The Resource Hitchcock and contemporary art, Christine Sprengler, (electronic book)
Hitchcock and contemporary art, Christine Sprengler, (electronic book)
Resource Information
The item Hitchcock and contemporary art, Christine Sprengler, (electronic book) represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in Sydney Jones Library, University of Liverpool.This item is available to borrow from 1 library branch.
Resource Information
The item Hitchcock and contemporary art, Christine Sprengler, (electronic book) represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in Sydney Jones Library, University of Liverpool.
This item is available to borrow from 1 library branch.
- Summary
-
- Hitchcock and Contemporary Art introduces readers to the fascinating and diverse range of artistic practices devoted to Alfred Hitchcock's films. His works have the capacity to activate sophisticated engagements with Hitchcock's films and cinema more generally, tackling issues of time and space, memory and history, and sound and image.
- "Motivated by feminist curiosity (like Pandora), Sprengler cannot resist revealing hidden secrets; namely that Hitchcock's hold on our imagination has found its way past cinephiles into the work of contemporary art. Her exhaustive case studies include moving images, installations, video games, and soundscapes, and her discussion has resonances that go beyond these 'Hitchcockian artworks' to the film/art axis of influence more generally. This is a valuable reference text for anyone seeking sustained analysis of the rapprochement of art and film and the release of cinema's obsessions into the wider field of visual culture." - Catherine Fowler, Associate Professor, Film, Otago University, New Zealand "Contemporary art has been quick to capitalize on the familiarity of Hitchcock's iconic films in a way that serves to define the new rapprochement between the art world and popular cinema. Sprengler's book is the first to explore the art gallery of Hitchcockians and provides a valuable catalogue of their achievements." - Richard Allen, author of Hitchcock's Romantic Irony
- Language
- eng
- Extent
- 216 p.
- Note
- Users can print and/or download individual articles/chapters and other individual items from Palgrave Connect ebooks, limited to no more than one chapter per title per authorised user
- Contents
-
- Introduction: Alfred and the Artworld 1. Cinephilic Pilgrimages and the Reification of Profilmic Space 2. Activating Memories and Museums through the Expanded Essay Film 3. Remediation and Intermediality: From Moving to (Film) Still 4. Spatial Montage, Temporal Collage, and the Art(ifice) of Rear Projection 5. The Acoustics of Vertigo: Soundtracks, Soundscapes and Scores Conclusion: Repossessing Cinema
- Isbn
- 9780230392168
- Label
- Hitchcock and contemporary art
- Title
- Hitchcock and contemporary art
- Statement of responsibility
- Christine Sprengler
- Language
- eng
- Summary
-
- Hitchcock and Contemporary Art introduces readers to the fascinating and diverse range of artistic practices devoted to Alfred Hitchcock's films. His works have the capacity to activate sophisticated engagements with Hitchcock's films and cinema more generally, tackling issues of time and space, memory and history, and sound and image.
- "Motivated by feminist curiosity (like Pandora), Sprengler cannot resist revealing hidden secrets; namely that Hitchcock's hold on our imagination has found its way past cinephiles into the work of contemporary art. Her exhaustive case studies include moving images, installations, video games, and soundscapes, and her discussion has resonances that go beyond these 'Hitchcockian artworks' to the film/art axis of influence more generally. This is a valuable reference text for anyone seeking sustained analysis of the rapprochement of art and film and the release of cinema's obsessions into the wider field of visual culture." - Catherine Fowler, Associate Professor, Film, Otago University, New Zealand "Contemporary art has been quick to capitalize on the familiarity of Hitchcock's iconic films in a way that serves to define the new rapprochement between the art world and popular cinema. Sprengler's book is the first to explore the art gallery of Hitchcockians and provides a valuable catalogue of their achievements." - Richard Allen, author of Hitchcock's Romantic Irony
- Cataloging source
- UK-WkNB
- http://library.link/vocab/creatorName
- Sprengler, Christine
- Dewey number
- 791.430233092
- Illustrations
- illustrations
- Index
- no index present
- Literary form
- non fiction
- http://library.link/vocab/subjectName
-
- Hitchcock, Alfred
- Art, Modern
- Summary expansion
- Hitchcock and Contemporary Art introduces readers to the fascinating and diverse range of artistic practices devoted to Alfred Hitchcock's films. These practices are more than celebrations of his cinematic achievements. The artworks considered here are motivated by a cinephilia often deeply imprinted by epistemophilia, that is, a love of cinema charged by a desire to know more about it and to revel in the pleasures of discovery. As such, these works have the capacity to activate sophisticated engagements with Hitchcock's films and cinema more generally, tackling issues of time and space, memory and history, and sound and image
- Label
- Hitchcock and contemporary art, Christine Sprengler, (electronic book)
- Note
- Users can print and/or download individual articles/chapters and other individual items from Palgrave Connect ebooks, limited to no more than one chapter per title per authorised user
- Contents
- Introduction: Alfred and the Artworld 1. Cinephilic Pilgrimages and the Reification of Profilmic Space 2. Activating Memories and Museums through the Expanded Essay Film 3. Remediation and Intermediality: From Moving to (Film) Still 4. Spatial Montage, Temporal Collage, and the Art(ifice) of Rear Projection 5. The Acoustics of Vertigo: Soundtracks, Soundscapes and Scores Conclusion: Repossessing Cinema
- Control code
- 9780230392168
- Extent
- 216 p.
- Form of item
- electronic
- Isbn
- 9780230392168
- Other physical details
- 17 b&w, ill.
- Specific material designation
- unspecified
- Type of computer file
- PDF.
- Label
- Hitchcock and contemporary art, Christine Sprengler, (electronic book)
- Note
- Users can print and/or download individual articles/chapters and other individual items from Palgrave Connect ebooks, limited to no more than one chapter per title per authorised user
- Contents
- Introduction: Alfred and the Artworld 1. Cinephilic Pilgrimages and the Reification of Profilmic Space 2. Activating Memories and Museums through the Expanded Essay Film 3. Remediation and Intermediality: From Moving to (Film) Still 4. Spatial Montage, Temporal Collage, and the Art(ifice) of Rear Projection 5. The Acoustics of Vertigo: Soundtracks, Soundscapes and Scores Conclusion: Repossessing Cinema
- Control code
- 9780230392168
- Extent
- 216 p.
- Form of item
- electronic
- Isbn
- 9780230392168
- Other physical details
- 17 b&w, ill.
- Specific material designation
- unspecified
- Type of computer file
- PDF.
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.liverpool.ac.uk/portal/Hitchcock-and-contemporary-art-Christine/UsNQkz2P7-A/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.liverpool.ac.uk/portal/Hitchcock-and-contemporary-art-Christine/UsNQkz2P7-A/">Hitchcock and contemporary art, Christine Sprengler, (electronic book)</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.liverpool.ac.uk/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.liverpool.ac.uk/">Sydney Jones Library, University of Liverpool</a></span></span></span></span></div>