry VIII
- King John
- King Lear
- King Richard II
- King Richard III
- Love's labour's lost
- Macbeth
- Macbeth
- Macbeth : a guide to the play
- Making Shakespeare : from stage to page
- Making Shakespeare : from stage to page
- Merely players? : actors' accounts of performing Shakespeare
- Merely players? : actors' accounts of performing Shakespeare
- Modern Hamlets & their soliloquies
- Murder most foul : Hamlet through the ages
- Othello
- Othello
- Othello and interpretive traditions
- Othello and interpretive traditions
- Othello: a contextual history
- Passing strange : Shakespeare, race, and contemporary America
- Playing bit parts in Shakespeare
- Playing bit parts in Shakespeare
- Presenting Shakespeare : 1,100 posters from around the world
- Producing Shakespeare
- Rehearsal from Shakespeare to Sheridan
- Rehearsal from Shakespeare to Sheridan
- Rehearsal from Shakespeare to Sheridan
- Reinventing Shakespeare : a cultural history, from the Restoration to the present
- Richard II : new critical essays
- Richard III
- Romeo and Juliet
- Romeo and Juliet
- Romeo and Juliet
- Shakespeare : text, stage and canon
- Shakespeare Survey, 10, The Roman Plays
- Shakespeare Survey, 23, Shakespeare's Language
- Shakespeare Survey, 24, Shakespeare: Theatre Poet
- Shakespeare Survey, 3, The Man and the Writer
- Shakespeare Survey, 4, Interpretation
- Shakespeare Survey, 53, Shakespeare and Narrative
- Shakespeare Survey, 57, Macbeth and its Afterlife
- Shakespeare Survey, 58, Writing about Shakespeare
- Shakespeare Survey, 62, Close Encounters with Shakespeare's Text
- Shakespeare Survey, 9, Hamlet
- Shakespeare and Amateur Performance : A Cultural History
- Shakespeare and Chekhov in production and reception : theatrical events and their audiences
- Shakespeare and consciousness
- Shakespeare and the actors: : the stage business in his plays (1660-1905)
- Shakespeare and the actors: the stage business in his plays (1660-1905)
- Shakespeare and the cultures of performance
- Shakespeare and the institution of theatre : the best in this kind
- Shakespeare and the modern stage : with other essays,
- Shakespeare and the problem of adaptation
- Shakespeare and the sense of performance: essays in the tradition of performance criticism in honor of Bernard Beckerman
- Shakespeare from Betterton to Irving
- Shakespeare in performance
- Shakespeare in performance
- Shakespeare in production, 1935-1978: : a selective catalogue
- Shakespeare in the theatre
- Shakespeare on stage
- Shakespeare on the stage: an illustrated history of Shakespearian performance
- Shakespeare survey : an annual survey of Shakespeare studies and production, 43, The tempest and after
- Shakespeare survey : an annual survey of Shakespearian study and production
- Shakespeare's Blackfriars Playhouse : its history and its design
- Shakespeare's Blackfriars Playhouse: its history and design
- Shakespeare's audience
- Shakespeare's audience
- Shakespeare's double plays : dramatic economy on the Early Modern stage
- Shakespeare's history
- Shakespeare's history plays : performance, translation and adaptation in Britain and abroad
- Shakespeare's players: a look at some of the major roles in Shakespeare and those who have played them
- Shakespeare's violated bodies : stage and screen performance
- Shakespeare's women
- Shakespeare, Aphra Behn, and the canon
- Shakespeare, memory and performance
- Shakespeare, theory, and performance
- Shylock on the stage
- Stage images and traditions: Shakespeare to Ford
- Textual and theatrical Shakespeare : questions of evidence
- The Cambridge Shakespeare Library
- The Cambridge companion to Shakespeare on stage
- The Cambridge companion to Shakespeare on stage
- The Shakespeare trade : performances and appropriations
- The Shakespearian productions of John Phillip Kemble
- The appropriation of Shakespeare: Post-Renaissance reconstructions of the works and the myth
- The art and life of William Shakespeare
- The hand on the Shakespearean stage : gesture, touch and the spectacle of dismemberment
- The merchant of Venice
- The merchant of Venice
- The merchant of Venice
- The merchant of Venice: a comedy
- The politics of Paul Robeson's Othello
- The quest for Shakespeare's Globe
- The seventeenth century accounts of the Masters of the Revels
- The taming of the shrew
- The taming of the shrew
- The tempest
- The triple bond: plays, mainly Shakespearean, in performance
- Theatre and Testimony in Shakespeare's England : A Culture of Mediation
- Theatre for Shakespeare
- Theatre for Shakespeare
- This wide and universal theater : Shakespeare in performance, then and now
- Titus Andronicus
- Troilus and Cressida
- Troilus and Cressida
- Understanding Othello : a student casebook to issues, sources, and historical documents
- Understanding Shakespeare's Julius Caesar : a student casebook to issues, sources, and historical documents
- Weyward Macbeth : intersections of race and performance
- Whatever happened to Shakespeare?
- Women in Shakespeare
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.liverpool.ac.uk/resource/NsFsaGZBBbk/" typeof="CategoryCode http://bibfra.me/vocab/lite/Concept"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.liverpool.ac.uk/resource/NsFsaGZBBbk/">Shakespeare, William, 1564-1616 -- Stage history</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.liverpool.ac.uk/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.liverpool.ac.uk/">University of Liverpool</a></span></span></span></span></div>
