Theorizing modernism : visual art and the critical tradition, Johanna Drucker
Resource Information
The instance Theorizing modernism : visual art and the critical tradition, Johanna Drucker represents a material embodiment of a distinct intellectual or artistic creation found in Sydney Jones Library, University of Liverpool.
The Resource
Theorizing modernism : visual art and the critical tradition, Johanna Drucker
Resource Information
The instance Theorizing modernism : visual art and the critical tradition, Johanna Drucker represents a material embodiment of a distinct intellectual or artistic creation found in Sydney Jones Library, University of Liverpool.
- Label
- Theorizing modernism : visual art and the critical tradition, Johanna Drucker
- Title remainder
- visual art and the critical tradition
- Statement of responsibility
- Johanna Drucker
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- volume
- Carrier category code
-
- nc
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
-
- 1. Reviewing Modernism: An Introduction -- 2. The Representation of Modern Life: From Space to Spectacle. The Image of Modernity as Urban Space. Baudelaire and Guys. Benjamin. Manet. Clark and Pollock. Specularity, Espace, and Visual Truth. Cubism, the Specular Surface, and the Visual Sign. Spectacle and Simulacrum -- 3. The Ontology of the Object. Early Formalism and Flatness: Manet. Fry/Bell/Cezanne. Presentation Rhetoric. Codifying Formalism Critically and Historically. Presence into Presentness. Beyond Formalism: The Parergon. Contingencies of Value -- 4. Subjectivity and Modernity. Models of the Artist as Producing Subject. Picasso. Duchamp. Benjamin/Barthes/Foucault. Judd/Warhol/Acconci. Levine/Prince 235. The Produced Subject of Artistic Enunciation. Decentering the Subject: Representational Disunity. The Critical-Paranoiac Method: Dali. The Schizophrenic: Jameson and the Perpetual Present. Abstract Space and Subject Enunciation. Theatricalization of Subjectivity
- The Situation of Enunciation and Vampiristic Subject. Complicity and Instability of Rendered Positions -- 5. Following the Received Tradition: A Note in Conclusion
- Control code
- 9517150
- Dimensions
- 24 cm.
- Extent
- viii, 201 p.
- Isbn
- 9780231080835
- Lccn
- 93023718
- Media category
- unmediated
- Media MARC source
- rdamedia
- Media type code
-
- n
- Other physical details
- ill.
- Record ID
- b1831708
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.liverpool.ac.uk/resource/dRBrlgLb0ZI/" typeof="Book http://bibfra.me/vocab/lite/Instance"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.liverpool.ac.uk/resource/dRBrlgLb0ZI/">Theorizing modernism : visual art and the critical tradition, Johanna Drucker</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.liverpool.ac.uk/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.liverpool.ac.uk/">Sydney Jones Library, University of Liverpool</a></span></span></span></span></div>
