The Resource Animals in art and thought : to the end of the Middle Ages, Francis Klingender ; edited by Evelyn Antal and John P. Harthan
Animals in art and thought : to the end of the Middle Ages, Francis Klingender ; edited by Evelyn Antal and John P. Harthan
Resource Information
The item Animals in art and thought : to the end of the Middle Ages, Francis Klingender ; edited by Evelyn Antal and John P. Harthan represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in Sydney Jones Library, University of Liverpool.This item is available to borrow from 1 library branch.
Resource Information
The item Animals in art and thought : to the end of the Middle Ages, Francis Klingender ; edited by Evelyn Antal and John P. Harthan represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in Sydney Jones Library, University of Liverpool.
This item is available to borrow from 1 library branch.
- Summary
- Originally published in 1971, Animals in Art and Thought discusses the ways in which animals have been used by man in art and literature. The book looks at how they have been used to symbolise religious, social and political beliefs, as well as their pragmatic use by hunters, sportsmen, and farmers. The book discusses these various attitudes in a survey which ranges from prehistoric cave art to the later Middle Ages. The book is especially concerned with uncovering the latent, as well as the manifest meanings of animal art, and presents a detailed examination of the literary and archaeological monuments of the periods covered in the book. The book discusses the themes of Creation myths of the pagan and Christian religion, the contribution of the animal art of the ancient contribution of the animal art of the ancient Orient to the development of the Romanesque and gothic styles in Europe, the use of beast fables in social or political satire, and the heroic associations of animals in medieval chivalry
- Language
- eng
- Extent
- 1 online resource (iv, 608 pages)
- Note
- "First published in 1971 by Routledge & Kegan Paul Ltd."
- Contents
-
- Editor's Foreword and Acknowledgements
- Author's Preface
- Photographic Acknowledgements
- Part I. The Ancient World. 1. The Hunter's Art and Mythology ; 2. Animal Art in the Ancient Near East ; 3. Animal Art in Civilizations of Greece and Rome ; 4. Barbaric Animal Styles
- Part II. The Early Middle Ages. 5. The Carolingian Renaissance ; 6. Late Anglo-Saxon Animal Art: The 'Caedmon' and 'Aelfric' Manuscripts ; 7. Germany, France and Spain c. 950-1050; the Apocalyptic Tradition ; 8. Byzantium and Italy ; 9. Romanesque and Early Gothic Animal Art
- Part III. The Later Middle Ages. 10. The Scientific Revival and the Beast Fables ; 11. English Animal Art of the Later Middle Ages ; 12. Continental Animal Art of the Later Middle Ages
- Epilogue
- Notes
- Bibliography
- Isbn
- 9780429262685
- Label
- Animals in art and thought : to the end of the Middle Ages
- Title
- Animals in art and thought
- Title remainder
- to the end of the Middle Ages
- Statement of responsibility
- Francis Klingender ; edited by Evelyn Antal and John P. Harthan
- Language
- eng
- Summary
- Originally published in 1971, Animals in Art and Thought discusses the ways in which animals have been used by man in art and literature. The book looks at how they have been used to symbolise religious, social and political beliefs, as well as their pragmatic use by hunters, sportsmen, and farmers. The book discusses these various attitudes in a survey which ranges from prehistoric cave art to the later Middle Ages. The book is especially concerned with uncovering the latent, as well as the manifest meanings of animal art, and presents a detailed examination of the literary and archaeological monuments of the periods covered in the book. The book discusses the themes of Creation myths of the pagan and Christian religion, the contribution of the animal art of the ancient contribution of the animal art of the ancient Orient to the development of the Romanesque and gothic styles in Europe, the use of beast fables in social or political satire, and the heroic associations of animals in medieval chivalry
- Cataloging source
- OCoLC-P
- http://library.link/vocab/creatorName
- Klingender, F. D.
- Dewey number
- 704.9432
- Illustrations
- illustrations
- Index
- no index present
- LC call number
- N7660
- Literary form
- non fiction
- Nature of contents
-
- dictionaries
- bibliography
- http://library.link/vocab/relatedWorkOrContributorName
-
- Antal, Evelyn
- Harthan, John P.
- Series statement
- Routledge library editions. The medieval world
- Series volume
- volume 28
- http://library.link/vocab/subjectName
-
- Animals in art
- Animals in literature
- Animals (Philosophy)
- Philosophy, Medieval
- Art, Medieval
- Label
- Animals in art and thought : to the end of the Middle Ages, Francis Klingender ; edited by Evelyn Antal and John P. Harthan
- Note
- "First published in 1971 by Routledge & Kegan Paul Ltd."
- Antecedent source
- unknown
- Carrier category
- online resource
- Carrier category code
-
- cr
- Carrier MARC source
- rdacarrier
- Color
- multicolored
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
- Editor's Foreword and Acknowledgements -- Author's Preface -- Photographic Acknowledgements -- Part I. The Ancient World. 1. The Hunter's Art and Mythology ; 2. Animal Art in the Ancient Near East ; 3. Animal Art in Civilizations of Greece and Rome ; 4. Barbaric Animal Styles -- Part II. The Early Middle Ages. 5. The Carolingian Renaissance ; 6. Late Anglo-Saxon Animal Art: The 'Caedmon' and 'Aelfric' Manuscripts ; 7. Germany, France and Spain c. 950-1050; the Apocalyptic Tradition ; 8. Byzantium and Italy ; 9. Romanesque and Early Gothic Animal Art -- Part III. The Later Middle Ages. 10. The Scientific Revival and the Beast Fables ; 11. English Animal Art of the Later Middle Ages ; 12. Continental Animal Art of the Later Middle Ages -- Epilogue -- Notes -- Bibliography
- Control code
- 9780429262685
- Dimensions
- unknown
- Extent
- 1 online resource (iv, 608 pages)
- File format
- unknown
- Form of item
- online
- Isbn
- 9780429262685
- Level of compression
- unknown
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
-
- c
- Other physical details
- illustrations.
- Quality assurance targets
- not applicable
- Reformatting quality
- unknown
- Sound
- unknown sound
- Specific material designation
- remote
- System control number
-
- (OCoLC)1107880653
- (OCoLC-P)1107880653
- Label
- Animals in art and thought : to the end of the Middle Ages, Francis Klingender ; edited by Evelyn Antal and John P. Harthan
- Note
- "First published in 1971 by Routledge & Kegan Paul Ltd."
- Antecedent source
- unknown
- Carrier category
- online resource
- Carrier category code
-
- cr
- Carrier MARC source
- rdacarrier
- Color
- multicolored
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
- Editor's Foreword and Acknowledgements -- Author's Preface -- Photographic Acknowledgements -- Part I. The Ancient World. 1. The Hunter's Art and Mythology ; 2. Animal Art in the Ancient Near East ; 3. Animal Art in Civilizations of Greece and Rome ; 4. Barbaric Animal Styles -- Part II. The Early Middle Ages. 5. The Carolingian Renaissance ; 6. Late Anglo-Saxon Animal Art: The 'Caedmon' and 'Aelfric' Manuscripts ; 7. Germany, France and Spain c. 950-1050; the Apocalyptic Tradition ; 8. Byzantium and Italy ; 9. Romanesque and Early Gothic Animal Art -- Part III. The Later Middle Ages. 10. The Scientific Revival and the Beast Fables ; 11. English Animal Art of the Later Middle Ages ; 12. Continental Animal Art of the Later Middle Ages -- Epilogue -- Notes -- Bibliography
- Control code
- 9780429262685
- Dimensions
- unknown
- Extent
- 1 online resource (iv, 608 pages)
- File format
- unknown
- Form of item
- online
- Isbn
- 9780429262685
- Level of compression
- unknown
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
-
- c
- Other physical details
- illustrations.
- Quality assurance targets
- not applicable
- Reformatting quality
- unknown
- Sound
- unknown sound
- Specific material designation
- remote
- System control number
-
- (OCoLC)1107880653
- (OCoLC-P)1107880653
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.liverpool.ac.uk/portal/Animals-in-art-and-thought--to-the-end-of-the/z8CuizuRqus/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.liverpool.ac.uk/portal/Animals-in-art-and-thought--to-the-end-of-the/z8CuizuRqus/">Animals in art and thought : to the end of the Middle Ages, Francis Klingender ; edited by Evelyn Antal and John P. Harthan</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.liverpool.ac.uk/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.liverpool.ac.uk/">Sydney Jones Library, University of Liverpool</a></span></span></span></span></div>