Music -- Philosophy and aesthetics
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The concept Music -- Philosophy and aesthetics represents the subject, aboutness, idea or notion of resources found in University of Liverpool.
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Music -- Philosophy and aesthetics
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The concept Music -- Philosophy and aesthetics represents the subject, aboutness, idea or notion of resources found in University of Liverpool.
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- A history of key characteristics in the eighteenth and early nineteenth centuries
- A history of western musical aesthetics
- A humanistic philosophy of music
- A language of its own : sense and meaning in the making of Western art music
- A night in at the opera : media representations of opera
- A philosophy of music education : advancing the vision
- A portrait of the artist: the legends of Orpheus and their use in medieval and Renaissance aesthetics
- A semiotics of opera
- A song for one or two : music and the concept of art in early China
- A theory of musical narrative
- A theory of virtual agency for Western art music
- Absolute music : the history of an idea
- Absolute music and the construction of meaning
- Absolute music and the construction of meaning
- Absolute music, mechanical reproduction
- Actors and singers
- Adorno on music
- Adorno's aesthetics of music
- Adorno's aesthetics of music
- Adorno, modernism and mass culture : essays on critical theory and music
- Adorno, modernism and mass culture : essays on critical theory and music
- Aesthetics and music
- After Adorno : rethinking music sociology
- After Debussy : music, language, and the margins of philosophy
- An eye for music : popular music and the audiovisual surreal
- An eye for music : popular music and the audiovisual surreal
- Analysing musical multimedia
- Analysis and value judgement
- Analysis and value judgment
- Approaches to meaning in music
- Audible signs : essays from a musical ground
- Authenticities : philosophical reflections on musical performance
- Bad music : the music we love to hate
- Bad music : the music we love to hate
- Beethoven
- Beethoven : the philosophy of music
- Beethoven and the construction of genius: musical politics in Vienna, 1792-1803
- Beethovens Klavierkonzerte : gattungsnorm und individuelle Konzeption
- Beiträge zur musikalischen Hermeneutik
- Beyond structural listening? : postmodern modes of hearing
- Beyond the score : music as performance
- Charles Ives: the ideas behind the music
- Classical music and postmodern knowledge
- Composers and the nature of music education
- Conditions of music
- Constructing urban space with sounds and music
- Crisis of the opera? : a study of musical hermeneutics
- Critical musicology and the responsibility of response : selected essays
- Crossing paths : Schubert, Schumann, and Brahms
- Crossing paths : Schubert, Schumann, and Brahms
- Das musikalische Kunstwerk: Geschichte, Asthetik, Theorie
- Deconstructive variations : music and reason in western society
- Deconstructive variations : music and reason in western society
- Deleuze and film music : building a methodological bridge between film theory and music
- Deleuze and music
- Deleuze on music, painting, and the arts
- Der Tod des Orpheus : Entstehungsgeschichte der Programmusik
- Developing variations : style and ideology in Western music
- Die Musik als Abbild der Realität: zur dialektischen Widerspiegelungstheorie in der Ästhetik
- Die Musik und das Schöne
- Die Philosophie der Musik von Kant bis Eduard von Hartmann : ein Jahrhundert deutscher Geistersarbeit
- Emotion and meaning in music
- Emotion and meaning in music
- Essays on music : Theodor W. Adorno ; selected, with introduction, commentary, and notes by Richard Leppert ; new translations by Susan H. Gillespie
- Essays on the philosophy of music
- Esthetics of music
- Everyday music listening : absorption, dissociation and trancing
- Expression and truth : on the music of knowledge
- Expression and truth : on the music of knowledge
- Extraordinary measures : disability in music
- Feminist aesthetics in music
- Finding an ending : reflections on Wagner's Ring
- Finding an ending : reflections on Wagner's Ring
- Form, program, and metaphor in the music of Berlioz
- Form, program, and metaphor in the music of Berlioz
- Form, program, and metaphor in the music of Berlioz
- French cultural politics & music : from the Dreyfus affair to the First World War
- From classicism to modernism : Western musical culture and the metaphysics of order
- From the erotic to the demonic : on critical musicology
- Greek reflections on the nature of music
- Groove : an aesthetic of measured time
- Hermeneutics and music criticism
- Hits : philosophy in the jukebox
- Hope and wish image in music technology
- How music works
- Image, music, text
- Improvisation und Organisation : Muster zur Innovation sozialer Systeme
- In other shoes : music, metaphor, empathy, existence
- Instruments for new music : sound, technology, and modernism
- Instruments for new music : sound, technology, and modernism
- Interpreting music
- Introduction to a philosophy of music
- Island songs : a global repertoire
- Jean-Jacques Rousseau: music, illusion and desire
- Joël-François Durand in the mirror land
- La passion musicale : une sociologie de la médiation
- Linguistics and semiotics in music
- Listen : a history of our ears
- Listen : a history of our ears
- Listening awry : music and alterity in German culture
- Listening subjects : music, psychoanalysis, culture
- Listening through the noise : the aesthetics of experimental electronic music
- Literary modernism and musical aesthetics : Pater, Pound, Joyce and Stein
- Living electronic music
- Living in worlds of music : a view of education and values
- Making light : Haydn, musical camp, and the long shadow of German idealism
- Making light : Haydn, musical camp, and the long shadow of German idealism
- Man, mind and music
- Messiaen's language of mystical love
- Metal, rock, and jazz : perception and the phenomenology of musical experience
- Metal, rock, and jazz : perception and the phenomenology of musical experience
- Metaphor and musical thought
- Metaphors of depth in German musical thought : from E. T. A. Hoffmann to Arnold Schoenberg
- Meter as rhythm
- Mozart & Beethoven : the concept of love in their operas
- Mozart & Beethoven: the concept of love in their operas
- Music & camp
- Music & meaning
- Music and conceptualization
- Music and consciousness 2 : worlds, practices, modalities
- Music and consciousness : philosophical, psychological, and cultural perspectives
- Music and consciousness : philosophical, psychological, and cultural perspectives
- Music and cultural theory
- Music and esotericism
- Music and ethical responsibility
- Music and humanism : an essay in the aesthetics of music
- Music and its lovers : an empirical study of emotion and imaginative responses to music
- Music and meaning : a theoretical introduction to musical aesthetics
- Music and metaphor in nineteenth-century British musicology
- Music and philosophy
- Music and sentiment
- Music and text : Critical inquiries
- Music and text : critical inquiries
- Music and the emotions : the philosophical theories
- Music and the emotions: the philosophical theories
- Music and the historical imagination
- Music and the numinous
- Music as discourse : semiotic adventures in romantic music
- Music as discourse : semiotic aventures in romantic music
- Music as philosophy : Adorno and Beethoven's late style
- Music as thought : listening to the symphony in the age of Beethoven
- Music education : source readings from ancient Greece to today
- Music from the inside out
- Music grooves: essays and dialogues
- Music in the life of man
- Music in the moment
- Music of the spheres and the dance of death : studies in musical iconology
- Music on deaf ears : musical meaning, ideology and education
- Music on deaf ears: musical meaning, ideology, education
- Music philology : an introduction to musical textual criticism, hermeneutics, and editorial technique
- Music theory and natural order from the Renaissance to the early twentieth century
- Music therapy
- Music writing literature, from Sand via Debussy to Derrida
- Music's immanent future : the deleuzian turn in music studies
- Music, art, and metaphysics : essays in philosophical aesthetics
- Music, cosmology, and the politics of harmony in early China
- Music, imagination and culture
- Music, imagination and culture
- Music, language, and cognition : and other essays in the aesthetics of music
- Music, meaning and media
- Music, performance, meaning : selected essays
- Music, philosophy, and modernity
- Music, society, education
- Music, society, education
- Music, the arts, and ideas : patterns and predictions in twentieth-century culture
- Music, the arts, and ideas : patterns and predictions in twentieth-century culture
- Music, the brain, and ecstasy : how music captures our imagination
- Music, value and the passions
- Musica ficta: figures of Wagner
- Musical concerns : essays in philosophy of music
- Musical idea and the design aesthetic in contemporary music: a text for discerning appraisal of musical thought in Western culture
- Musical knowledge : intuition, analysis, and music education
- Musical meaning : toward a critical history
- Musical meaning and expression
- Musical meaning and human values
- Musical perceptions
- Musical performance : a philosophical study
- Musical performance : a philosophical study
- Musical representations, subjects, and objects : the construction of musical thought in Zarlino, Descartes, Rameau, and Weber
- Musical semiotics in growth
- Musical style and social meaning : selected essays
- Musical understandings : and other essays on the philosophy of music
- Musical works and performances : a philosophical exploration
- Musical works and performances : a philosophical exploration
- Musicking : the meanings of performing and listening
- Musicologia : musical knowledge from Plato to John Cage
- Musique platonicienne: âme du monde
- Myth and music : a semiotic approach to the aesthetics of myth in music, especially that of Wagner, Sibelius and Stravinsky
- Neo-mythologism in music : from Scriabin and Schoenberg to Schnittke and Crumb
- New essays on musical understanding
- Nietzsche and music
- Nietzsche's The birth of tragedy : a reader's guide
- Nietzsche, Wagner, Europe
- Ocean of sound : aether talk, ambient sound and imaginary worlds
- Ocean of sound: aether talk, ambient sound and imaginary worlds
- Of mind and music
- Ohr und Auge - Klang und Form : Facetten einer musikästhetischen dichotomie bei Johann Gottfried Herder, Richard Wagner und Franz Schreker
- On music
- Opera and drama
- Opera and modern culture : Wagner and Strauss
- Opera and modern culture : Wagner and Strauss
- Osmin's rage: philosophical reflections on opera, drama and text
- Out of time : music and the making of modernity
- Parallels and paradoxes : explorations in music and society
- Percussion : drumming, beating, striking
- Performing rites : evaluating popular music
- Performing rites: on the value of popular music
- Philosophers on music : experience, meaning, and work
- Philosophers on music : experience, meaning, and work
- Philosophes, encyclopédistes, musiciens, théoriciens
- Philosophical and cultural theories of music
- Philosophical perspectives on music
- Philosophy at 33 and a third rpm: themes of classic rock music
- Philosophy of modern music
- Philosophy of modern music
- Philosophy of music : an introduction
- Philosophy of new music
- Philosophy, music and emotion
- Plato on music, soul and body
- Platonism, music and the listener's share
- Poetics of music in the form of six lessons
- Poetry and the Romantic Musical Aesthetic
- Postmodern music/postmodern thought
- Pyramids at the Louvre: music, culture, and collage: from Stravinsky to the postmodernists
- Queer tracks : subversive strategies in rock and pop music
- Rasa : affect and intuition in Javanese musical aesthetics
- Reading rock and roll : authenticity, appropriation, aesthetics
- Reclaiming late-romantic music : singing devils and distant sounds
- Reflections on musical meaning and its representations
- Rekōdo no bigaku
- Remaking the song : operatic visions and revisions from Handel to Berio
- Remapping sound studies
- Representation in western music
- Resounding concerns
- Reviving the muse : essays on music after modernism
- Richard Wagner and the music of the future : history and aesthetics
- Rock music : culture, aesthetics and sociology
- Rockmusik : zur ästhetik und soziologie eines massenmediums
- Schenker's interpretive practice
- Schenker's interpretive practice
- Season of the witch : how the occult saved rock and roll
- Semiotics of classical music : how Mozart, Brahms and Wagner talk to us
- Shakespeare and opera
- Signs of music : a guide to musical semiotics
- Silence, music, silent music
- Sonic possible worlds : hearing the continuum of sound
- Sonic warfare : sound, affect, and the ecology of fear
- Sound and semblance: reflections on musical representation
- Sound ideas : music, machines, and experience
- Sound judgment : selected essays
- Sound sentiment : an essay on the musical emotions, including the complete text of The Corded shell
- Sound unseen : acousmatic sound in theory and practice
- Sound, music and the moving-thinking body
- Sounding off : eleven essays in the philosophy of music
- Sounding the virtual : Gilles Deleuze and the theory and philosophy of music
- Sounding values : selected essays
- Sounds, societies, significations : numanistic approaches to music
- Speaking of music : addressing the sonorous
- Stance : ideas about emotion, style, and meaning for the study of expressive culture
- Sublime noise : musical culture and the modernist writer
- Szymanowski, eroticism, and the voices of mythology
- The Orpheus myth and the powers of music
- The Oxford handbook of the new cultural history of music
- The Oxford handbook of the new cultural history of music
- The Routledge companion to philosophy and music
- The aesthetics of music
- The aesthetics of music
- The art of noises
- The art work of the future and other works
- The battle of Chronos and Orpheus : essays in applied musical semiology
- The birth of tragedy
- The birth of tragedy : out of the spirit of music
- The book of music and nature : an anthology of sounds, words, thoughts
- The book of music and nature : an anthology of sounds, words, thoughts
- The cultural study of music : a critical introduction
- The digital musician
- The digital musician
- The finale in western instrumental music
- The frontiers of meaning : three informal lectures on music
- The idea of absolute music
- The imaginary museum of musical works : an essay in the philosophy of music
- The imaginary museum of musical works : an essay in the philosophy of music
- The imaginary museum of musical works: an essay in the philosophy of music
- The imperfect art : reflections on jazz and modern culture
- The improvisation of musical dialogue : a phenomenology of music
- The language of music
- The mission and message of music : building blocks to the aesthetics of music in our time
- The much-at-once : music, science, ecstasy, the body
- The music between us : is music a universal language?
- The music of silence : a composer's testament
- The musical representation : meaning, ontology, and emotion
- The musical topic : hunt, military and pastoral
- The musical work : reality or invention?
- The musical work : reality or invention?
- The origins of music
- The origins of music
- The perception of music
- The philosophy and aesthetics of music
- The philosophy of modern music
- The philosophy of rhythm : aesthetics, music, poetics
- The place of music among the arts
- The science of music
- The second sense : language, music, & hearing
- The sense of sound : musical meaning in France, 1260-1330
- The sight of sound: music, representation and the history of the body
- The sonic self : musical subjectivity and signification
- The tooth that nibbles at the soul : essays on music and poetry
- The topos of music : appendices, IV, Roots
- The topos of music : geometric logic of concepts, theory, and performance
- The topos of music : geometric logic, classification, harmony, counterpoint, motives, rhythm, I, Theory
- The topos of music : musical multiverse ontologies, III, Gestures
- The topos of music : theory, software, and case studies, II, Performance
- The tragic and the ecstatic : the musical revolution of Wagner's Tristan and Isolde
- The tragic and the ecstatic : the musical revolution of Wagner's Tristan and Isolde
- The tragic and the ecstatic : the musical revolution of Wagner's Tristan und Isolde
- The tuning of the world
- The why of music : dialogues in an unexplored region of appreciation
- Themes in the philosophy of music
- Themes in the philosophy of music
- Thinking about music : an introduction to the philosophy of music
- Through music to the self: how to appreciate and experience music anew
- Towards a twenty-first-century feminist politics of music
- Treatise on musical objects : essays across disciplines
- Tune thy musicke to thy hart : the art of eloquent singing in England, 1597-1622
- Tuning the mind : connecting aesthetics to cognitive science
- Ubiquitous Listening : Affect, Attention, and Distributed Subjectivity
- Ubiquitous listening : affect, attention, and distributed subjectivity
- Unfinished music
- Untwisting the serpent : modernism in music, literature, and other arts
- Values of art: pictures, poetry and music
- Verdi and the French Aesthetic : Verse, Stanza, and Melody in Nineteenth-Century Opera
- Verdi and the French aesthetic : verse, stanza, and melody in nineteenth-century opera
- Virtual works -- actual things : essays in music ontology
- Voicing the ineffable : musical representations of religious experience
- Voicing the popular : on the subjects of popular music
- Vom Musikalisch-Schönen : Ein Beitrag zur Revision der Ästhetik der Tonkunst
- Wagner and philosophy
- What is music?: an introduction to the philosophy of music
- Who needs classical music? : cultural choice and musical value
- Whose music?: a sociology of musical languages
- Why classical music still matters
- Why classical music still matters
- Why music matters
- Why music moves us
- Works of music : an essay in ontology
- Zwischen Narzissmus und Selbsthass : Das Bild des ästhetizistischen Künstlers im Theater der Jahrhundertwende und der Zwischenkriegszeit
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.liverpool.ac.uk/resource/PRJt4ph_fss/" typeof="CategoryCode http://bibfra.me/vocab/lite/Concept"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.liverpool.ac.uk/resource/PRJt4ph_fss/">Music -- Philosophy and aesthetics</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.liverpool.ac.uk/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.liverpool.ac.uk/">University of Liverpool</a></span></span></span></span></div>
