The auditory system at the cocktail party, John C. Middlebrooks, Jonathan Z. Simon, Arthur N. Popper, Richard R. Fay, editors
Resource Information
The instance The auditory system at the cocktail party, John C. Middlebrooks, Jonathan Z. Simon, Arthur N. Popper, Richard R. Fay, editors represents a material embodiment of a distinct intellectual or artistic creation found in University of Liverpool. This resource is a combination of several types including: Instance, Electronic.
The Resource
The auditory system at the cocktail party, John C. Middlebrooks, Jonathan Z. Simon, Arthur N. Popper, Richard R. Fay, editors
Resource Information
The instance The auditory system at the cocktail party, John C. Middlebrooks, Jonathan Z. Simon, Arthur N. Popper, Richard R. Fay, editors represents a material embodiment of a distinct intellectual or artistic creation found in University of Liverpool. This resource is a combination of several types including: Instance, Electronic.
- Label
- The auditory system at the cocktail party, John C. Middlebrooks, Jonathan Z. Simon, Arthur N. Popper, Richard R. Fay, editors
- Statement of responsibility
- John C. Middlebrooks, Jonathan Z. Simon, Arthur N. Popper, Richard R. Fay, editors
- Antecedent source
- unknown
- Bibliography note
- Includes bibliographical references
- Carrier category
- volume
- Carrier category code
-
- nc
- Carrier MARC source
- rdacarrier
- Color
- multicolored
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
-
- The Acoustical Society of America; Series Preface; Preface 1992; Volume Preface; Contents; Contributors; 1 Ear and Brain Mechanisms for Parsing the Auditory Scene; Abstract; 1.1 Introduction; 1.2 Some Central Concepts; 1.3 Overview of the Volume; 1.4 Ears and Brains; References; 2 Auditory Object Formation and Selection; Abstract; 2.1 Introduction; 2.1.1 The Cocktail Party: Confusing Mixtures and Limited Processing Capacity; 2.1.2 Object-Based Attention; 2.1.3 Heterarchical Rather Than Hierarchical Processing; 2.1.4 A Historical Note; 2.2 Parsing the Acoustic Scene: Auditory Object Formation
- 2.2.1 Local Spectrotemporal Cues Support "Syllable-Level" Object Formation2.2.2 Higher-Order Features Link Syllables into "Streams"; 2.2.3 Open Questions; 2.3 Focusing Attention: Selecting What to Process; 2.3.1 Top-Down Control Guides Selection; 2.3.2 Bottom-up Salience Influences Attention; 2.3.3 Extracting Meaning from Imperfect Objects; 2.4 Perceptual Consequences of Object-Based Auditory Selective Attention; 2.4.1 Failure to Divide Attention; 2.4.2 Obligatory Interactions Between Formation and Selection; 2.4.3 Costs of Switching Attention
- 2.5 Neural Mechanisms Supporting Object Formation2.6 Neural Mechanisms Supporting Object Selection; 2.6.1 Visual Cognitive Networks Controlling Attention; 2.6.2 Auditory Spatial Attention Engages Visual Orienting and Reorienting Networks; 2.6.3 Nonspatial Auditory Attention Differentially Engages Auditory-Specific Networks; 2.6.4 Both Sensory Modality and Task Demands Affect Network Activity; 2.6.5 Entrainment of Neural Responses to Attended Speech; 2.6.6 Other Neural Signatures of Focused Auditory Attention; 2.7 Summary Comments; References; 3 Energetic Masking and Masking Release; Abstract
- 3.1 Introduction3.2 Segregation by Fundamental Frequency; 3.2.1 The Effect of an F0 Difference; 3.2.2 Selecting Harmonic Components of a Common F0; 3.2.3 Temporal Analysis; 3.2.4 Effects of Peripheral Nonlinearity; 3.2.5 Cancellation Mechanisms; 3.2.6 Level of Processing; 3.2.7 Conclusions; 3.3 Masking and Masking Release by Envelope Fluctuations; 3.3.1 Listening in the Dips; 3.3.2 Effects of Peripheral Nonlinearity; 3.3.3 Modulation Masking; 3.3.4 Intrinsic Modulation in Noises; 3.3.5 Models Based on Modulation Filter Banks; 3.3.6 Dip Listening in the Hearing Impaired; 3.3.7 Conclusions
- 3.4 Spatial Release from Masking3.4.1 Better-Ear Listening; 3.4.2 Binaural Unmasking; 3.4.3 The Problem of "Sluggishness"; 3.4.4 Models of SRM; 3.4.5 Conclusions; 3.5 Other Mechanisms; 3.5.1 Effect of Frequency Modulation on Prominence; 3.5.2 Onset-Time Differences and the Potential Role of Adaptation; 3.6 Summary; References; 4 Informational Masking in Speech Recognition; Abstract; 4.1 Introduction; 4.2 The History of Study of the Special Case of SOS Masking; 4.3 Determining Energetic and Informational Masking in SOS Masking; 4.3.1 Uncertainty; 4.3.2 Controlling/Estimating Energetic Masking
- Dimensions
- unknown
- Edition
- 1st edition.
- Extent
- xiv, 291 pages
- File format
- unknown
- Form of item
- online
- Isbn
- 9783319516622
- Lccn
- 2017930799
- Level of compression
- unknown
- Media category
- unmediated
- Media MARC source
- rdamedia
- Media type code
-
- n
- Other control number
- 10.1007/978-3-319-51662-2
- Other physical details
- illustrations.
- Quality assurance targets
- not applicable
- Record ID
- b5094354
- Reformatting quality
- unknown
- Sound
- unknown sound
- Specific material designation
- remote
- System control number
- ocn978351144
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.liverpool.ac.uk/resource/irAXNRZMrKw/" typeof="Book http://bibfra.me/vocab/lite/Instance"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.liverpool.ac.uk/resource/irAXNRZMrKw/">The auditory system at the cocktail party, John C. Middlebrooks, Jonathan Z. Simon, Arthur N. Popper, Richard R. Fay, editors</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.liverpool.ac.uk/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.liverpool.ac.uk/">University of Liverpool</a></span></span></span></span></div>