Coverart for item
The Resource Revolution of the word : a new gathering of American avant garde poetry, 1914-1945

Revolution of the word : a new gathering of American avant garde poetry, 1914-1945

Label
Revolution of the word : a new gathering of American avant garde poetry, 1914-1945
Title
Revolution of the word
Title remainder
a new gathering of American avant garde poetry, 1914-1945
Title variation
New gathering of American avant garde poetry, 1914-1945
Contributor
Subject
Language
eng
Cataloging source
TTU
Illustrations
illustrations
Index
no index present
LC call number
PS614
LC item number
.R35 1997
Literary form
non fiction
http://library.link/vocab/relatedWorkOrContributorDate
1931-
http://library.link/vocab/relatedWorkOrContributorName
Rothenberg, Jerome
http://library.link/vocab/subjectName
  • American poetry
  • Experimental poetry, American
Label
Revolution of the word : a new gathering of American avant garde poetry, 1914-1945
Instantiates
Publication
Note
"Photographic reprint of a book originally published by the Seabury Press", [1974] -- t.p. verso
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • Pre-face
  • Dada Is American/
  • Walter Conrad Arensberg
  • p. 3
  • Ing/
  • Walter Conrad Arensberg
  • p. 4
  • Vacuum Tires: A Formula for the Digestion of Figments/
  • Walter Conrad Arensberg
  • p. 5
  • Arithmetical Progression of the Verb "To Be"/
  • Walter Conrad Arensberg
  • p. 6
  • For "Shady Hill," Cambridge, Mass/
  • Walter Conrad Arensberg
  • p. 6
  • Axiom/
  • Walter Conrad Arensberg
  • p. 7
  • Theorem/
  • Walter Conrad Arensberg
  • p. 8
  • Without any whirr or sputter/
  • Bob Brown
  • p. 9
  • Aquarium Keeper/
  • Bob Brown
  • p. 10
  • Eyes on the Half-Shell/
  • Bob Brown
  • p. 14
  • No Thanks, No. 13/
  • E. E. Cummings
  • p. 16
  • Memorabilia/
  • E. E. Cummings
  • p. 16
  • From The Walls Do Not Fall/
  • Hilda Doolittle
  • p. 18
  • Speculations/
  • Marcel Duchamp
  • p. 25
  • SURcenSURE/
  • Marcel Duchamp
  • p. 25
  • /
  • Marcel Duchamp
  • p. 27
  • Rendez-Vous du Dimanche 6 Fevrier 1916/
  • Marcel Duchamp
  • p. 28
  • Men Before the Mirror/
  • Marcel Duchamp
  • p. 29
  • From Rrose Selavy/
  • Marcel Duchamp
  • p. 30
  • Rotative Demi-Sphere with Pun as Cover for The Little Review/
  • Marcel Duchamp
  • p. 31
  • From The Bride stripped bare by her bachelors, even/
  • Marcel Duchamp
  • p. 32
  • Auditory Imagination/
  • T. S. Eliot
  • p. 36
  • Objective Correlative/
  • T. S. Eliot
  • p. 36
  • Affectionate/
  • Else von Freytag-Loringhoven
  • p. 38
  • Holy Skirts/
  • Else von Freytag-Loringhoven
  • p. 38
  • Mineself - Minesoul - And - Mine - Cast-Iron Lover/
  • Else von Freytag-Loringhoven
  • p. 40
  • Local Boys and Girls Small Town Stuff/
  • Marsden Hartley
  • p. 49
  • From 1920-1922/
  • Marsden Hartley
  • p. 50
  • In confidence with those well-/
  • Marsden Hartley
  • p. 50
  • Yours with Devotion/
  • Marsden Hartley
  • p. 51
  • Mediocrity/
  • Marsden Hartley
  • p. 53
  • Love Songs/
  • Mina Loy
  • p. 58
  • Costa Magic/
  • Mina Loy
  • p. 60
  • Anglo-Mongrels and the Rose/
  • Mina Loy
  • p. 61
  • Octopus/
  • Marianne Moore
  • p. 72
  • Dogmatic Statement on the Game and Play of Chess/
  • Ezra Pound
  • p. 79
  • Vortex/
  • Ezra Pound
  • p. 80
  • Canto XXXIX/
  • Ezra Pound
  • p. 82
  • From The People, Yes (no. 53)/
  • Carl Sandburg
  • p. 86
  • From Tender Buttons/
  • Gertrude Stein
  • p. 90
  • Curtain Raiser/
  • Gertrude Stein
  • p. 92
  • They May Be Said To Be Ready/
  • Gertrude Stein
  • p. 92
  • Before the Flowers of Friendship Faded Friendship Faded/
  • Gertrude Stein
  • p. 93
  • From The Mother of Us All/
  • Gertrude Stein
  • p. 105
  • Connoisseur of Chaos/
  • Wallace Stevens
  • p. 107
  • .
  • p. 109
  • From Spring and All/
  • William Carlos Williams
  • p. 110
  • Mango Tree/
  • Hart Crane
  • p. 120
  • Photoheliograph/
  • Harry Crosby
  • p. 122
  • Short Introduction to the Word/
  • Harry Crosby
  • p. 122
  • Tattoo/
  • Harry Crosby
  • p. 123
  • Pharmacie du Soleil/
  • Harry Crosby
  • p. 123
  • Academy of Stimulants/
  • Harry Crosby
  • p. 124
  • Madman/
  • Harry Crosby
  • p. 124
  • I Climb Alone/
  • Harry Crosby
  • p. 126
  • Fragment of an Etude for a Sun-Dial/
  • Harry Crosby
  • p. 127
  • Ten Commandments/
  • Harry Crosby
  • p. 131
  • African Elegy/
  • Robert Duncan
  • p. 133
  • American Rhapsody (2)/
  • Kenneth Fearing
  • p. 136
  • Agent No. 174 Resigns/
  • Kenneth Fearing
  • p. 137
  • End of the Seers' Convention/
  • Kenneth Fearing
  • p. 140
  • Flag of Ecstasy/
  • Charles Henri Ford
  • p. 142
  • Readie-Soundpiece/
  • Abraham Lincoln Gillespie
  • p. 144
  • Mountain Words/
  • Eugene Jolas
  • p. 149
  • Rimbaud and the Chauffeur/
  • Eugene Jolas
  • p. 149
  • Proclamation/
  • Eugene Jolas
  • p. 150
  • Sleep in Ur (Dream-Scenario)/
  • Eugene Jolas
  • p. 151
  • From Express/
  • Eugene Jolas
  • p. 155
  • Apollinaire An Elegy/
  • Walter Lowenfels
  • p. 160
  • Hunger Strike what does lifemean/
  • Jackson Mac Low
  • p. 172
  • K/
  • Charles Olson
  • p. 178
  • Discrete Series/
  • George Oppen
  • p. 181
  • "Let Us Have Madness Openly"/
  • Kenneth Patchen
  • p. 190
  • As She Was Thus Alone in the Clear Moonlight/
  • Kenneth Patchen
  • p. 191
  • Continuation of the Landscape/
  • Kenneth Patchen
  • p. 192
  • Education of the Waters/
  • Kenneth Patchen
  • p. 193
  • Grand Palace of Versailles/
  • Kenneth Patchen
  • p. 194
  • From Panels for the Walls of Heaven/
  • Kenneth Patchen
  • p. 195
  • "I Always Return to This Place"/
  • Kenneth Patchen
  • p. 197
  • Fundamental Disagreement with Two Contemporaries/
  • Kenneth Rexroth
  • p. 200
  • Into the Shandy Westerness/
  • Kenneth Rexroth
  • p. 206
  • Easy Lessons in Geophagy/
  • Kenneth Rexroth
  • p. 208
  • From Five Groups of Verse (1927)/
  • Charles Reznikoff
  • p. 213
  • Socialists of Vienna/
  • Charles Reznikoff
  • p. 214
  • Autobiography: Hollywood/
  • Charles Reznikoff
  • p. 217
  • By Crude Rotation/
  • Laura Riding
  • p. 223
  • Elegy in a Spider's Web/
  • Laura Riding
  • p. 224
  • Wind, The Clock, The We/
  • Laura Riding
  • p. 228
  • Poet: A Lying Word/
  • Laura Riding
  • p. 229
  • From Memories of Mortalities/
  • Laura Riding
  • p. 232
  • Nothing So Far/
  • Laura Riding
  • p. 236
  • Statement of Disagreements/
  • Laura Riding
  • p. 237
  • Two Songs/
  • Louis Zukofsky
  • p. 240
  • From Poem Beginning "The"/
  • Louis Zukofsky
  • p. 241
  • Song 22: "To My Wash-stand"/
  • Louis Zukofsky
  • p. 244
  • "Mantis"/
  • Louis Zukofsky
  • p. 246
  • "Mantis," An Interpretation/
  • Louis Zukofsky
  • p. 248
  • "A" 1/
  • Louis Zukofsky
  • p. 254
  • #36/
  • Louis Zukofsky
  • p. 258
Control code
ocm39543355
Dimensions
21 cm.
Extent
xxvii, 259 p.
Isbn
9781878972248
Media category
unmediated
Media MARC source
rdamedia
Media type code
  • n
Other physical details
ill.
Label
Revolution of the word : a new gathering of American avant garde poetry, 1914-1945
Publication
Note
"Photographic reprint of a book originally published by the Seabury Press", [1974] -- t.p. verso
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • Pre-face
  • Dada Is American/
  • Walter Conrad Arensberg
  • p. 3
  • Ing/
  • Walter Conrad Arensberg
  • p. 4
  • Vacuum Tires: A Formula for the Digestion of Figments/
  • Walter Conrad Arensberg
  • p. 5
  • Arithmetical Progression of the Verb "To Be"/
  • Walter Conrad Arensberg
  • p. 6
  • For "Shady Hill," Cambridge, Mass/
  • Walter Conrad Arensberg
  • p. 6
  • Axiom/
  • Walter Conrad Arensberg
  • p. 7
  • Theorem/
  • Walter Conrad Arensberg
  • p. 8
  • Without any whirr or sputter/
  • Bob Brown
  • p. 9
  • Aquarium Keeper/
  • Bob Brown
  • p. 10
  • Eyes on the Half-Shell/
  • Bob Brown
  • p. 14
  • No Thanks, No. 13/
  • E. E. Cummings
  • p. 16
  • Memorabilia/
  • E. E. Cummings
  • p. 16
  • From The Walls Do Not Fall/
  • Hilda Doolittle
  • p. 18
  • Speculations/
  • Marcel Duchamp
  • p. 25
  • SURcenSURE/
  • Marcel Duchamp
  • p. 25
  • /
  • Marcel Duchamp
  • p. 27
  • Rendez-Vous du Dimanche 6 Fevrier 1916/
  • Marcel Duchamp
  • p. 28
  • Men Before the Mirror/
  • Marcel Duchamp
  • p. 29
  • From Rrose Selavy/
  • Marcel Duchamp
  • p. 30
  • Rotative Demi-Sphere with Pun as Cover for The Little Review/
  • Marcel Duchamp
  • p. 31
  • From The Bride stripped bare by her bachelors, even/
  • Marcel Duchamp
  • p. 32
  • Auditory Imagination/
  • T. S. Eliot
  • p. 36
  • Objective Correlative/
  • T. S. Eliot
  • p. 36
  • Affectionate/
  • Else von Freytag-Loringhoven
  • p. 38
  • Holy Skirts/
  • Else von Freytag-Loringhoven
  • p. 38
  • Mineself - Minesoul - And - Mine - Cast-Iron Lover/
  • Else von Freytag-Loringhoven
  • p. 40
  • Local Boys and Girls Small Town Stuff/
  • Marsden Hartley
  • p. 49
  • From 1920-1922/
  • Marsden Hartley
  • p. 50
  • In confidence with those well-/
  • Marsden Hartley
  • p. 50
  • Yours with Devotion/
  • Marsden Hartley
  • p. 51
  • Mediocrity/
  • Marsden Hartley
  • p. 53
  • Love Songs/
  • Mina Loy
  • p. 58
  • Costa Magic/
  • Mina Loy
  • p. 60
  • Anglo-Mongrels and the Rose/
  • Mina Loy
  • p. 61
  • Octopus/
  • Marianne Moore
  • p. 72
  • Dogmatic Statement on the Game and Play of Chess/
  • Ezra Pound
  • p. 79
  • Vortex/
  • Ezra Pound
  • p. 80
  • Canto XXXIX/
  • Ezra Pound
  • p. 82
  • From The People, Yes (no. 53)/
  • Carl Sandburg
  • p. 86
  • From Tender Buttons/
  • Gertrude Stein
  • p. 90
  • Curtain Raiser/
  • Gertrude Stein
  • p. 92
  • They May Be Said To Be Ready/
  • Gertrude Stein
  • p. 92
  • Before the Flowers of Friendship Faded Friendship Faded/
  • Gertrude Stein
  • p. 93
  • From The Mother of Us All/
  • Gertrude Stein
  • p. 105
  • Connoisseur of Chaos/
  • Wallace Stevens
  • p. 107
  • .
  • p. 109
  • From Spring and All/
  • William Carlos Williams
  • p. 110
  • Mango Tree/
  • Hart Crane
  • p. 120
  • Photoheliograph/
  • Harry Crosby
  • p. 122
  • Short Introduction to the Word/
  • Harry Crosby
  • p. 122
  • Tattoo/
  • Harry Crosby
  • p. 123
  • Pharmacie du Soleil/
  • Harry Crosby
  • p. 123
  • Academy of Stimulants/
  • Harry Crosby
  • p. 124
  • Madman/
  • Harry Crosby
  • p. 124
  • I Climb Alone/
  • Harry Crosby
  • p. 126
  • Fragment of an Etude for a Sun-Dial/
  • Harry Crosby
  • p. 127
  • Ten Commandments/
  • Harry Crosby
  • p. 131
  • African Elegy/
  • Robert Duncan
  • p. 133
  • American Rhapsody (2)/
  • Kenneth Fearing
  • p. 136
  • Agent No. 174 Resigns/
  • Kenneth Fearing
  • p. 137
  • End of the Seers' Convention/
  • Kenneth Fearing
  • p. 140
  • Flag of Ecstasy/
  • Charles Henri Ford
  • p. 142
  • Readie-Soundpiece/
  • Abraham Lincoln Gillespie
  • p. 144
  • Mountain Words/
  • Eugene Jolas
  • p. 149
  • Rimbaud and the Chauffeur/
  • Eugene Jolas
  • p. 149
  • Proclamation/
  • Eugene Jolas
  • p. 150
  • Sleep in Ur (Dream-Scenario)/
  • Eugene Jolas
  • p. 151
  • From Express/
  • Eugene Jolas
  • p. 155
  • Apollinaire An Elegy/
  • Walter Lowenfels
  • p. 160
  • Hunger Strike what does lifemean/
  • Jackson Mac Low
  • p. 172
  • K/
  • Charles Olson
  • p. 178
  • Discrete Series/
  • George Oppen
  • p. 181
  • "Let Us Have Madness Openly"/
  • Kenneth Patchen
  • p. 190
  • As She Was Thus Alone in the Clear Moonlight/
  • Kenneth Patchen
  • p. 191
  • Continuation of the Landscape/
  • Kenneth Patchen
  • p. 192
  • Education of the Waters/
  • Kenneth Patchen
  • p. 193
  • Grand Palace of Versailles/
  • Kenneth Patchen
  • p. 194
  • From Panels for the Walls of Heaven/
  • Kenneth Patchen
  • p. 195
  • "I Always Return to This Place"/
  • Kenneth Patchen
  • p. 197
  • Fundamental Disagreement with Two Contemporaries/
  • Kenneth Rexroth
  • p. 200
  • Into the Shandy Westerness/
  • Kenneth Rexroth
  • p. 206
  • Easy Lessons in Geophagy/
  • Kenneth Rexroth
  • p. 208
  • From Five Groups of Verse (1927)/
  • Charles Reznikoff
  • p. 213
  • Socialists of Vienna/
  • Charles Reznikoff
  • p. 214
  • Autobiography: Hollywood/
  • Charles Reznikoff
  • p. 217
  • By Crude Rotation/
  • Laura Riding
  • p. 223
  • Elegy in a Spider's Web/
  • Laura Riding
  • p. 224
  • Wind, The Clock, The We/
  • Laura Riding
  • p. 228
  • Poet: A Lying Word/
  • Laura Riding
  • p. 229
  • From Memories of Mortalities/
  • Laura Riding
  • p. 232
  • Nothing So Far/
  • Laura Riding
  • p. 236
  • Statement of Disagreements/
  • Laura Riding
  • p. 237
  • Two Songs/
  • Louis Zukofsky
  • p. 240
  • From Poem Beginning "The"/
  • Louis Zukofsky
  • p. 241
  • Song 22: "To My Wash-stand"/
  • Louis Zukofsky
  • p. 244
  • "Mantis"/
  • Louis Zukofsky
  • p. 246
  • "Mantis," An Interpretation/
  • Louis Zukofsky
  • p. 248
  • "A" 1/
  • Louis Zukofsky
  • p. 254
  • #36/
  • Louis Zukofsky
  • p. 258
Control code
ocm39543355
Dimensions
21 cm.
Extent
xxvii, 259 p.
Isbn
9781878972248
Media category
unmediated
Media MARC source
rdamedia
Media type code
  • n
Other physical details
ill.

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