Reader-response criticism
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The concept Reader-response criticism represents the subject, aboutness, idea or notion of resources found in Sydney Jones Library, University of Liverpool.
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Reader-response criticism
Resource Information
The concept Reader-response criticism represents the subject, aboutness, idea or notion of resources found in Sydney Jones Library, University of Liverpool.
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- Reader-response criticism
126 Items that share the Concept Reader-response criticism
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- A rhetoric of silence and other selected writings
- After the death of poetry : poet and audience in contemporary America
- Allusions in the press : an applied linguistic study
- Author and audience in Latin literature
- Author and audience in Latin literature
- Author, text, and reader in the novels of Carlos Fuentes
- Authorship, ethics, and the reader : Blake, Dickens, Joyce
- Becoming a reader : the experience of fiction from childhood to adulthood
- Byron's readers : a study of attitudes towards Byron, 1812-1832
- Cather, canon, and the politics of reading
- Chaucer's poetics and the modern reader
- Clarissa's ciphers : meaning and disruption in Richardson's "Clarissa"
- Clarissa's ciphers: meaning and disruption in Richardson's Clarissa
- Classics and the uses of reception
- Concepts of chivalry in Sir Gawain and the green knight
- D.H. Lawrence's language of sacred experience : the transfiguration of the reader
- Dear reader: the conscripted audience in nineteenth-century British fiction
- Decoding the ancient novel: the reader and the role of description in Heliodorus and Achilles Tatius
- Dialogue and literature : apostrophe, auditors, and the collapse of romantic discourse
- Dialogue and literature : apostrophe, auditors, and the collapse of romantic discourse
- Dreaming by the book
- El metateatro y la dramática de Vargas Llosa : hacia una poética del espectador
- Empathy and the strangeness of fiction : readings in French realism
- Enacting history in Henry James : narrative, power, and ethics
- Everybody's autonomy : connective reading and collective identity
- Experiencing fiction : judgments, progressions, and the rhetorical theory of narrative
- Feminism and the politics of reading
- Figures of the text : reading and writing (in) La Fontaine
- Framed narratives : Diderot's genealogy of the beholder
- Geoffrey Hartman : criticism as answerable style
- Geoffrey Hartman: criticism as answerable style
- Gleaning modernity : earlier eighteenth-century literature and the modernizing process
- Graphing Jane Austen : the evolutionary basis of literary meaning
- Gulliver and the gentle reader: studies in Swift and our time
- Het lezen van literatuur: een inleiding tot een nieuwe literatuur-benadering
- How to read journal articles in the social sciences : a very practical guide for students
- Ibsen's drama : author to audience
- Interpretive conventions : the reader in the study of American fiction
- Invisible listeners : lyric intimacy in Herbert, Whitman, and Ashbery
- Keats, narrative and audience: the posthumous life of writing
- Le lecteur intime: de Balzac au journal
- Literary history in the wake of Roland Barthes: redefining the myths of reading
- Making sense of Shakespeare
- Manuel Puig y la tela que atrapa al lector: estudio sobre El beso de la mujer araña en su relación con los procesos receptivos y con una continuidad literaria contestataria
- Maps and legends : reading and writing along the borderlands
- Marginality, canonicity, passion
- Meaning by Shakespeare
- Milton and the spiritual reader : reading and religion in seventeenth-century England
- Modernist literature : challenging fictions
- Narrative as performance: the Baudelairean experiment
- Nathalie Sarraute and the feminist reader: identities in process
- New formalist criticism : theory and practice
- On sympathy
- Postmodern counternarratives : irony and audience in the novels of Paul Auster, Don DeLillo, Charles Johnson, and Tim O'Brien
- Postmodern counternarratives : irony and audience in the novels of Paul Auster, Don Delillo, Charles Johnson, and Tim O'Brien
- Proust and emotion : the importance of affect in A la recherche du temps perdu
- Public et littérature en France au XVIIe siècle
- Ray Bradbury and the poetics of reverie : fantasy, science fiction, and the reader
- Re-editing Shakespeare for the modern reader : based on lectures given at the Folger Shakespeare Library, Washington D.C.
- Re-editing Shakespeare for the modern reader : based on lectures given at the Folger Shakespeare Library, Washington DC
- Re-reading poets : the life of the author
- Read my mind : young children, poetry, and learning
- Readers and reading
- Reading modernist poetry
- Reading popular narrative : a source book
- Reading renaissance drama: a process approach
- Reading sensations in early modern England
- Reading sites : social difference and reader response
- Reading with feeling : the aesthetics of appreciation
- Reading women's magazines : an analysis of everyday media use
- Recent Spanish poetry and the role of the reader
- Reception
- Reception in the Greco-Roman world : literary studies in theory and practice
- Reception studies
- Reception study : from literary theory to cultural studies
- Redeeming the text: Latin poetry and the hermeneutics of reception
- Richardson's 'Clarissa' and the eighteenth-century reader
- Richardson's Clarissa and the eighteenth-century reader
- Richardson's Clarissa and the eighteenth-century reader
- Robert Browning: his poetry and his audiences
- Romantic poets and the culture of posterity
- Romantic poets and the culture of posterity
- Serial encounters : Ulysses and the little review
- Serial encounters : Ulysses and the little review
- Shakespearean sensations : experiencing literature in early modern England
- Shakespearean sensations : experiencing literature in early modern England
- Siren songs : gender, audiences, and narrators in the Odyssey
- Speaking volumes : women, reading, and speech in the age of Austen
- Stand in the trench, Achilles : classical receptions in British poetry of the Great War
- Stendhal's paper mirror: patterns of self-consciousness in his novels
- Style and consciousness in Middle English narrative
- Surprised by sin : the reader in Paradise lost
- Text to reader : a communicative approach to Fowles, Barth, Cortázar and Boon
- Textuality and sexuality: reading theories and practices
- The Protean Virgil : material form and the reception of the classics
- The act of reading : a theory of aesthetic response
- The art of reading : essays in memory of Dorothy Gabe Coleman
- The crafty reader
- The emancipated spectator
- The experience of reading
- The experience of reading
- The experientiality of narrative : an enactivist approach
- The gilded pill: a study of the reader-writer relationship in Robert Burton's'Anatomy of Melancholy'
- The graphic unconscious in early modern French writing
- The hidden reader: Stendhal, Balzac, Hugo, Baudelaire, Flaubert
- The impossible observer : reason and the reader in 18th century prose
- The limits of interpretation
- The lyric speakers of old English poetry
- The making and marketing of Tottel's Miscellany, 1557 : songs and sonnets in the Summer of the Martyrs' Fires
- The making of the reader : language and subjectivity in modern American, English, and Irish poetry
- The opacity of signs: acts of interpretation in George Herbert's 'The temple'
- The reader in the picaresque novel
- The reception of Christine de Pizan from the fifteenth through the nineteen centuries: visitors to the city
- The return of the reader : reader-response criticism
- The sign of the cannibal : Melville and the making of a postcolonial reader
- The space that remains : reading Latin poetry in late antiquity
- The status of the reading subject in the 'Libro de buen amor'
- The still performance : writing, self, and interconnection in five postmodern American poets
- The supplement of reading : figures of understanding in romantic theory and practice
- The trouble with genius : reading Pound, Joyce, Stein, and Zukofsky
- The uses of adversity: failure and accommodation in reader response
- Theatre audiences: a theory of production and reception
- This book of starres: learning to read George Herbert
- Understanding metaphor in literature: an empirical approach
- Why reading literature in school still matters : imagination, interpretation, insight
- Writing against God : language as message in the literature of Flannery O'Connor
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.liverpool.ac.uk/resource/mVwYb1dZdcY/" typeof="CategoryCode http://bibfra.me/vocab/lite/Concept"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.liverpool.ac.uk/resource/mVwYb1dZdcY/">Reader-response criticism</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.liverpool.ac.uk/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.liverpool.ac.uk/">Sydney Jones Library, University of Liverpool</a></span></span></span></span></div>
