Science fiction films -- History and criticism
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Science fiction films -- History and criticism
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- "A film is no place for argument" : William Camerion Menzies' Things to Come/
- "A galaxy far, far away" my ass!: : science fiction as a mirror for reality/
- "Aggressive negotiations"/
- "Are you a fucking mutant?" Total recall's fantastic hesitations
- "Here on the outside" : mobility and bio-politics in Michael Winterbottom's Code 46/
- "I married a misogynist from outer space": : the challenge of being a bride in 1950s science fiction films/
- "I want to be a real boy" : A.I. Robots, cyborgs, and mutants as passing figures in science fiction film/
- "If the engine ever stops, we'd all die": : Snowpiercer and necrofuturism/
- "So big"; the monumental technology of Things to come
- "The dark side of the force" : Star wars and the science fiction tradition
- "The last defender of Barsoom"
- "The video word made flesh" : spectacular transgressions in David Cronenberg's Videodrome
- "There is no spoon" : concepts of subjectivity in The matrix/
- "This is not film" : Ef/Facing the screen in Kathryn Bigelow's Strange days/
- "Who calls me villain?" Blank verse and the black hat
- 'Alien' influences
- 'Does all this have to happen again?' Excavating heritage in Battlestar Galactica
- 'Gattaca' a scientific (queer) romance
- 'Mulder, have you noticed that we're on television?' : 'X-Cops', style and innovation
- 'Solaris'. Der film von Andrej Tarkovskij im vergleich zu Lem's roman
- 'Superman' the effects
- 'What am I looking at. Mulder?': : licensed comics and the freedom of transmedia storytelling
- 'You are where you are, Sam -- you've got to make the best of it!': : re-imagining, renegotiating and re-evaluating memories of the early 1970s in BBC's Life on Mars
- ...And then suddenly two came along at once
- 100 science fiction films
- 100 years of science fiction : classic films, classic TV | highlights from the history of sf films and television
- 1001 interpretations of 2001
- 1950s science fiction cinema's depersonalisation narratives in Britain
- 1995 SFRA Pilgrim Award acceptance
- 1998 cinemartyr
- 20,000 Leagues under the sea : [a review]
- 2001 : The creation of a modern mythology
- 2001: : a time capsule
- 2001: a space odyssey : a transcendental trans-locuation/
- 2001>2010?
- 2010 in film : not my kind of genre
- 24 frames into the future: : Scalzi on science fiction film
- 25 Film
- 3 % (TV series) [Review]
- 3D the early days
- A benign psychopathy : The films of J. G. Ballard
- A carnival of apes : a Bakhtinian perspective on 'Twelve Monkeys'
- A closer look at close encounters
- A collapsing crutch : the characters of The Matrix fall cruelly into naturalism
- A condition of England: : the critique of racism, sexism and the 'back to nature' movement in the BBC's adaptation of Peter Dickinson's 'The Changes' novels
- A distant technology : science fiction film and the machine age
- A distant technology : science fiction film and the machine age : [a review]
- A flying saucer flew over the cuckoo's nest/
- A historical and critical survey of the science fiction film
- A history of science fiction films
- A journey into the shadows: : The Twilight Zone's visual critique of the cold war
- A league of very ordinary gentlemen/
- A nation of Hamlets : Shakespeare and cultural politics
- A note on King Kong
- A pictorial history of science fiction films
- A pictorial history of science fiction films
- A scanner smartly
- A syntax of symbols in the representation of death and dreams : death as simultaneity in 'Siesta' and 'Jacob's Ladder'
- A valuable update on the history of robots in sf film/
- A-bombs and B-movies
- ABC's movie of the week
- Abjection and 'The Thing'
- Adapting to language : Anthony Burgess's and Stanley Kubrick's A Clockwork Orange
- Adoptive versus biological mothering in Aliens
- Akira Mizuta Lippit, Atomic light [review]
- Alex Proyas's I, Robot : much more faithful to Asimov than you think
- Alien 3 : une analyse hermétique
- Alien box set
- Alien chic : posthumanism and the other within
- Alien chic : posthumanism and the other within
- Alien zone : cultural theory and contemporary science fiction cinema
- Alien zone II : the spaces of science-fiction cinema
- Alien zone II : the spaces of science-fiction cinema
- Alienating identification : black identity in The brother from another planet and I am legend
- Aliens R Us : the other in science fiction cinema
- Aliens, cyborgs and other invisible men: : Hollywood's solutions to the black 'problem' in sf cinema
- Alphaville
- Alphaville
- Alternative histories of Korean national sovereignty in 2009: Lost memories/
- American science fiction and the Cold War : literature and film
- Analysis and interpretation : Sevastakis on horror film and Schelde on sf film
- Anglo-American movies responding to Hitler, 1936 to 1941
- Animating the science fiction imagination
- Animation, modernism, and the science fiction imagination/
- Anime! : a beginner's guide to Japanese animation
- Another Earth [Review]
- Another Earth, a film by Mike Cahill [review]
- Another girl another planet : a reading of Ripley as a cyborgian trickster
- Anti-Communism and ambivalence in 'Red Planet Mars','Invasion USA', and 'The Beast of Yucca Flats'
- Apocalypse-cinema : 2012 and other ends of the world
- Apollo 13 : [a review]
- Architecture and science-fiction film : Philip K. Dick and the spectacle of home
- Archive : Short sf films 2010 (1-10 minutes duration)
- Archive: short films 2010 (11-60 minutes duration)
- Artificial Intelligence (A. I.) A reappraisal of the film of the year
- Atomic bomb cinema : the apocalyptic imagination on film
- Atomic bomb cinema : the apocalyptic imagination on film
- Attack of the clones/
- Attack of the killer plants
- Avatar : a film by James cameron [review]
- Avatar : a film by James cameron [review]
- Avatar dances with wolves
- Avatar simulation in 3Ts: : techne, trance, transformation/
- Avatar: : the new fantastic horizons of oneiric justice
- Back to the future : Oedipus as time traveller
- Back to the future : yang-yin=0, yang+yin=1
- Back to the future in Arkanar: : the Strugatskiis, Aleksei German Sr and the problem of injustice in Hard to be a god
- Bad dreams/
- Bashing Anne Rice : Interview with the Vampire
- Batchlers forever : [an interview]
- Batman : winging through the ruins of the American baroque
- Batman forever : [an interview]
- Be fearful: : The X-Files' post-9/11 legacy
- Besson vs hollywood
- Best films of 2015/
- Best films of 2016
- Best movies ever! . . . 2000s
- Best movies ever!... 1970s
- Best sf movies ever! 1990s
- Best sf movies ever!... 1980s
- Beyond Topeka and Thunderdome : variations on the comic-romance pattern in recent sf film
- Big big toys for grown up boys/
- Black space : imagining race in science fiction film
- Black space: imagining race in science fiction film by Adilifu Nama[review]
- Blade Runner 2
- Blade Runner 2049 : a philosophical exploration
- Blade Runner 2049 : a philosophical exploration
- Blade Runner : the subversion and redefinition of categories
- Blade Runner; or, the sociology of anticipation
- Blade runner 2049 [Review]/
- Blade runner Black out 2022 [Review]/
- Body, soul and cyberspace in contemporary science fiction cinema : virtual worlds and ethical problems
- Boldly go away/
- Borderlands gothic science fiction: : alienation as intersection in Rivera's Sleep dealer and Lavin's "Llegar a la orilla"/
- Branded [Review]
- Brian Aldiss's 'Frankenstein unbound' and its film adaptation by Roger Corman
- Brian Johnson : [an interview]
- British science fiction cinema
- CGI : a future history of assimilation in mainstream science fiction film/
- Capitalist realism in three recent sf films/
- Captain Eager and the mark of Voth [Review]
- Carl Silvio and Tony M. Vinci, eds, Culture, identities, and technology in the star wars films: essays on the two trilogies [review]
- Carrie : [a review]
- Catherine Constable, Adapting Philosophy: Jean Baudrillard and The Matrix Trilogy [review]
- Catholicism in The X-Files: : Dana Scully and the harmony of faith and reason
- Celluloid invasion
- Chasing the Millennium Actress
- Chris Darke. Alphaville [review]
- Chris Marker and the cinema as time machine
- Christine Cornea, Science fiction cinema: between fantasy and reality [review]
- Christopher J. Hansen (ed.), Ruminations, Peregerinations, and Regenerations: A critical approach to Doctor Who [Review]
- Christopher Priest -- The magic: the story of a film [Review]
- Cinema fails to be virtually reel
- Cinematic prophylaxis : globalization and contagion in the discourse of world health
- Clarke and Kubrick's 2001: : A queer odyssey/
- Classical traditions in science fiction
- Classical traditions in science fiction
- Click clunks/
- Clockwork Kubrick
- Close Encounters of the Third Kind : a personal essay
- Close encounters : film, feminism, and science fiction
- Commodity futures : corporate state and personal style in three recent science fiction movies
- Conception
- Contagion [review]
- Contrasting futures
- Cosmic Hamlets? Contesting Shakespeare in Federation space
- Cowboys and aliens (film) and Cowboys amd Aliens (graphic novel) [Review]
- Crash
- Crash : [a review]
- Cryptomimetic tropes in Yoshinori Natsume's Batman: death mask
- Cyborg cinema and contemporary subjectivity
- D. Harlan Wilson's They live [review]
- DEFA's floating islands
- Dan O'Bannon : [an interview]
- Dark horizons : science fiction and the dystopian imagination
- Dark horizons : science fiction and the dystopian imagination
- Dark knights and holy fools : the art and films of Terry Gilliam
- Darkman II, Durant returns : the direct-to-video sequel
- Darwin and the atom : evolution/devolution fantasies in The beast from 20,000 Fathoms, Them! and The Incredible Shrinking Man
- Darwin's soldiers : gender, evolution and warfare in Them! and Forbidden planet
- David Cronenberg's 'The Dead Zone'
- David Cronenberg's feature films from 'Shivers' to 'M. Butterfly'
- David Cronenberg: the poetry of flesh
- David J. Skal with Jessica Rains, Claude Rains: an Actor's Voice [Review]
- David Wittenberg, Time Travel: The Popular Philosophy of Narrative [Review]
- De Palma's way
- Dead Zone
- Death and rebirth in Star trek II : the wrath of Khan
- Demain la science fiction
- Der dritte der cyborg-polizisten-saga ist ein grosse enttäuschung
- Designing the future : [an interview]
- Desination marooned, or space odyssey prefigured
- Deweaponizing Stark: : powering the culture hero in Jon Favreau's Iron man and Iron man 2
- Dialectics of the fable
- Die Versämte apokalypse : notzien zu Rainer Erlers "Operation Ganymed" (1977)/
- Dieci anni di fantascienza,
- Digging holes in popular culture : archaeology and science fiction
- Digital anxiety and the new verité horror and sf film
- Disney has them in stiches!/
- Dispiriting Star wars exegesis/
- Dogma : [a review]
- Don't look where we're going : the vision of the future in science fiction films, 1970-82
- Douglas Trumbull the wizard of special effects Part 1
- Douglas Trumbull the wizard of special effects Part 2
- Drei ansichten des films 'solaris'
- E.T. as fairy tale
- Ed Wood Junior: the triumph of failure
- Eine erkenntnistheoretische untersuchung von realität und illusion in 'Matrix' im kunsthistorischen kontext
- Ellen Grabiner, I See You: The Shifting Paradigms of James Cameron's Avatar [Review]
- Elysium (Neill Blomkamp US 2013) [Review]/
- Empire as mirror: : imperialism and identity in the Crest/Banner of the stars series/
- Endhiran [review]
- Enframing the self : the hardware and software of Hardware
- Enlightening journeys through global sf
- Entretien
- Eric Cazdyn, The Already Dead: The New Time of Politics, Culture, and Illness [Review]
- Ernest Mathijs and Xavier Mendik (eds), The cult film reader [review]
- Ernest Mathijs, ed. The Lord of the rings: popular culture in global context [review]
- Eros in the mind's eye : sexuality and the fantastic in art and film
- Escape from the planet of the apes
- Escaping the panopticon : utopia, hegemony, and performance in Peter Weir's The Truman Show
- Europa report (Sebastian Cordero US 2013) [Review]/
- Evolution
- Extracts from the biographical encyclopedia of science fiction film
- Fake Dick/
- Fallout 3 versus the Omega man
- Fantastic cinema : an illustrated survey
- Fear, cultural anxiety, and transformation : horror, science fiction, and fantasy films remade
- Female oppression in Attack of the 50-foot woman
- Femmes futures: : one hundred years of female representation in sf cinema
- Film 2017 roundup
- Film Review Special
- Film reviews 2017/
- Filmbooks and postscripts
- Filming Heinlein's classic : The Puppet Masters
- Final frontiers: : computer-generated imagery and the science fiction film/
- Flickers 'n' Frames
- Focus on the science fiction film
- Forbidden planet : [a review]
- Forrest J. Ackerman presents Mr. Monster's movie gold : a treasure-trove of imagi-movies
- Frankenstein
- Frankenstein without Frankenstein : The Iron Giant and the absent creator/
- Frenchy Lunning, ed., Mechademia 4: War/Time [review]
- From 'sots-romanticism' to rom-com: : he Strugakskiis' Monday begins on Saturday as a film comedy
- From 'videodrome' to 'virtual light' David Cronenberg and William Gibson
- From Alien to The matrix : reading science fiction film
- From Alien to the matrix, by Roz Kaveney : [a review]
- From Jules Verne to Star Trek
- Future West : utopia and apocalypse in frontier science fiction
- Future imperfect : Philip K. Dick at the movies
- Future imperfect : Philip K. Dick at the movies
- Future tense : the cinema of science fiction
- Futurecop : the neutralisation of revolt in Blade Runner
- Gamera 2 : legion attacks!
- Gaming film : how games are reshaping contemporary cinema
- Gaming the system : Peter Watkins' The Gladiators and Punishment Park
- Gandahar and Les maîtres du temps [review]
- Gattaca as a space flight film/
- Gender and technology in science fiction film/
- Gender discourse in Eastern European sf cinema
- Generations ahead
- Genre and gender in The dead mountaineer's hotel (1979)
- Genre film, spectacle and the Strugatskii brothers in Fyodor Bondarchuk's The Inhabited island
- Geoff King, Donnie Darko [review]
- Give me your answer, do
- Golden age SF in Hollywood
- Gora : a true space oddity/
- Governor Arnold's last hurrah?/
- Gravity (Alfonso Cuaron 2014) [Review]/
- Growing nowhere : Pinocchio subverted in Spielberg's 'A. I. Artifical Intelligence'
- Guilty pleasures of the horror film
- H. G. Wells and British cinema : The War of the Worlds
- H. G. Wells on film : the utopian nightmare : [a review]
- H.G. Wells on film : the utopian nightmare
- H.G. Wells, modernity and the movies
- H.G. Wells, modernity and the movies
- Hal in the classroom : science fiction films
- Harlan Ellison's watching
- Henry A Giroux, Zombie politics and culture in the age of casino capitalism [and] David McNally, Monsters of the market: zombies, vampires and global capitalism [review]
- Hereafter [Review]/
- Heroes, monsters and values : science fiction films of the 1970s
- Hex appeal
- High and low : Roger Corman speaks
- Hive mind [review]
- Hollywood and the imperial gothic
- Hollywood on the moon: : "scientifilm", the pulps, and the sf imagination/
- Hollywood versus the Patriarchy/
- Holzwege der literatur. Zu Simon Spiegels artikel im 'quarber merkur 97/98'
- Horror of Frankenstein : [a review]
- Hunting hidden levels/
- Identity crisis/
- Im Angesicht des androiden (Teil 1) : : eine untersuchung filmischer adaptionen des werks von Philip K. Dick
- Im Angesicht des androiden : eine untersuchung filmischer adaptionen des werks von Philip K. Dick (Teil 2)
- Imagining our selves: : another step for sf film-philosophy
- In the future, we'll have summer all year round/
- In the kingdom of the blind/
- In the realm of revealing : the technological double in the contemporary science fiction film/
- In the zone
- Incredibly strange films
- Information feedback loops and two tales of the posthuman in Forbidden planet
- Inner and outer space/
- Inside Cronenberg
- Interplanetary soundclash
- Interview with Larissa Sansour
- Interview: Robert Bloch
- Introduction
- Introduction: : filming the Strugakskiis
- Introduction: : memory and modernity
- Invaders from mars
- Invasion of the body snatchers
- Invasion of the body snatchers : gender and sexuality in four film adaptations
- Investigating Firefly and Serenity : Science fiction on the frontier by Rhonda V. Wilcox & Tanya R. Cochran [review]
- Island of lost souls [review]
- It's that film again!
- J. P. Telotte and Gerald Duchovnay, eds, Science Fiction Film, Television, and Adaptation: Across the Screens [Review]
- J. P. Telotte, Disney TV [Review]
- Jack Clayton's 'The Innocents'
- Jackie Stacey, The cinematic life of the gene [review]
- Jacking in to the Matrix franchise : cultural reception and interpretation
- James Chapman and Nicholas J. Cull, Projecting Tomorrow: Science Fiction and Popular Cinema [Review]
- Japanese science fiction, fantasy and horror films : a critical analysis of 103 features released in the United States, 1950-1992
- Jeffrey Weinstock, The Vampire Film: Undead Cinema [Review]
- John Carpenter's The Thing and The Thing box-set [review]
- John Cline and Robert C. Weiner, eds, From the Arthouse to the Grindhouse: Highbrow and Lowbrow Transgression in Cinema's First Century [review]
- John Cline and Robert G. Weiner (eds), Cinema Inferno: celluloid explosions from the cultural margins [review]
- John Huss (ed.), Planet of the apes and philosophy: great apes think alike [Review]
- John Rieder, Colonialism and the Emergence of Science Fiction [review]
- Jon Sorensen : [an interview]
- Joshua David Belin, Framing monsters: fantasy film and social alienation [review]
- Just imagine-ing the Metropolis of modern America
- Keep watching the skies! by Bill Warren
- Keep watching the skies, volume II by Bill Warren
- Kids today
- King Kong : [a review]
- King Kong plays ping pong and sings songs
- Kirsten Moana Thompson, Apocalyptic dread: American film at the turn of the millennium [review]
- Kirsten Ostherr, Cinematic prophylaxis: globalization and contagion in the discourse of world health [review]
- Kiss those boots of shiny, shiny leather: life lessons of 'devil girl from mars'
- Kubrick's 2001 and the possibility of a science fiction cinema
- Kubrick's 2002
- La Antena [The aerial] [review]
- La belle, la bête et les truands
- La jetée and La vie d'un chien [Review]/
- La mémoire du cinéma : la science-fiction, le fantastique et le Primitifs
- Laser Fodder
- Laser Fodder
- Laser Fodder
- Laser Fodder
- Laser Fodder/
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- Laser fodder
- Laser fodder
- Laser fodder
- Laser fodder @ 500 rpm
- Laser fodder/
- Last resort : The end of August at the Ozone Hotel
- Le cinéma fantastique et de science-fiction : survol historique
- Le film de science fiction
- Le voyage dans la lune past-perfect
- Lenny's clip show/
- Let me show you the city
- Let the right one in and Let me in [Review]/
- Like a splinter in your mind : the philosophy behind the Matrix trilogy [review]
- Lincoln Geraghty, American science fiction: film and television [review]
- Lincoln Geraghty, Living with Star Trek [and] The Influence of Star Trek on Television, Film and Culture [review]
- Liquid space : science fiction film and television in the digital age
- Liquid space : science fiction film and television in the digital age
- Living in his own world : a Tim Burton retrospective
- Long live the new flesh
- Looking into the future/
- Looper [Review]
- Love is the plan, the plan is what? : eight views of 'Plan 10 from Outer Space'
- Love machines : boy toys, toy boys and the oxymorons of A.I.: Artificial Intelligence
- Love's fantastic voyage: : Crossing between science fiction and Romantic comedy in Innerspace/
- Love, longing and danger: : memory and forgetting in early twenty-first-century sf films
- Lowry-ing standards/
- Loyalty by obfuscation: : Aleksandr Sokurov's Dni zatmaniia vs the Strugatskii brothers' A billion years before the end of the world
- Lucas e Tolkien
- Luck out/
- Magic and realism : The films of Terry Gilliam
- Making culture into nature; or, who put the "special" into "special effects"
- Making tele-contact : 3-D film and 'The Creature from the Black Lagoon'
- Man in the moon [review]
- Man of Steel [Review]
- Man-sized monsters
- Marcuse, Ellus, and the science-fiction film : negative responses to technology
- Mark Bould, Science Fiction [Review]
- Mark E. Decker's Industrial society and the science fiction blockbuster: social critique in films of Lucas, Scott and Cameron [review]/
- Martial lore : thoughts on Battlestar Galactica
- Martian montage : Chris Marker's sf
- Mary Shelley's 'Frankenstein' : Kenneth Branagh directs Robert de Niro's "creature"
- Maternal back/grounds in Children of Men : notes towards an Arendtian biopolitics
- Matrix is one dimensional/
- Matrix warrior : being the one ; the unofficial handbook
- Matters of gravity, special effects and supermen in the twentieth century : [a review]
- Matthew R. Bradley's Richard Matheson on screen: a history of the filmed works [review]
- Mechademia 1 : emerging worlds of anime and manga [review]
- Memento mori : the slow death of The X-Files
- Menacing technologies : counterfeit women and the mutability of nature in science fiction cinema/
- Metropolis (multiple editions) [Review]
- Michael Berman and Rohit Dalvi, eds. Heroes, Monsters and Values: Science Fiction Films of the 1970s [Review]
- Michael Curtin and Jane Shattac, The American Television Industry [review]
- Mock up on Mu [review]
- Modernity and the masturbator: : the non-human economy, excess and non-gendered consciousness in The Cell
- More than metaphor : double vision in Lang's Metropolis
- Movie nightmares
- Movies in fifteen minutes
- Moving pictures
- Much like our first lives
- Mutant Popcorn/
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- My 'ten best' sf movies
- My little pony [Review]
- Myth and illiteracy : Bill and ted's Explicated Adventures
- Mythic patterns in Ellison's A boy and his dog
- National holiday, national epic, national destruction : second order semiology in Independence day and beyond/
- Never let me go [Review]
- New York film review no.1
- New heroes on screen : prototypes of masculinity in contemporary science fiction cinema [review]
- Noise and meaning in SF films
- Nostalgia for the light [review]
- Oblivion [Review]
- Observing the imperial gaze: : on Peter Fleischmann's Es is nicht leicht ein Gott zu sein
- Of eight oscillations and several messages carved in flesh : spectacle, spectatorship, cognition, and affect in Dredd and Looper
- Off the planet : music, sound and science fiction cinema
- Oh Neo!/
- Okja [Review]/
- Old/new tempest
- Omni's screen flights/screen fantasies ed. Danny Peary; The Aurum film encyclopedia vol 2 : science fiction ed. Phil Hardy; Nightmare movies by Kim Newman
- On film
- Optimism in Anthony Burgess's A clockwork orange
- Panic on the streets of London: : tourism and British dystopian cinema
- Passing the franchise baton : Star Trek Generations
- Past perfect : Plan 9 from outer space
- Past perfect : The day the earth stood still
- Past perfect: The lost boys
- Patterns of epic: the re-affirmation of western values in 'star wars' and 'lord of the rings'
- Paul Young, The cinema dreams its rivals: media fantasy films from radio to the internet [review]
- Peter Lev, The fifties; transforming the screen 1950-1959 [review]
- Peter Weir - Master of unease
- Peter Weir's visions of alternative realities
- Peter Y. Paik, From Utopia to Apocalypse: Science Fiction and the Politics of Catastrophe [review]
- Phase IV [review]
- Philip K. Dick and the movies
- Philip K. Dick on film in print
- Philip kaufman speaks!
- Philosophizing the Matrix (in extremis)
- Photography and cinema : 50 years of Chris Marker's La Jetée
- Piers Britton, TARDISbound: Navigating the Universes of Doctor Who [review]
- Planet of the apes as American myth : race and politics in the films and television series