The Resource Theorizing modernism : visual art and the critical tradition, Johanna Drucker
Theorizing modernism : visual art and the critical tradition, Johanna Drucker
Resource Information
The item Theorizing modernism : visual art and the critical tradition, Johanna Drucker represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in Sydney Jones Library, University of Liverpool.This item is available to borrow from 1 library branch.
Resource Information
The item Theorizing modernism : visual art and the critical tradition, Johanna Drucker represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in Sydney Jones Library, University of Liverpool.
This item is available to borrow from 1 library branch.
- Summary
- Theorizing Modernism is a rereading of the modernist tradition in the visual arts that provides a unique view of the history of modern art and art criticism through a psychoanalytic and poststructuralist stance. Concentrating on canonical critical texts and images, the book examines modern art through a rhetoric of representation rather than through formalist criticism or the history of the avant-garde
- Language
- eng
- Extent
- viii, 201 p.
- Contents
-
- 1. Reviewing Modernism: An Introduction -- 2. The Representation of Modern Life: From Space to Spectacle. The Image of Modernity as Urban Space. Baudelaire and Guys. Benjamin. Manet. Clark and Pollock. Specularity, Espace, and Visual Truth. Cubism, the Specular Surface, and the Visual Sign. Spectacle and Simulacrum -- 3. The Ontology of the Object. Early Formalism and Flatness: Manet. Fry/Bell/Cezanne. Presentation Rhetoric. Codifying Formalism Critically and Historically. Presence into Presentness. Beyond Formalism: The Parergon. Contingencies of Value -- 4. Subjectivity and Modernity. Models of the Artist as Producing Subject. Picasso. Duchamp. Benjamin/Barthes/Foucault. Judd/Warhol/Acconci. Levine/Prince 235. The Produced Subject of Artistic Enunciation. Decentering the Subject: Representational Disunity. The Critical-Paranoiac Method: Dali. The Schizophrenic: Jameson and the Perpetual Present. Abstract Space and Subject Enunciation. Theatricalization of Subjectivity
- The Situation of Enunciation and Vampiristic Subject. Complicity and Instability of Rendered Positions -- 5. Following the Received Tradition: A Note in Conclusion
- Isbn
- 9780231080835
- Label
- Theorizing modernism : visual art and the critical tradition
- Title
- Theorizing modernism
- Title remainder
- visual art and the critical tradition
- Statement of responsibility
- Johanna Drucker
- Language
- eng
- Summary
- Theorizing Modernism is a rereading of the modernist tradition in the visual arts that provides a unique view of the history of modern art and art criticism through a psychoanalytic and poststructuralist stance. Concentrating on canonical critical texts and images, the book examines modern art through a rhetoric of representation rather than through formalist criticism or the history of the avant-garde
- Cataloging source
- DLC
- http://library.link/vocab/creatorDate
- 1952-
- http://library.link/vocab/creatorName
- Drucker, Johanna
- Illustrations
- illustrations
- Index
- no index present
- LC call number
- N6465.M63
- LC item number
- D78 1994
- Literary form
- non fiction
- Nature of contents
- bibliography
- Series statement
- Interpretations in art
- http://library.link/vocab/subjectName
-
- Modernism (Art)
- Art, Modern
- Art, Modern
- Label
- Theorizing modernism : visual art and the critical tradition, Johanna Drucker
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- volume
- Carrier category code
-
- nc
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
-
- 1. Reviewing Modernism: An Introduction -- 2. The Representation of Modern Life: From Space to Spectacle. The Image of Modernity as Urban Space. Baudelaire and Guys. Benjamin. Manet. Clark and Pollock. Specularity, Espace, and Visual Truth. Cubism, the Specular Surface, and the Visual Sign. Spectacle and Simulacrum -- 3. The Ontology of the Object. Early Formalism and Flatness: Manet. Fry/Bell/Cezanne. Presentation Rhetoric. Codifying Formalism Critically and Historically. Presence into Presentness. Beyond Formalism: The Parergon. Contingencies of Value -- 4. Subjectivity and Modernity. Models of the Artist as Producing Subject. Picasso. Duchamp. Benjamin/Barthes/Foucault. Judd/Warhol/Acconci. Levine/Prince 235. The Produced Subject of Artistic Enunciation. Decentering the Subject: Representational Disunity. The Critical-Paranoiac Method: Dali. The Schizophrenic: Jameson and the Perpetual Present. Abstract Space and Subject Enunciation. Theatricalization of Subjectivity
- The Situation of Enunciation and Vampiristic Subject. Complicity and Instability of Rendered Positions -- 5. Following the Received Tradition: A Note in Conclusion
- Control code
- 9517150
- Dimensions
- 24 cm.
- Extent
- viii, 201 p.
- Isbn
- 9780231080835
- Lccn
- 93023718
- Media category
- unmediated
- Media MARC source
- rdamedia
- Media type code
-
- n
- Other physical details
- ill.
- Label
- Theorizing modernism : visual art and the critical tradition, Johanna Drucker
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- volume
- Carrier category code
-
- nc
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
-
- 1. Reviewing Modernism: An Introduction -- 2. The Representation of Modern Life: From Space to Spectacle. The Image of Modernity as Urban Space. Baudelaire and Guys. Benjamin. Manet. Clark and Pollock. Specularity, Espace, and Visual Truth. Cubism, the Specular Surface, and the Visual Sign. Spectacle and Simulacrum -- 3. The Ontology of the Object. Early Formalism and Flatness: Manet. Fry/Bell/Cezanne. Presentation Rhetoric. Codifying Formalism Critically and Historically. Presence into Presentness. Beyond Formalism: The Parergon. Contingencies of Value -- 4. Subjectivity and Modernity. Models of the Artist as Producing Subject. Picasso. Duchamp. Benjamin/Barthes/Foucault. Judd/Warhol/Acconci. Levine/Prince 235. The Produced Subject of Artistic Enunciation. Decentering the Subject: Representational Disunity. The Critical-Paranoiac Method: Dali. The Schizophrenic: Jameson and the Perpetual Present. Abstract Space and Subject Enunciation. Theatricalization of Subjectivity
- The Situation of Enunciation and Vampiristic Subject. Complicity and Instability of Rendered Positions -- 5. Following the Received Tradition: A Note in Conclusion
- Control code
- 9517150
- Dimensions
- 24 cm.
- Extent
- viii, 201 p.
- Isbn
- 9780231080835
- Lccn
- 93023718
- Media category
- unmediated
- Media MARC source
- rdamedia
- Media type code
-
- n
- Other physical details
- ill.
Library Links
Embed
Settings
Select options that apply then copy and paste the RDF/HTML data fragment to include in your application
Embed this data in a secure (HTTPS) page:
Layout options:
Include data citation:
<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.liverpool.ac.uk/portal/Theorizing-modernism--visual-art-and-the/dRBrlgLb0ZI/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.liverpool.ac.uk/portal/Theorizing-modernism--visual-art-and-the/dRBrlgLb0ZI/">Theorizing modernism : visual art and the critical tradition, Johanna Drucker</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.liverpool.ac.uk/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.liverpool.ac.uk/">Sydney Jones Library, University of Liverpool</a></span></span></span></span></div>
Note: Adjust the width and height settings defined in the RDF/HTML code fragment to best match your requirements
Preview
Cite Data - Experimental
Data Citation of the Item Theorizing modernism : visual art and the critical tradition, Johanna Drucker
Copy and paste the following RDF/HTML data fragment to cite this resource
<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.liverpool.ac.uk/portal/Theorizing-modernism--visual-art-and-the/dRBrlgLb0ZI/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.liverpool.ac.uk/portal/Theorizing-modernism--visual-art-and-the/dRBrlgLb0ZI/">Theorizing modernism : visual art and the critical tradition, Johanna Drucker</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.liverpool.ac.uk/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.liverpool.ac.uk/">Sydney Jones Library, University of Liverpool</a></span></span></span></span></div>
